While flying from New York to London US Federal Air Marshal Bill Marks (Neeson) receives text messages from an anonymous sender who is threatening to murder a passenger every 20 minutes until millions of dollars are deposited into an unnamed bank account.

Marks faces a race against time to find and restrain the person responsible but when the bank account is found out to be in his name he is accused of being the hijacker. As victims are claimed, Marks discovers a bomb on board the aircraft which only exacerbates his predicament.

Can he find the culprit in order to save the remaining passengers and prove his innocence?

This remake of Sam Peckinpah's classic 1971 psychological thriller transposes the events of the first film from Cornwall to the American Deep South.

James Marsden stars as David Sumner, a Hollywood screenwriter who moves with his wife, Amy (Kate Bosworth), from LA to a house in his wife's small rural hometown to write his new script in peace and quiet.

But tensions brew between the two amid the intense heat and isolation, and an escalating conflict with the locals eventually drives a naturally even-tempered David to violent and drastic measures.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.