Since World War II, tourists have flocked to Florida's northwest Gulf Coast and sun and fun spots at Panama City Beach, Fort Walton Beach, and Pensacola Beach. Every year those visitors number in the millions.

For those who long to recall how the vacationland appeared thirty, forty, or even fifty years ago, Tim Hollis has written "Florida's Miracle Strip: From Redneck Riviera to Emerald Coast."

In a style that informs and entertains, Hollis describes the rise of early developments, such as Long Beach Resort, and major tourist attractions, such as the Gulfarium and the Miracle Strip Amusement Park. With heartfelt nostalgia and a dose of tongue-in-cheek, he reminisces on the motels and tourist cottages; the restaurants, such as Captain Anderson's and Staff's; the elaborate miniature golf courses, such as Goofy Golf and its many imitators. He takes a special delight in recovering the memories of those quirky businesses that now exist only in faded photographs and aging postcards, such wacky tourist traps as Castle Dracula, Petticoat Junction, Tombstone Territory, and the Snake-A-Torium.

In the book, Hollis examines how this area became known as the "Miracle Strip," and how the local chambers of commerce got so tired of that image that the name gradually fell into disuse. The book is illustrated with a profusion of vintage photos and advertisements, most of which have not been seen in print since their original appearances. For the nostalgia lover, the snowbird, the tourist seeking yesteryear, "Florida's Miracle Strip: From Redneck Riviera to Emerald Coast" will be a welcome traveling companion.

Tim Hollis is the author of "Hi There, Boys and Girls America's Local Children's TV Programs" and "Dixie Before Disney: 100 Years of Roadside Fun," both from University Press of Mississippi.

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records.

"Mouse Tracks: The Story of Walt Disney Records" chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down.

Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. "Mouse Tracks" is a collector's bonanza of information on this little-analyzed side of the Disney empire.

Tim Hollis lives in Birmingham, Alabama. Three of his previous books--histories of tourism and children's television--are published by University Press of Mississippi. Two-time Grammy nominee Greg Ehrbar, a twenty-year Disney company veteran, is a writer of advertising, books, television specials, radio shows, compact discs, and Walt Disney Records Read-Alongs.

Learn more about the book and the authors at www.mousetracksonline.com.