Jordan Lee Dooley knows how devastating it can be to almost achieve a goal, almost reach a dream, or almost get to where you want to be, only to land just short of the finish line or watch it all fall apart at the last minute.

Disrupted, delayed, or even seemingly destroyed dreams have a way of making us rethink everything. But perhaps rethinking dreams is not always the worst thing. In those moments, you have a chance to pause and consider what matters most to you as well as redefine what success looks like for you in a world that’s constantly telling you what you should want or should do.

Believe it or not, it is possible to cultivate a life you really like—and one where you can succeed—in the tension of the middle, between where you started and where you hoped to be.

Discover:

• the single most important question to ask yourself as you set goals and make plans
• practical steps to move forward when your plans don’t go according to plan
• how to clarify which goals are right for you to pursue (and which are not)
• • what to do when dreams seem to come true for everyone but you
• the unexpected gains that can arise from unwanted pain
• how to know when it’s time to let go of a dream—and what to do with the space left behind

Life is filled with unexpected interruptions, almost-but-not-quite moments, uncertainty, and in-between seasons. As hard as those experiences may be, they also offer a unique invitation to align your dreams and goals with what matters most.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A two-colour graphic novel about speaking-up and standing out when you feel different. Perfect for fans of Raina Telgemeier How do you find your voice when everyone around you is telling you to be quiet? Frankie is different, and so is her best-friend, Sam. So when they both start secondary school, it's tough. Particularly when there are so many rules to follow, like: No talking in class! Be quiet in the hallways! Silence for assembly! Frankie doesn't know how she'll manage, because constantly talking is how she copes. So when she gets the chance to compete in a Battle of the Bands contest, Frankie couldn't be more excited. Except, to have a band, you need to have band members. And to have band members, you need to be good at making friends... Can Frankie learn to find her voice and stand out? A unique perspective on Autism, told with humour and heart. Brought to life with glorious colour artwork in a distinctive blue and orange palette. Perfect for fans of Raina Telgemeier. Praise for FRANKIE'S WORLD: "I loved Frankie's story and could really identify with her character. This is such an amazing graphic novel that represents neurodiversity really realistically." Libby Scott "Aoife Dooley captures Frankie's autistic experience with great care, humour and love." Lizzie Huxley-Jones "A fun and relatable read about awkwardness, self-acceptance, family and friendship." Sarah McIntyre "Unique and often funny ... I cheered Frankie on through her journey." Sue Cheung "Frankie's World is funny, fresh and honest and I wish it had be around to read when I was little." Holly Smale "Offers an amusing and relatable story that celebrates neurodiversity through its sensitive exploration of Frankie's alienation from her peers" IRISH TIMES "A wonderfully charming, honest and funny look at growing up... one of my favourite books of the year" IRISH EXAMINER "Warm, funny and original" GUARDIAN "A great story about growing up and learning who you are" BOOKTRUST

Students will find grammar practice enjoyable with New Round-Up. Clear grammar tables and explanations combined with lots of practice make understanding the language easy for young learners. Lessons provide a variety of games and written exercises and students will have plenty of opportunities for additional practice with the interactive student CD-ROM. New Round-Up can be used in class, for homework and for revision.

How do you fit in and stand out when you feel different to everyone around you? "I loved Frankie's story and could really identify with her character. This is such an amazing graphic novel that represents neurodiversity really realistically." Libby Scott "Aoife Dooley captures Frankie's autistic experience with great care, humour and love." Lizzie Huxley-Jones "A fun and relatable read about awkwardness, self-acceptance, family and friendship." Sarah McIntyre "Unique and often funny ... I cheered Frankie on through her journey." Sue Cheung Frankie knows she's not like anyone else in her class: she's different, but she can't quite figure out why. Is it the new freckle on her nose, or the fact she's small for her age? Or that she has to go to the hospital sometimes? Everyone else seems to think she's weird too, and they make fun of her at school. Frankie's dad left when she was a baby - maybe he was different too? It would explain why she always feels like an alien. So she and her best-friend Sam, embark on a mission to track him down. A graphic novel offering a unique perspective on Autism, told with humour and heart. Brought to life with glorious colour artwork in a distinctive blue and orange palette. Perfect for fans of Raina Telgemeier.

In Inequality and Governance in an Uncertain World: Perspectives on Democratic & Autocratic Governments, the authors address structural and systemic inequalities in democratic and autocratic governments from a multidimensional perspective in nine world regions (Sub-Saharan Africa, the Middle East and North Africa, South Asia, East Asia, Eurasia, Eastern Europe, Western Europe, North America, and Latin America). Their focus is on issues of race, caste, class, gender, religion, culture, and ethnicity which has intensified during the COVID-19 pandemic. The fragility of democracies is only enhanced by the sobering reality of the climate crisis and the horrible nature of disinformation through social media. However, just as the world has been witnessing a shift toward autocracy, a commitment to democracy can be also possible through a renewal of the social contract, calling for more equitable social, economic, and health policies, obliterating the intersections of inequality, and trudging toward a more sustainable future for all.

Like her much-loved heroine Emma Woodhouse, Jane Austen ‘played and sang’. Music occupied a central role in her life, and she made brilliant use of it in her books to illuminate characters’ personalities and highlight the contrasts between them. Until recently, our knowledge of Austen’s musical inclinations was limited to the recollections of relatives who were still in their youth when she passed away. But with the digitisation of music books from her immediate family circle, a treasure trove of evidence has emerged. Delving into these books, alongside letters and other familial records, She played and sang unveils a previously unknown facet of Austen's world. This insightful work not only uncovers the music closely associated with Austen, but also unravels her musical connections with family and friends, revealing the intricate ties between her fiction and the melodies she performed. With these revelations, Austen's musical legacy comes to life, granting us a deeper understanding of her artistic prowess and the influences that shaped her literary masterpieces. -- .

Atlanta is the only American city to have been destroyed by fire as an act of war, and it has its share of salacious stories. Wealthy felons hosted elaborate parties inside the federal penitentiary. Billionaire bootleggers and murderous rich boys practiced corruption that reached all the way to the White House. Fast and fearless drivers, complete with glamorous reputations and criminal careers, gave rise to auto racing. Join author Laurel-Ann Dooley as she navigates the underworld of Atlanta's past filled with kidnapping, bribery, wives hiring hit men and all sorts of criminal debauchery.

This book provides a new understanding of the eurozone crisis across three of the worst hit cases: Greece, Portugal, and Ireland. In contrast to accounts which stress the 'immaturity' of the European 'periphery', as well as more critical narratives that understand these countries as victims of German and core 'economic domination', this book recognises that individual peripheral countries have followed dramatically different paths to crisis, making it difficult to speak of the eurozone crisis as a single phenomenon. Bringing literature from Comparative Political Economy into dialogue with scholarship on Europeanisation, this book contributes the concept of 'divergence via Europeanisation'. It explores the much-overlooked ways in which the negotiation of a 'one size fits all' project of European financial integration has been generative of precarious patterns of economic growth across Greece, Portugal, and Ireland. The book shows that far from their failure or inability to do so, it has been the European periphery's attempt to 'follow the rules' of European integration that explains their current difficulties. This novel understanding of the eurozone crisis should appeal to students and scholars in International Political Economy, European and European Union Studies, Comparative Political Economy, Irish Politics, Greek Politics, and Portuguese Politics.

"International Taxation in America" presents the most complete and indispensible guide to international taxation available in today's market. Author Brian Dooley, CPA, is a seasoned tax researcher and specialist in international tax and is among the very few experts who have experienced hundreds of international tax audits without a loss.

Covering international taxation for businesses, the taxation of shareholders of foreign corporations, foreign tax credits, cross-border estate planning, and much more, Dooley offers meticulous research and clear explanations of hundreds of international tax-related issues. Whether the subject is tax haven corporations and trusts, reducing taxes through tax treaties, learning how Americans are taxed abroad, or estate planning for multi-national families, Dooley explains the subject in thorough and clear language.

"International Taxation in America" provides valuable lessons for your enrichment, including useful links to help guide you online. You'll receive the level of information and expertise required to avoid mistakes and IRS scrutiny.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

With reference to traditional film theory and frameworks drawn from fields such as screenwriting studies and anthropology, this book explores the challenges and opportunities for both practitioners and viewers offered by the 360-degree storytelling form. It focuses on cinematic virtual reality (CVR), a format that involves immersive, high quality, live action or computer-generated imagery (CGI) that can be viewed through head mounted display (HMD) goggles or via online platforms such as YouTube. This format has surged in popularity in recent years due to the release of affordable high quality omnidirectional (360-degree) cameras and consumer grade HMDs. The book interrogates four key concepts for this emerging medium: immersion, presence, embodiment and proximity through an analysis of innovative case studies and with reference to practitioner interviews. In doing so, it highlights the specificity of the format and provides a critical account of practitioner approaches to the concept development, writing and realisation of short narrative CVR works. The book concludes with an account of the author's practice-led research into the form, providing a valuable example of creative practice in the field of immersive media.