The young actor who thought he saw his part in Maxwell's play had so far made his way upward on the Pacific Coast that he felt justified in taking the road with a combination of his own. He met the author at a dinner of the Papyrus Club in Boston, where they were introduced with a facile flourish of praise from the journalist who brought them together, as the very men who were looking for each other, and who ought to be able to give the American public a real American drama. The actor, who believed he had an ideal of this drama, professed an immediate interest in the kind of thing Maxwell told him he was trying to do, and asked him to come the next day, if he did not mind its being Sunday, and talk the play over with him. He was at breakfast when Maxwell came, at about the hour people were getting home from church, and he asked the author to join him. But Maxwell had already breakfasted, and he hid his impatience of the actor's politeness as well as he could, and began at the first moment possible: "The idea of my play is biblical; we're still a very biblical people." He had thought of the fact in seeing so many worshippers swarming out of the churches.

YOU are not going out, John? said Mrs. Wilkinson, looking up from the work she had just taken into her hands. There was a smile on her lips; but her eyes told, plainly enough, that a cloud was upon her heart. Mrs. Wilkinson was sitting by a small work-table, in a neatly furnished room. It was evening, and a shaded lamp burned upon the table. Mr. Wilkinson, who had been reading, was standing on the floor, having thrown down his book and risen up hastily, as if a sudden purpose had been formed in his mind.

WE point to two ways in life, and if the young man and maiden, whose feet are lingering in soft green meadows and flowery walks, will consider these two ways in sober earnest, before moving onward, and choose the one that truth and reason tell them leads to honor, success, and happiness, our book will accomplish its right work for them. It is a sad thing, after the lapse of twenty years, to find ourselves amid ruined hopes; - to sit down with folded hands and say, "Thus far life has been a failure!" Yet, to how many is this the wretched summing up at the end of a single score of years from the time that reason takes the helm! Alas! that so few, who start wrong, ever succeed in finding the right way; life proving, even to its last burdened years, a miserable failure!

It was a morning in the middle of April, and the Jackson family were consequently breakfasting in comparative silence. The cricket season had not begun, and except during the cricket season they were in the habit of devoting their powerful minds at breakfast almost exclusively to the task of victualling against the labours of the day. In May, June, July, and August the silence was broken. The three grown-up Jacksons played regularly in first-class cricket, and there was always keen competition among their brothers and sisters for the copy of the Sportsman which was to be found on the hall table with the letters. Whoever got it usually gloated over it in silence till urged wrathfully by the multitude to let them know what had happened; when it would appear that Joe had notched his seventh century, or that Reggie had been run out when he was just getting set, or, as sometimes occurred, that that ass Frank had dropped Fry or Hayward in the slips before he had scored, with the result that the spared expert had made a couple of hundred and was still going strong.

Sure, I was carryin' the banner. But say, I ain't one of them kids that gets callouses on the hands doin' it. When I'm handed the fresh air on payday, I don't choke to death over it. I goes out and rustles for another job. And I takes my pick, too. Why not? It's just as easy. This time I gets a bug that the new Octopus Buildin' might have been put up special for me. Anyway, it looked good from the outside, and I blows in through the plate glass merry go round. The arcade was all to the butterscotch, everything handy, from an A. D. T. stand to Turkish baths in the basement. "Got any express elevators?" says I to the starter guy. "Think of buying the buildin', sonny?" says he. "There'd be room for you on the sidewalk if I did," says I. "But say, if you can tear your eyes off the candy counter queen long enough, tell me who's got a sign out this mornin'."

Andrew Bedient, at the age of seventeen, in a single afternoon, -indeed, in one moment of a single afternoon, -performed an action which brought him financial abundance for his mature years. Although this narrative less concerns the boy Bedient than the man as he approaches twice seventeen, the action is worthy of account, beyond the riches that it brought, because it seems to draw him into somewhat clearer vision from the shadows of a very strange boyhood. April, 1895, the Truxton, of which Andrew was cook, found herself becalmed in the China Sea, midway between Manila and Hong Kong, her nose to the North. She was a smart clipper of sixty tons burden, with a slightly uptilted stern, and as clever a line forward as a pleasure yacht. She was English, comparatively new, and, properly used by the weather, was as swift and sprightly of service as an affectionate woman. Her master was Captain Carreras, a tubby little man of forty-five, bald, modest, and known among the shipping as "a perfect lady." He wore a skull-cap out of port; and as constantly, except during meals, carried one of a set of rarely-colored meerschaum-bowls, to which were attachable, bamboo-stems, amber-tipped and of various lengths.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking.

The soft summer wind stirs the redwoods, and Wild-Water ripples sweet cadences over its mossy stones. There are butterflies in the sunshine, and from everywhere arises the drowsy hum of bees. It is so quiet and peaceful, and I sit here, and ponder, and am restless. It is the quiet that makes me restless. It seems unreal. All the world is quiet, but it is the quiet before the storm. I strain my ears, and all my senses, for some betrayal of that impending storm. Oh, that it may not be premature That it may not be premature * * The Second Revolt was largely the work of Ernest Everhard, though he cooperated, of course, with the European leaders. The capture and secret execution of Everhard was the great event of the spring of 1932 A.D. Yet so thoroughly had he prepared for the revolt, that his fellow-conspirators were able, with little confusion or delay, to carry out his plans. It was after Everhard's execution that his wife went to Wake Robin Lodge, a small bungalow in the Sonoma Hills of California.

Cuculain and his friends are historical characters, seen as it were through mists of love and wonder, whom men could not forget, but for centuries continued to celebrate in countless songs and stories. They were not literary phantoms, but actual existences; imaginary and fictitious characters, mere creatures of idle fancy, do not live and flourish so in the world's memory. And as to the gigantic stature and superhuman prowess and achievements of those antique heroes, it must not be forgotten that all art magnifies, as if in obedience to some strong law; and so, even in our own times, Grattan, where he stands in artistic bronze, is twice as great as the real Grattan thundering in the Senate. I will therefore ask the reader, remembering the large manner of the antique literature from which our tale is drawn, to forget for a while that there is such a thing as scientific history, to give his imagination a holiday, and follow with kindly interest the singular story of the boyhood of Cuculain, "battle-prop of the valour and torch of the chivalry of the Ultonians."

There were nine altogether in the party registering. This number included the manager, who, both on and off the stage, quite successfully impersonated the villain-a rather heavy-jawed, middle-aged fellow, of foreign appearance, with coarse, gruff voice; three representatives of the gentler sex; a child of eight, exact species unknown, wrapped up like a mummy; and four males. Beyond doubt the most notable member of the troupe was the comedian "star," Mr. T. Macready Lane, whose well-known cognomen must even now awaken happy histrionic memories throughout the western circuit. The long night's ride from their previous stand, involving as it did two changes of trains, had proven exceedingly wearisome; and the young woman in the rather natty blue toque, the collar of her long gray coat turned up in partial concealment of her face, was so utterly fatigued that she refused to wait for a belated breakfast, and insisted upon being at once directed to her room. There was a substantial bolt decorating the inside of the door, but, rendered careless by sheer exhaustion of both mind and body, she forgot everything except her desire for immediate rest, dropped her wraps upon the only chair visible, and flung herself, fully dressed, upon the bed. Her cheek had barely pressed the hard pillow before she was sleeping like a tired child.

It was springtime in the California Sierra. Never were skies bluer, never did the golden sun-flood steep the endless forest lands in richer life-giving glory. Ridge after ridge the mountains swept on and fell away upon one side until in the vague distances they sank to the monotonous level of the Sacramento Valley; down there it was already summer, and fields were hot and brown. Ridge after ridge the mountains stretched on the other side, rising steadily, growing ever more august and mighty and rocky; on their crests across the blue gorges the snow was dazzling white and winter held stubbornly on at altitudes of seven thousand feet. Thus winter, spring-time, and ripe, fruit-dropping summer coexisted, touching fingers across the seventy miles that lie between the icy top of the Sierra and the burning lowlands. Here, in a region lifted a mile into the rare atmosphere, was a ridge all naked boulder and spire along its crest, its sides studded with pine and incense cedar. The afternoon sunlight streaked the big bronze tree trunks, making bright gay spots and patches of light, casting cool black shadows across the open spaces where the brown dead needles lay in thick carpets.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The scene is laid in the park on SORIN'S estate. A broad avenue of trees leads away from the audience toward a lake which lies lost in the depths of the park. The avenue is obstructed by a rough stage, temporarily erected for the performance of amateur theatricals, and which screens the lake from view. There is a dense growth of bushes to the left and right of the stage. A few chairs and a little table are placed in front of the stage. The sun has just set. JACOB and some other workmen are heard hammering and coughing on the stage behind the lowered curtain. MASHA and MEDVIEDENKO come in from the left, returning from a walk.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The entire affair is shrouded in mystery, said D'Arnot. "I have it on the best of authority that neither the police nor the special agents of the general staff have the faintest conception of how it was accomplished. All they know, all that anyone knows, is that Nikolas Rokoff has escaped." John Clayton, Lord Greystoke - he who had been "Tarzan of the Apes" - sat in silence in the apartments of his friend, Lieutenant Paul D'Arnot, in Paris, gazing meditatively at the toe of his immaculate boot. His mind revolved many memories, recalled by the escape of his arch-enemy from the French military prison to which he had been sentenced for life upon the testimony of the ape-man.

One evening in May, 1888, the Cafe des Ecoles was even more crowded and more noisy than usual. The marble-topped tables were wet with beer and the din was appalling. Someone shouted to make himself heard. "Any more news from the Salon?" "Yes," said Elliott, "Thaxton's in with a number three. Rhodes is out and takes it hard. Clifford's out too, and takes it - "

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It was Lady Windermere's last reception before Easter, and Bentinck House was even more crowded than usual. Six Cabinet Ministers had come on from the Speaker's Levee in their stars and ribands, all the pretty women wore their smartest dresses, and at the end of the picture-gallery stood the Princess Sophia of Carlsruhe, a heavy Tartar-looking lady, with tiny black eyes and wonderful emeralds, talking bad French at the top of her voice, and laughing immoderately at everything that was said to her. It was certainly a wonderful medley of people. Gorgeous peeresses chatted affably to violent Radicals, popular preachers brushed coat-tails with eminent sceptics, a perfect bevy of bishops kept following a stout prima-donna from room to room, on the staircase stood several Royal Academicians, disguised as artists, and it was said that at one time the supper-room was absolutely crammed with geniuses. In fact, it was one of Lady Windermere's best nights, and the Princess stayed till nearly half-past eleven.

The Bobbsey twins were very busy that morning. They were all seated around the dining-room table, making houses and furnishing them. The houses were being made out of pasteboard shoe boxes, and had square holes cut in them for doors, and other long holes

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - In a review which appeared in the Athenaeum, of a translation of one of Jonas Lie's earlier works - "Den Fremsynte" ("The Visionary") - the reviewer expressed a hope that I would follow up that translation with "an English version of Lie's 'Livsslaven, ' that intensely tragic and pathetic story of suffering and wrong." It is in accordance with this suggestion that the present volume makes its appearance. In taking Christiania life for the subject of "Livsslaven," Jonas Lie attempted for the second time to break down the preconceived opinion of critics, that such a subject did not come within his province. They were accustomed to have tales of sea-life from his pen, and could not readily be persuaded that another sphere of life might afford equal scope for his talent. "Thomas Ross," published in 1878, had treated of Christiania life, and had attracted but little attention; and now, in the spring of 1883, appeared this "story of a smith's apprentice, with his struggles for existence and his ultimate final failure owing to the irresistible indulgence of a passionate physical instinct."

It has often been said that the greatest Frenchman who ever lived was in reality an Italian. It might with equal truth be asserted that the greatest Russian woman who ever lived was in reality a German. But the Emperor Napoleon and the Empress Catharine II. resemble each other in something else. Napoleon, though Italian in blood and lineage, made himself so French in sympathy and understanding as to be able to play upon the imagination of all France as a great musician plays upon a splendid instrument, with absolute sureness of touch and an ability to extract from it every one of its varied harmonies. So the Empress Catharine of Russia - perhaps the greatest woman who ever ruled a nation - though born of German parents, became Russian to the core and made herself the embodiment of Russian feeling and Russian aspiration. At the middle of the eighteenth century Russia was governed by the Empress Elizabeth, daughter of Peter the Great. In her own time, and for a long while afterward, her real capacity was obscured by her apparent indolence, her fondness for display, and her seeming vacillation; but now a very high place is accorded her in the history of Russian rulers. She softened the brutality that had reigned supreme in Russia. She patronized the arts. Her armies twice defeated Frederick the Great and raided his capital, Berlin. Had Elizabeth lived, she would probably have crushed him.

A good many years ago, before, indeed, I can remember, His Majesty's Ship Laurel, a corvette of eighteen guns and a hundred and thirty men, commanded by Captain Blunt, formed one of the West India squadron. She, with another corvette, and a brig in company, came one fine morning off a beautiful island, then in possession of the French, although, as Dick Driver, from whom I got the particulars, said, properly belonged to England, at least, it once had. Of course, therefore, it was their business to get it back again. Dick could not recollect its name, nor the exact date of the occurrences I am describing, for, being no scholar, he was a very bad hand at recollecting dates; and as he could not write his own name, of course it was not to be expected that he would keep a journal, or remember very accurately all the places he had visited.

When a woman's voice, pitched to the high note of utter terror, rang out on the late morning quiet of Manniston Road, Lawrence Bristow looked up from his newspaper quickly but vaguely, as if he doubted his own ears. He was reading an account of a murder c

Jose Cantino has no family as he grew up in an orphanage, eventually settling on the docks of Tampico, Mexico. Although just a boy, he quickly learns to sustain by filleting the day's catch for foreign tourists. He evolves into a deckhand and eventually a boat captain. His life takes a drastic turn when he finds out that the fishing charter that he works for is actually a front for one of Mexico's largest drug cartels. Out of loyalty and respect for Eduardo Robles - the kingpin of the organization, he becomes a drug runner. Although he's the cartel's rising star, things suddenly go south as the U.S. Navy is hot on his trail. Forced into retirement, he leaves Tampico and the cartel and moves to the Pacific side where he starts his own distribution network from the mainland to the Baja. After his first successful run, he does something that he promised he would never do. He falls in love. As he quickly changes his ways and finds a higher calling with the help of his fiance, his past catches up to him as warrants are issued for his arrest: Drug smuggling, conspiracy, and even murder As Cantino runs for his life from special agent Jack Hardlow and the DEA, everything he has worked for is suddenly compromised, including his love, Lucy. As his options dwindle, he is forced to do what he never thought he would have to do: return to Tampico until the dust settles. But it never does. With its cliffhanging chapters, vibrant characters, ironic themes, and twisting directions, An Ocean Away confirms that Mike Aldridge is an up and coming contender in the writing world.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - One evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were appro- aching the large village of Weydon-Priors, in Upper Wessex, on foot. They were plainly but not ill clad, though the thick hoar of dust which had accumulated on their shoes and garments from an obviously long journey lent a disadvantageous shabbiness to their appearance just now. The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.

Abstract arts aims to make unseen ideas visible and inspiring. MARKS ON A PAGE is a spontaneous exercise in understanding the common ground of images. From purely conceptual compositions to emblematic interpretations, the artist, Wade Kernohan, offers concrete insights into how simple marks on a page invoke head-scratching interest. Each new project moves from an assemblage of ink strokes into an expressive idea that demonstrates the relevance of abstract art in various esoteric alphabets showing projects that range from atmospheric, textured and nuanced to raw, powerful, and vibrant. Looking to expand your expressive repertoire? Explore MARKS ON A PAGE.

In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which throw light on the main subject. And in his later writings generally we further remark a decline of style, and of dramatic power; the characters excite little or no interest, and the digressions are apt to overlay the main thesis; there is not the 'callida junctura' of an artistic whole. Both the serious discussions and the jests are sometimes out of place. The invincible Socrates is withdrawn from view; and new foes begin to appear under old names. Plato is now chiefly concerned, not with the original Sophist, but with the sophistry of the schools of philosophy, which are making reasoning impossible; and is driven by them out of the regions of transcendental speculation back into the path of common sense. A logical or psychological phase takes the place of the doctrine of Ideas in his mind. He is constantly dwelling on the importance of regular classification, and of not putting words in the place of things. He has banished the poets, and is beginning to use a technical language. He is bitter and satirical, and seems to be sadly conscious of the realities of human life.

The sunshine of a day in early spring, honey pale and honey sweet, was showering over the red brick buildings of Queenslea College and the grounds about them, throwing through the bare, budding maples and elms, delicate, evasive etchings of gold and brown on the paths, and coaxing into life the daffodils that were peering greenly and perkily up under the windows of the co-eds' dressing-room. A young April wind, as fresh and sweet as if it had been blowing over the fields of memory instead of through dingy streets, was purring in the tree-tops and whipping the loose tendrils of the ivy network which covered the front of the main building. It was a wind that sang of many things, but what it sang to each listener was only what was in that listener's heart. To the college students who had just been capped and diplomad by "Old Charlie," the grave president of Queenslea, in the presence of an admiring throng of parents and sisters, sweethearts and friends, it sang, perchance, of glad hope and shining success and high achievement. It sang of the dreams of youth that may never be quite fulfilled, but are well worth the dreaming for all that.