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The Ninth Thermidor (Paperback): M. a. Aldanov The Ninth Thermidor (Paperback)
M. a. Aldanov; Translated by A E Chamot
R443 Discovery Miles 4 430 Ships in 10 - 15 working days

Mark Alexandrovich Landau (1888-1957) was a Russian emigrant and wrote many historical novels.

My Reminiscences, Volume 1. (Paperback): Prince Serge Wolkonsky My Reminiscences, Volume 1. (Paperback)
Prince Serge Wolkonsky; Translated by A E Chamot
R717 Discovery Miles 7 170 Ships in 10 - 15 working days

Prince Serge Wolkonsky (1860 - 1937) was an influential Russian theatrical worker, one of the first Russian proponents of eurhythmics, pupil and friend of Emile Jaques-Dalcroze, and creator of an original system of actor's training that included both expressive gesture and expressive speech.In 1899 Wolkonsky became Director of the Imperial Theatres, the post for which he is most remembered. Although he held the position only until 1902, he achieved a great deal; Serge Diaghilev was his immediate assistant, and Wolkonsky entrusted him with the publication of the Annual of the Imperial Theatres in 1900. New names appeared in the theaters, such as painters Alexandre Benois, Konstantin Somov, and Leon Bakst. In this first part of his two-volume reminiscences he discusses his childhood and youth, his recollections of the Russian and German theatre, opera, and his travels in Europe and America.

My Reminiscences, Volume 2. (Paperback): Prince Serge Wolkonsky My Reminiscences, Volume 2. (Paperback)
Prince Serge Wolkonsky; Translated by A E Chamot
R708 Discovery Miles 7 080 Ships in 10 - 15 working days

Prince Serge Wolkonsky (1860 - 1937) was an influential Russian theatrical worker, one of the first Russian proponents of eurhythmics, pupil and friend of Emile Jaques-Dalcroze, and creator of an original system of actor's training that included both expressive gesture and expressive speech.In 1899 Wolkonsky became Director of the Imperial Theatres, the post for which he is most remembered. Although he held the position only until 1902, he achieved a great deal; Serge Diaghilev was his immediate assistant, and Wolkonsky entrusted him with the publication of the Annual of the Imperial Theatres in 1900. New names appeared in the theaters, such as painters Alexandre Benois, Konstantin Somov, and Leon Bakst. In this second part of his two-volume reminiscences he discusses his mother Princess Elisabeth Wolkonsky, his time at the Imperial Theatres, the Russian Revolution and its consequences, and the ruin of the Russia he loved.

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