For the elite OSP team, protecting our nation is a personal mission in the explosive Season 13 of NCIS: Los Angeles.

Facing high-stakes threats from deadly adversaries including Chinese intelligence, white nationalist militias, the Mob, and an online army of murderous internet trolls, the team — “G” Callen (Chris O’Donnell), Sam Hanna (LL Cool J), Kensi Blye (Daniela Ruah), Marty Deeks (Eric Christian Olsen), Fatima Namazi (Medalion Rahimi), Devin Rountree (Caleb Castille), and Hollace Kilbride (Gerald McRaney) — never fails to keep our nation safe by any means necessary. Meanwhile, Callen’s search for answers about his mysterious past could endanger everyone close to him when sinister Russian operative Katya impersonates him with advanced deepfake technology.

This 5-disc DVD collection includes all 22 episodes plus exclusive featurettes, deleted scenes, and a gag reel!

n Season 12 of NCIS: LOS ANGELES, our city of heroes breaks out the big guns. From staving off a nuclear attack to staying one step ahead of a sociopathic stalker, every global case strikes a personal chord with the crew.

While Callen's (Chris O'Donnell) past continues to catch up to him, Sam (LL Cool J) faces risks that put his family in jeopardy. Meanwhile, Kensi (Daniela Ruah) braves a serious threat from a pardoned criminal, Deeks (Eric Christian Olsen) earns his NCIS badge, Eric (Barrett Foa) becomes a billionaire, and Nell (Renée Felice Smith) contemplates a promotion.

Throughout 18 episodes on 5 discs, exclusive special features that include 2 featurettes, deleted and extended scenes, plus an audio commentary, the evidence is clear: there's no threat our team can't survive.

In this beautiful, urgent, and ultimately uplifting novel by a rising Irish literary star comes a heart-pounding, life-affirming story about one woman trying to leave her marriage and start over.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away.

On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way. But he also monitors Ciara's every move, flies into unpredictable rages where he convinces her she can do nothing right, and has isolated her from work, friends, and her beloved family.

Was fleeing the right thing to do? With no job and no support, Ciara struggles to provide a sense of normalcy for her little girls. Facing a broken housing system, they move into a hotel room on a floor reserved for women like her, eating takeout, washing their clothes in the bathroom sink, and building a community with the other residents. Ryan, meanwhile, wages a relentless campaign to win her back, and Ciara wavers. He never hit her, after all, and don't the girls need a stable home?

For fans of Claire Keegan and Louise Kennedy, Roisín O'Donnell’s extraordinary debut creates a devastating and suspenseful portrait of gaslighting and emotional abuse—and even better, a triumphant story about family, love, and finding a new place to nest.

The Body of Christ is a traumatised body because it is constituted of traumatised bodies. This monograph explores the nature of that trauma and examines the implications of identifying the trauma of this body. Constructing new ways of thinking about the narratives at the heart of the Christian faith, 'Broken Bodies' offers a fresh perspective on Christian theology, in particular the Eucharist, and presents a call to love the body in all its guises. It offers new pathways for considering what it means to 'be Christian' and explores the impact that the experience of trauma has on Christian doctrine.

28 Days Later for werewolf lovers in this pacey, pulse-pounding YA horror debut!

High school senior Heidi Mills seems to have it all. A popular (albeit conceited) boyfriend, loving (wealthy) parents, and an acceptance letter to Harvard (well, almost). With her parents away for a long weekend, she's about to host the party to end all parties. She just has to ride out the full moon first, which should be simple with her home's state-of-the-art lockdown system.

But when two intruders show up to loot what they think will be an empty house, Heidi's pampered life is shattered - because they're not the only ones who get in.

One bite is all it takes for Heidi to be thrown into a terrifying new reality: the brutal world of the lupino virus that the privileged never see. Accompanied by the alluring boy who broke into her home, she embarks on a desperate race against the clock to find a cure before the next full moon. But in a post-pandemic society where survival is everything, the most dangerous monsters don't always have claws...

"Remove your sandals from your feet, for the place on which you are standing is holy ground." -Exodus 3:5 "The Holy Land is everywhere." -Black Elk The two epigraphs that preface Angela Alaimo O'Donnell's Holy Land introduce the reader to the central theme that permeates her poems: that holy places deserve to be regarded with reverence and that all places are holy places. In her afterward, the poet traces these foundational concepts to her Catholic childhood wherein religious instruction consisted largely of memorizing the Baltimore Catechism. "One of questions the Catechism poses is 'Where is God?' The answer is 'God is everywhere.' We believed this to be true. God was in church, but God was also in our house (a crucifix in every room), in the backyard, in our Buick (rosary beads swinging from the rearview mirror), at our birthday parties in the basement, and in our own bodies. And though those places may not sound very holy, they were. Because God was there. Is there." In addition to affirming this foundational belief, these poems extend the terrain, moving beyond the geographical and the physical to the temporal, the carnal, the intellectual, and the spiritual realms. They assert that our days are blessed, our bodies are blessed, our minds and souls are all blessed and sacred ground. The poet explores a broad spectrum of physical locations, beginning with poems set in the Holy Land and moving on to places closer to home, ranging from the west of Ireland to rural Minnesota, from New York City to the Texas border. She also probes the temporal spaces we occupy, experiences of death and birth, love and loss, desire and desolation that mark our human passage. The English word holy is related to the Germanic word heilig, a word that means blessed and also carries within it the idea of wholeness. Holy Land attempts to honor both the holiness and the wholeness of our world-from Gotham to Golgotha, the Bronx River to the Sea of Galilee-and to honor the holiness and wholeness of our blessed and broken humanity.

Chris Rock presents this documentary offering an insight into the fiercely competitive world of Afro-American hairdressing. The film includes a visit to the Bronner Brothers International Hair Show, the annual trade show for the African-American hair care industry. It also looks into the dangers of many common hair-straightening treatments, reveals the alarmingly high cost of regular hair 'relaxing' and weaves, and asks what the ongoing pursuit of straight hair says about African-American cultural identity.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.