Three classic films starring comedy duo Stan Laurel and Oliver Hardy. In 'The Dancing Masters' (1943), Stan (Laurel) and Ollie (Hardy) are owners of a dance school, but are evicted for non-payment of rent. To raise money, Ollie tries an insurance scam which involves inflicting injuries on Stan, but the inept pair soon find themselves mixed up with local gangsters. Watch out for appearances by long-running Marx Brothers' foil Margaret Dumont and a youthful Robert Mitchum. In 'A-haunting We Will Go' (1942), Laurel and Hardy unknowingly offer to help a bunch of crooks smuggle a wanted man past the police in a coffin. Unfortunately, the casket gets mixed up with one used by a stage musician, leading to a comic chase. Finally, in 'The Bullfighters' (1945), Stan and Ollie are two detectives looking for a female criminal in Mexico. Stan gets mistaken for a famous matador and is forced to show his prowess in the bullring.

Scott Adkins and Dolph Lundgren star in this action thriller directed by Eric Styles. When a mysterious river monster in China attacks and kills several people, scientist Travis Preston (Adkins) travels out to investigate. When he arrives in the small fishing village he discovers, to his dismay, notorious hunter Harker (Lundgren) is also searching for the creature but with very different methods. If Travis can find the monster first he intends to capture it and study its existence; if Harker finds it he intends to kill it. Who will get there first?

Translated by Constance Garnett, with an Introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.