When Edward Temple was about eight or nine years old he was afflicted with a disorder of the eyes. It was so severe, and his sight was naturally so delicate, that the surgeon felt some apprehensions lest the boy should become totally blind. He therefore gave strict directions to keep him in a darkened chamber, with a bandage over his eyes. Not a ray of the blessed light of heaven could be suffered to visit the poor lad. This was a sad thing for Edward. It was just the same as if there were to be no more sunshine, nor moonlight, nor glow of the cheerful fire, nor light of lamps. A night had begun which was to continue perhaps for months, - a longer and drearier night than that which voyagers are compelled to endure when their ship is icebound, throughout the winter, in the Arctic Ocean. His dear father and mother, his brother George, and the sweet face of little Emily Robinson must all vanish and leave him in utter darkness and solitude. Their voices and footsteps, it is true, would be heard around him; he would feel his mother's embrace and the kind pressure of all their hands; but still it would seem as if they were a thousand miles away.

He awoke in the dark. His awakening was simple, easy, without movement save for the eyes that opened and made him aware of darkness. Unlike most, who must feel and grope and listen to, and contact with, the world about them, he knew himself on the moment of awakening, instantly identifying himself in time and place and personality. After the lapsed hours of sleep he took up, without effort, the interrupted tale of his days. He knew himself to be Dick Forrest, the master of broad acres, who had fallen asleep hours before after drowsily putting a match between the pages of "Road Town" and pressing off the electric reading lamp. Near at hand there was the ripple and gurgle of some sleepy fountain. From far off, so faint and far that only a keen ear could catch, he heard a sound that made him smile with pleasure. He knew it for the distant, throaty bawl of King Polo-King Polo, his champion Short Horn bull, thrice Grand Champion also of all bulls at Sacramento at the California State Fairs. The smile was slow in easing from Dick Forrest's face, for he dwelt a moment on the new triumphs he had destined that year for King Polo on the Eastern livestock circuits.

The mid-fifties and early sixties were times when joy and excitement flourished in the hearts of young Americans. With the birth of controversial 'rock n' roll', and the glitter of inescapable Hollywood, teenagers flooded the streets with hot rods and wild attitudes. The generation enjoyed a care free existence and took their lessons of right and wrong from the rugged John Wayne thundering across the silver screen. Unfortunately, the fun times would not last. A cry from the tropical mountains of Vietnam brought the peaceful tranquility in the United States to an abrupt end. The harsh reality of the county's youth being maimed and killed in a foreign land almost destroyed the nation. "The Final Farewell" is a fictional account of how young lives were changed during the violent years of the Vietnam War. It tells the story of two friends Sergeant Cleat Davis and Sergeant John Truman and their journey through some of the most desolate times in our nation's history. Together the war brothers endure the hardships of a brutal post high school life where they are tested beyond measure on the harsh battlefields of Vietnam. This touching and inspiring story brings to life the heart and soul of one of the most influential times in our country's history.

As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the judicious those recommendations of my labours which they must necessarily anticipate from the perusal of the title-page. Nevertheless, I am not unaware, that, as Envy always dogs Merit at the heels, there may be those who will whisper, that albeit my learning and good principles cannot (lauded be the heavens) be denied by any one, yet that my situation at Gandercleugh hath been more favourable to my acquisitions in learning than to the enlargement of my views of the ways and works of the present generation. To the which objection, if, peradventure, any such shall be started, my answer shall be threefold:

Even the coming of an autumn dusk could not subdue the color of this land. Shadows here were not gray or black; they were violet and purple. The crumbling adobe walls were laced by strings of crimson peppers, vivid in the torch and lantern light. It had been this way for days, red and yellow, violet-colors he had hardly been aware existed back in the cool green, silver, gray-brown of Kentucky. So this was Tubacca! The rider shifted his weight in the saddle and gazed about him with watchful interest. Back in '59 this had been a flourishing town, well on its way to prominence in the Southwest. The mines in the hills behind producing wealth, the fact that it was a watering place on two cross-country routes-the one from Tucson down into Sonora of Old Mexico, the other into California-had all fed its growth.

Here is a story with a boy hero, and a boy of whom you have never before heard. There are girls in the story, too, including our old friend Dorothy, and some of the characters wander a good way from the Land of Oz before they all assemble in the Emerald City to take part in Ozma's banquet. Indeed, I think you will find this story quite different from the other histories of Oz, but I hope you will not like it the less on that account.

The soft summer wind stirs the redwoods, and Wild-Water ripples sweet cadences over its mossy stones. There are butterflies in the sunshine, and from everywhere arises the drowsy hum of bees. It is so quiet and peaceful, and I sit here, and ponder, and am restless. It is the quiet that makes me restless. It seems unreal. All the world is quiet, but it is the quiet before the storm. I strain my ears, and all my senses, for some betrayal of that impending storm. Oh, that it may not be premature That it may not be premature * * The Second Revolt was largely the work of Ernest Everhard, though he cooperated, of course, with the European leaders. The capture and secret execution of Everhard was the great event of the spring of 1932 A.D. Yet so thoroughly had he prepared for the revolt, that his fellow-conspirators were able, with little confusion or delay, to carry out his plans. It was after Everhard's execution that his wife went to Wake Robin Lodge, a small bungalow in the Sonoma Hills of California.

There is a story. - I cannot tell it. - I have no words. The story is almost forgotten but sometimes I remember. The story concerns three men in a house in a street. If I could say the words I would sing the story. I would whisper it into the ears of women, of mothers. I would run through the streets saying it over and over. My tongue would be torn loose - it would rattle against my teeth. The three men are in a room in the house. One is young and dandified. He continually laughs. There is a second man who has a long white beard. He is consumed with doubt but occasionally his doubt leaves him and he sleeps.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The scene is laid in the park on SORIN'S estate. A broad avenue of trees leads away from the audience toward a lake which lies lost in the depths of the park. The avenue is obstructed by a rough stage, temporarily erected for the performance of amateur theatricals, and which screens the lake from view. There is a dense growth of bushes to the left and right of the stage. A few chairs and a little table are placed in front of the stage. The sun has just set. JACOB and some other workmen are heard hammering and coughing on the stage behind the lowered curtain. MASHA and MEDVIEDENKO come in from the left, returning from a walk.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The entire affair is shrouded in mystery, said D'Arnot. "I have it on the best of authority that neither the police nor the special agents of the general staff have the faintest conception of how it was accomplished. All they know, all that anyone knows, is that Nikolas Rokoff has escaped." John Clayton, Lord Greystoke - he who had been "Tarzan of the Apes" - sat in silence in the apartments of his friend, Lieutenant Paul D'Arnot, in Paris, gazing meditatively at the toe of his immaculate boot. His mind revolved many memories, recalled by the escape of his arch-enemy from the French military prison to which he had been sentenced for life upon the testimony of the ape-man.

It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer's and you will find three or four high-coloured "views" of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thorough-fare, and the name of St. Mark is as familiar as the postman's ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no infor-mation whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.

The Bobbsey twins were very busy that morning. They were all seated around the dining-room table, making houses and furnishing them. The houses were being made out of pasteboard shoe boxes, and had square holes cut in them for doors, and other long holes

A person who is ignorant of legal matters is always liable to make mistakes when he tries to photograph a court scene with his pen; and so I was not willing to let the law chapters in this book go to press without first subjecting them to rigid and exhausting revision and correction by a trained barrister-if that is what they are called. These chapters are right, now, in every detail, for they were rewritten under the immediate eye of William Hicks, who studied law part of a while in southwest Missouri thirty-five years ago and then came over here to Florence for his health and is still helping for exercise and board in Macaroni Vermicelli's horse-feed shed, which is up the back alley as you turn around the corner out of the Piazza del Duomo just beyond the house where that stone that Dante used to sit on six hundred years ago is let into the wall when he let on to be watching them build Giotto's campanile and yet always got tired looking as Beatrice passed along on her way to get a chunk of chestnut cake to defend herself with in case of a Ghibelline outbreak before she got to school, at the same old stand where they sell the same old cake to this day and it is just as light and good as it was then, too, and this is not flattery, far from it. He was a little rusty on his law, but he rubbed up for this book, and those two or three legal chapters are right and straight, now. He told me so himself.

There it was The abrupt liberation of sound As he timed it with his watch, Bassett likened it to the trump of an archangel. Walls of cities, he meditated, might well fall down before so vast and compelling a summons. For the thousandth time vainly he tried to analyse the tone-quality of that enormous peal that dominated the land far into the strong-holds of the surrounding tribes. The mountain gorge which was its source rang to the rising tide of it until it brimmed over and flooded earth and sky and air. With the wantonness of a sick man's fancy, he likened it to the mighty cry of some Titan of the Elder World vexed with misery or wrath. Higher and higher it arose, challenging and demanding in such profounds of volume that it seemed intended for ears beyond the narrow confines of the solar system. There was in it, too, the clamour of protest in that there were no ears to hear and comprehend its utterance.

The present tale is founded more largely on testimony - oral and written - than any other in this series. The external incidents which direct its course are mostly an unexaggerated reproduction of the recollections of old persons well known to the author in childhood, but now long dead, who were eye-witnesses of those scenes. If wholly transcribed their recollections would have filled a volume thrice the length of 'The Trumpet-Major.' Down to the middle of this century, and later, there were not wanting, in the neighbourhood of the places more or less clearly indicated herein, casual relics of the circumstances amid which the action moves - our preparations for defence against the threatened invasion of England by Buonaparte. An outhouse door riddled with bullet-holes, which had been extempo-rized by a solitary man as a target for firelock practice when the landing was hourly expected, a heap of bricks and clods on a beacon-hill, which had formed the chimney and walls of the hut occupied by the beacon-keeper, worm-eaten shafts and iron heads of pikes for the use of those who had no better weapons, ridges on the down thrown up during the encampment, fragments of volunteer uniform, and other such lingering remains, brought to my imagination in early childhood the state of affairs at the date of the war more vividly than volumes of history could have done.

Abstract arts aims to make unseen ideas visible and inspiring. MARKS ON A PAGE is a spontaneous exercise in understanding the common ground of images. From purely conceptual compositions to emblematic interpretations, the artist, Wade Kernohan, offers concrete insights into how simple marks on a page invoke head-scratching interest. Each new project moves from an assemblage of ink strokes into an expressive idea that demonstrates the relevance of abstract art in various esoteric alphabets showing projects that range from atmospheric, textured and nuanced to raw, powerful, and vibrant. Looking to expand your expressive repertoire? Explore MARKS ON A PAGE.

The trouble with Harrowby Hall was that it was haunted, and, what was worse, the ghost did not content itself with merely appearing at the bedside of the afflicted person who saw it, but persisted in remaining there for one mortal hour before it would disappear. It never appeared except on Christmas Eve, and then as the clock was striking twelve, in which respect alone was it lacking in that originality which in these days is a sine qua non of success in spectral life. The owners of Harrowby Hall had done their utmost to rid themselves of the damp and dewy lady who rose up out of the best bedroom floor at midnight, but without avail. They had tried stopping the clock, so that the ghost would not know when it was midnight; but she made her appearance just the same, with that fearful miasmatic personality of hers, and there she would stand until everything about her was thoroughly saturated.

Jose Cantino has no family as he grew up in an orphanage, eventually settling on the docks of Tampico, Mexico. Although just a boy, he quickly learns to sustain by filleting the day's catch for foreign tourists. He evolves into a deckhand and eventually a boat captain. His life takes a drastic turn when he finds out that the fishing charter that he works for is actually a front for one of Mexico's largest drug cartels. Out of loyalty and respect for Eduardo Robles - the kingpin of the organization, he becomes a drug runner. Although he's the cartel's rising star, things suddenly go south as the U.S. Navy is hot on his trail. Forced into retirement, he leaves Tampico and the cartel and moves to the Pacific side where he starts his own distribution network from the mainland to the Baja. After his first successful run, he does something that he promised he would never do. He falls in love. As he quickly changes his ways and finds a higher calling with the help of his fiance, his past catches up to him as warrants are issued for his arrest: Drug smuggling, conspiracy, and even murder As Cantino runs for his life from special agent Jack Hardlow and the DEA, everything he has worked for is suddenly compromised, including his love, Lucy. As his options dwindle, he is forced to do what he never thought he would have to do: return to Tampico until the dust settles. But it never does. With its cliffhanging chapters, vibrant characters, ironic themes, and twisting directions, An Ocean Away confirms that Mike Aldridge is an up and coming contender in the writing world.

If we could only get used to the idea that ghosts are perfectly harmless creatures, who are powerless to affect our well-being unless we assist them by giving way to our fears, we should enjoy the supernatural exceedingly, it seems to me. Coleridge, I think it was, was once asked by a lady if he believed in ghosts, and he replied, "No, madame; I have seen too many of them." Which is my case exactly. I have seen so many horrid visitants from other worlds that they hardly affect me at all, so far as the mere inspiration of terror is concerned. On the other hand, they interest me hugely; and while I must admit that I do experience all the purely physical sensations that come from horrific encounters of this nature, I can truly add in my own behalf that mentally I can rise above the physical impulse to run away, and, invariably standing my ground, I have gained much useful information concerning them.

They ran across the shining sand, the Pacific thundering its long surge at their backs, and when they gained the roadway leaped upon bicycles and dived at faster pace into the green avenues of the park. There were three of them, three boys, in as many bright-colored sweaters, and they "scorched" along the cycle-path as dangerously near the speed-limit as is the custom of boys in bright-colored sweaters to go. They may have exceeded the speed-limit. A mounted park policeman thought so, but was not sure, and contented himself with cautioning them as they flashed by. They acknowledged the warning promptly, and on the next turn of the path as promptly forgot it, which is also a custom of boys in bright-colored sweaters.

Modern science has proved that the fundamental traits of every individual are indelibly stamped in the shape of his body, head, face and hands-an X-ray by which you can read the characteristics of any person on sight.

In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which throw light on the main subject. And in his later writings generally we further remark a decline of style, and of dramatic power; the characters excite little or no interest, and the digressions are apt to overlay the main thesis; there is not the 'callida junctura' of an artistic whole. Both the serious discussions and the jests are sometimes out of place. The invincible Socrates is withdrawn from view; and new foes begin to appear under old names. Plato is now chiefly concerned, not with the original Sophist, but with the sophistry of the schools of philosophy, which are making reasoning impossible; and is driven by them out of the regions of transcendental speculation back into the path of common sense. A logical or psychological phase takes the place of the doctrine of Ideas in his mind. He is constantly dwelling on the importance of regular classification, and of not putting words in the place of things. He has banished the poets, and is beginning to use a technical language. He is bitter and satirical, and seems to be sadly conscious of the realities of human life.

San Francisco Bay is so large that often its storms are more disastrous to ocean-going craft than is the ocean itself in its violent moments. The waters of the bay contain all manner of fish, wherefore its surface is ploughed by the keels of all manner of fishing boats manned by all manner of fishermen. To protect the fish from this motley floating population many wise laws have been passed, and there is a fish patrol to see that these laws are enforced. Exciting times are the lot of the fish patrol: in its history more than one dead patrolman has marked defeat, and more often dead fishermen across their illegal nets have marked success.

The Rome Express, the direttissimo, or most direct, was approaching Paris one morning in March, when it became known to the occupants of the sleeping-car that there was something amiss, very much amiss, in the car. The train was travelling the last stage, between Laroche and Paris, a run of a hundred miles without a stop. It had halted at Laroche for early breakfast, and many, if not all the passengers, had turned out. Of those in the sleeping-car, seven in number, six had been seen in the restaurant, or about the platform; the seventh, a lady, had not stirred. All had reentered their berths to sleep or doze when the train went on, but several were on the move as it neared Paris, taking their turn at the lavatory, calling for water, towels, making the usual stir of preparation as the end of a journey was at hand.