Humans are storytelling animals. Stories are what make our societies possible. Countless books celebrate their virtues. But Jonathan Gottschall, an expert on the science of stories, argues that there is a dark side to storytelling we can no longer ignore. Storytelling, the very tradition that built human civilization, may be the thing that destroys it. In The Story Paradox, Gottschall explores how a broad consortium of psychologists, communications specialists, neuroscientists, and literary quants are using the scientific method to study how stories affect our brains. The results challenge the idea that storytelling is an obvious force for good in human life. Yes, storytelling can bind groups together, but it is also the main force dragging people apart. And it's the best method we've ever devised for manipulating each other by circumventing rational thought. Behind all civilization's greatest ills-environmental destruction, runaway demagogues, warfare-you will always find the same master factor: a mind-disordering story. Gottschall argues that societies succeed or fail depending on how they manage these tensions. And it has only become harder, as new technologies that amplify the effects of disinformation campaigns, conspiracy theories, and fake news make separating fact from fiction nearly impossible. With clarity and conviction, Gottschall reveals why our biggest asset has become our greatest threat, and what, if anything, can be done. It is a call to stop asking, "How we can change the world through stories?" and start asking, "How can we save the world from stories?"

This edited collection assembles cutting-edge comparative policy research on contemporary policies relevant to gender and workplace issues. Contributors analyze contemporary gender-related employment policies ranging from parental leave and maternity programs, sexual harassment, and work/life balance to gender mainstreaming. Gender and Work in Comparative Perspective thoroughly illustrates the richness of understanding that can be gained through the juxtaposition of a variety of research methodologies focused on a common theme. The side-by-side presentation of single case studies on countries such as Canada, the United States, Germany, and Japan allows readers to compare and understand a wide range of policy options, thereby integrating what are usually separate bodies of research on the role of gender in welfare state developments, employment transformations, workplace policies, and work experience. An essential tool for scholars in many fields, this volume clearly illustrates how national approaches to gender and workplace policy form a spectrum of alternatives that, while rooted in the historical and social cultures of individual nation-states, are also subject to similar international global and economic forces.

This edited collection assembles cutting-edge comparative policy research on contemporary policies relevant to gender and workplace issues. Contributors analyze contemporary gender-related employment policies ranging from parental leave and maternity programs, sexual harassment, and work/life balance to gender mainstreaming. Gender and Work in Comparative Perspective thoroughly illustrates the richness of understanding that can be gained through the juxtaposition of a variety of research methodologies focused on a common theme. The side-by-side presentation of single case studies on countries such as Canada, the United States, Germany, and Japan allows readers to compare and understand a wide range of policy options, thereby integrating what are usually separate bodies of research on the role of gender in welfare state developments, employment transformations, workplace policies, and work experience. An essential tool for scholars in many fields, this volume clearly illustrates how national approaches to gender and workplace policy form a spectrum of alternatives that, while rooted in the historical and social cultures of individual nation-states, are also subject to similar international global and economic forces.

This book explores the extent to which a transformation of public employment regimes has taken place in four Western countries, and the factors influencing the pathways of reform. It demonstrates how public employment regimes have unravelled in different domains of public service, contesting the idea that the state remains a 'model' employer.

This book helps to bridge the gap between science and literary scholarship. Building on findings in the evolutionary human sciences, the authors construct a model of human nature in order to illuminate the evolved psychology that shapes the organization of characters in nineteenth-century British novels, from Jane Austen to E. M. Forster.

This book helps to bridge the gap between science and literary scholarship. Building on findings in the evolutionary human sciences, the authors construct a model of human nature in order to illuminate the evolved psychology that shapes the organization of characters in nineteenth-century British novels, from Jane Austen to E. M. Forster.

Literary studies are at a tipping point. ." There is broad agreement that the discipline is in "crisis"--that it is aimless, that its intellectual energy is spent, that all of the trends are bad, and that fundamental change will be required to set things right. But there is little agreement on what those changes should be, and no one can predict which way things will ultimately tip.

"Literature, Science, and a New Humanities" represents a bold new response to the crisis in academic literary studies. This book presents a total challenge to dominant paradigms of literary analysis and offers a sweeping critique of those paradigms, and sketches outlines of a new paradigm inspired by scientific theories, methods, and attitudes.

Literary studies are at a tipping point. ." There is broad agreement that the discipline is in "crisis"--that it is aimless, that its intellectual energy is spent, that all of the trends are bad, and that fundamental change will be required to set things right. But there is little agreement on what those changes should be, and no one can predict which way things will ultimately tip.

"Literature, Science, and a New Humanities" represents a bold new response to the crisis in academic literary studies. This book presents a total challenge to dominant paradigms of literary analysis and offers a sweeping critique of those paradigms, and sketches outlines of a new paradigm inspired by scientific theories, methods, and attitudes.

Comparing the UK, US, Germany and Japan, this book draws on innovative concepts of varieties of gender regime as well as varieties of capitalism. The volume re-thinks the processes of de-gendering and re-gendering of working practices in the context of both de-regulation and re-regulation of employment.

"Gendering the Knowledge Economy" demonstrates the ways in which gender transforms the understanding of the knowledge-based economy, addressing the nature of knowledge and what constitutes the newness of current employment forms. It rethinks the processes of both de-gendering and re-gendering of working practices in the context of both the deregulation and re-regulation of employment. A comparative analysis of the US, UK, Germany and Japan underpins the rethinking of the varieties of capitalism and the comparative analysis of gender relations.

In many Western countries, gender equality has not yet been achieved. Switzerland, in particular, has failed as a forerunner in integrating women in politics and the economy. With Switzerland as the case study, this book critically examines the state of gender equality in different policy areas, such as education, family, and labor. [Subject: Sociology, Gender Studies, Women's Studies, Social Policy, Swiss Studies, Politics]

Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.;; Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America.;; Drawing on research conducted by Getty and international partners, the essays in this volume address a variety of topics, including the general history, emergence, and reception of Concrete art; processes and color; scientific analysis of works; illustrated chronologies of the paint industry in Brazil and Argentina; and Concrete design on paper. An innovative technical study of the Concrete art movement in Latin America, this volume will be indispensable to scholars, practitioners, and students of Latin American art.

Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. Now Jonathan Gottschall offers the first unified theory of storytelling.

He argues that stories help us navigate life's complex social problems--just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival. Drawing on the latest research in neuroscience, psychology, and evolutionary biology, Gottschall tells us what it means to be a storytelling animal and explains how stories can change the world for the better.

We know we are master shapers of story. The Storytelling Animal finally reveals how stories shape us.

Featuring thirty-nine essential essays by pioneering scholars, scientists, and critics, "Evolution, Literature, and Film" opens with an introduction to the principles of evolution, with essays from Charles Darwin on the logic of natural selection, Richard Dawkins on the genetic revolution of modern evolutionary theory, Edward O. Wilson on the unity of knowledge, Steven Pinker on the transformation of psychology into an explanatory science, and David Sloan Wilson on the integration of evolutionary theory into cultural critique. Later sections include essays on the adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works of literature and film, and analyses using empirical methods to explore literary problems. Texts under the microscope include folk- and fairy tales; Homer's "Iliad"; Shakespeare's plays; works by William Wordsworth, Charles Dickens, Emily Bront?, and Zora Neale Hurston; narratives in sci-fi, comics, and slash fiction; and films from Europe, America, Asia, and Africa. Each essay explains the contribution of evolution to a study of the human mind, human behavior, culture, and art.

Featuring thirty-nine essential essays by pioneering scholars, scientists, and critics, "Evolution, Literature, and Film" opens with an introduction to the principles of evolution, with essays from Charles Darwin on the logic of natural selection, Richard Dawkins on the genetic revolution of modern evolutionary theory, Edward O. Wilson on the unity of knowledge, Steven Pinker on the transformation of psychology into an explanatory science, and David Sloan Wilson on the integration of evolutionary theory into cultural critique. Later sections include essays on the adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works of literature and film, and analyses using empirical methods to explore literary problems. Texts under the microscope include folk- and fairy tales; Homer's "Iliad"; Shakespeare's plays; works by William Wordsworth, Charles Dickens, Emily Bront?, and Zora Neale Hurston; narratives in sci-fi, comics, and slash fiction; and films from Europe, America, Asia, and Africa. Each essay explains the contribution of evolution to a study of the human mind, human behavior, culture, and art.

This is the first English language technical study of one of the most important Italian artists of the post-WWII period. Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli - slashed, mostly monochromatic canvases - Fontana fashioned a remarkably multifaceted oeuvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminium flakes, and sand. This richly illustrated book presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work.

Dieses Open-Access-Buch untersucht vor dem Hintergrund der kulturell hegemonialen Rolle der Mittelschichten in westlichen Gesellschaften sowie angesichts zeitdiagnostischer Behauptungen, dass "die Mitte" zunehmenden Verunsicherungen und Gefahrdungen ausgesetzt sei, die biographischen Orientierungen und Praktiken, die die Lebensfuhrung der Mittelschichten in Deutschland ausmachen.

In the years after World War II, artists in Argentinaand Brazil experimented with geo- metric abstractionand engaged in lively debates about the role of theartwork in society. Some of these artists used novelsynthetic materials, creating objects that offered analternative to established traditions in painting-proposing that these objects become part ofeveryday, concrete reality. Combining art historicaland scientific analysis, experts from the GettyConservation Institute and Getty Research Instituteare collaborating with the Coleccio n Patricia Phelpsde Cisneros, a world-renowned collection of LatinAmerican art, to research the formal strategies andmaterial decisions of these artists working in theconcrete and neo-concrete vein.Making Art Concrete presents works by Lygia Clark,Willys de Castro, Judith Lauand, Rau l Lozza, Toma sMaldonado, He lio Oiticica, and Rhod Rothfuss, amongothers with new spectacular photography. Thephotographs, along with information about the now-invisible processes that determine the appearance ofthese works, are key to interpreting the artists' technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.