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This book brings attention to the communicative process of editing as a dialogic experience that is attentive to the voice of the Other, and underlines an ethical turn for the editing process. The volume focuses on an essential, yet undertheorized, aspect of the communicative practice of editing by reading and receiving the voice of the Other and offering feedback towards assisting the text to find a voice without turning it to the voice of the editor. Utilizing the theoretical and philosophical frameworks of a diverse group of leading scholars and philosophers, contributors to this volume explore the editing process as connected to communication ethics that calls for a discernment of what matters. With its philosophical underpinnings, this book will especially be of interest to researchers and students in multiple disciplines in humanities and the social sciences including communication studies, dialogue studies, philosophy, literature, composition studies, education, history, anthropology, psychology, sociology, religious studies, and political science.
Around the time this book is being written the world is faced with threats of terrorism, random shootings in various public places on a global scale, increased school violence especially in the United States, increased racial, ethnic, and religious tension worldwide as well as global forced displacement of people due to violence and human rights violations. Given this context, this project turns attention to the problematic of the “uprootedness of the modern man” in our age of technological advancement, globalization, and distraction. It introduces an innovative perspective to the study of communication ethics and the larger field of communication studies through an aesthetic ecology framework. The concept of aesthetic ecology refers to an environment that involves material, conceptual, and contemplative elements that are part of the ongoing dialogue between our sensuous and interpretive engagements in/with the world. Each chapter of this book explores an aspect of this aesthetic ecology in facilitating existential rootedness in connection to communication ethics.
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