Joe Pearlman directs this documentary which follows British athlete Mo Farah as he prepares for the 2016 Olympic Games in Rio de Janeiro. Alongside contributions from his family and top sports stars such as Usain Bolt, Thierry Henry and Haile Gebrselassie, the film looks back at the iconic distance runner's stellar career and gives unprecedented access to his training regime as he gears up to take on the world's best and cement his legacy as one of the greatest British Olympians of all time.

From the bestselling, award-winning author of Middle England comes a profoundly moving, brutally funny and brilliantly true portrait of Britain told through four generations of one family In Bournville, a placid suburb of Birmingham, sits a famous chocolate factory. For eleven-year-old Mary and her family in 1945, it's the centre of the world. The reason their streets smell faintly of chocolate, the place where most of their friends and neighbours have worked for decades. Mary will go on to live through the Coronation and the World Cup final, royal weddings and royal funerals, Brexit and Covid-19. She'll have children and grandchildren and great-grandchildren. Parts of the chocolate factory will be transformed into a theme park, as modern life and the city crowd in on their peaceful enclave. As we travel through seventy-five years of social change, from James Bond to Princess Diana, and from wartime nostalgia to the World Wide Web, one pressing question starts to emerge: will these changing times bring Mary's family - and their country - closer together, or leave them more adrift and divided than ever before? Bournville is a rich and poignant new novel from the bestselling, Costa award-winning author of Middle England. It is the story of a woman, of a nation's love affair with chocolate, of Britain itself. 'A wickedly funny, clever, but also tender and lyrical novel about Britain and Britishness and what we have become' Rachel Joyce 'It is miraculous how, in his new novel, Coe has created a social history of postwar Britain as we are still living it. Bournville is a beautiful, and often very funny, tribute to an underexamined place and also a truly moving story of how a country discovered tolerance' Sathnam Sanghera, bestselling author of Empireland

AN INSTANT NEW YORK TIMES BESTSELLER AN NPR CONCIERGE BEST BOOK OF THE YEAR "In her form-shattering and myth-crushing book....Coe examines myths with mirth, and writes history with humor... [You Never Forget Your First] is an accessible look at a president who always finishes in the first ranks of our leaders." -Boston Globe Alexis Coe takes a closer look at our first--and finds he is not quite the man we remember Young George Washington was raised by a struggling single mother, demanded military promotions, caused an international incident, and never backed down--even when his dysentery got so bad he had to ride with a cushion on his saddle. But after he married Martha, everything changed. Washington became the kind of man who named his dog Sweetlips and hated to leave home. He took up arms against the British only when there was no other way, though he lost more battles than he won. After an unlikely victory in the Revolutionary War cast him as the nation's hero, he was desperate to retire, but the founders pressured him into the presidency--twice. When he retired years later, no one talked him out of it. He left the highest office heartbroken over the partisan nightmare his backstabbing cabinet had created. Back on his plantation, the man who fought for liberty must confront his greatest hypocrisy--what to do with the men, women, and children he owns--before he succumbs to death. With irresistible style and warm humor, You Never Forget Your First combines rigorous research and lively storytelling that will have readers--including those who thought presidential biographies were just for dads--inhaling every page.

A gothic adventure story, a classic tale with a feminist twist, a story of ambition and obsession, forbidden love and sabotage... 'It is not the monster you must fear, but the monster it makes of men...' Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how... The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science, alongside her geologist husband Henry, but without wealth and connections, their options are limited. But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle's past, she thinks she may have found the key to securing their future... Their quest takes them to the wilds of Scotland, to Henry's intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret. Our Hideous Progeny is a sumptuous tale of ambition and obsession, of forbidden love and sabotage; an adventure story that blends classic, immersive storytelling with contemporary themes.

This Handbook provides a comprehensive overview of current developments, issues and good practices regarding assessment in social science research. It pays particular attention to the challenges in evaluation policies in the social sciences, as well as to the specificities of publishing in the area. The Handbook discusses the current societal challenges facing researchers, from digital societies, to climate change and sustainability, to trust in democratic societies. Chapters provide ways to strengthen research assessment in the social sciences for the better, by offering a diverse range of experiences and views of experts from all continents. The Handbook also outlines major data sources that can be used to assess social sciences research, as well as looking at key dimensions of research quality in the social sciences including journal peer review, the issue of identifying research quality, and gender disparities in social science research. This book will be an essential read for scholars interested in research assessment in the social sciences. It will also be useful to policy makers looking to understand the key position of the social sciences in science and society and provide appropriate frameworks for key societal challenges.

This new addition to Hart's acclaimed Landmark Cases series is a diverse and engaging edited collection bringing together eminent commentators from the United Kingdom, the United States, Australia, Canada, and New Zealand, to analyse cases of enduring significance to privacy law. The book tackles the conceptual nature of privacy in its various guises, from data protection, to misuse of private information, and intrusion into seclusion. It explores the practical issues arising from questions about the threshold of actionability, the function of remedies, and the nature of damages. The cases selected are predominantly English but include cases from the United States (because of the formative influence of United States' privacy jurisprudence on the development of privacy law), Australia, Canada, the Court of Justice of the European Union, and the European Court of Human Rights. Each chapter considers the reception and application (and, in some instances, rejection) outside of the jurisdiction where the case was decided.

'Compelling and utterly absorbing ... an artfully crafted debut that echoes the dark essence of Mary Shelley's FRANKENSTEIN while maintaining a fascinating originality all of its own' Susan Stokes-Chapman, author of PANDORA 'A gripping Gothic tale of grief and ambition, passion and intrigue' Jess Kidd, author of THE NIGHT SHIP Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how... The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science, alongside her geologist husband Henry, but without wealth and connections, their options are limited. But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle's past, she thinks she may have found the key to securing their future... Their quest takes them to the wilds of Scotland, to Henry's intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret... _______ 'A wonderful book; dark, passionate, multi-layered' Joanne Harris, author of CHOCOLAT & THE STRAWBERRY THIEF 'Exquisitely written... a story worthy of Mary Shelley' Sean Lusk, author of THE SECOND SIGHT OF ZACHARY CLOUDESLEY 'Sumptuously gothic, this atmospheric debut left me reeling' C.J. COOKE, author of THE LIGHTHOUSE WITCHES '

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.