Skin, Culture and Psychoanalysis sets out to query the intersection of cultural and psychical meanings of skin in the contemporary moment as skin responds to new (and old) pressures and articulations. A variety of topics are herein addressed including the symbolic dominance of white skin, racialization, tattooing, cosmetic surgery, fabric skins, skin eruptions, second skins, the skin in self-harm, and skin as a site of psychic repair. The authors engage an array of objects and approaches from the clinical domain, literary fiction, television, film, video art, photography, fashion design, and poetry. In doing so, they highlight the situation of skin as a socially and culturally mediated exterior simultaneously negotiated at the interior or psychical level. This collection locates skin at the centre of inquiry, rather than as a jumping-off point from which to explore 'deeper' or 'thicker' issues, which tends to happen when skin is treated synecdochically as a stand-in for the body itself. Here, skin is a cultural object, and a psychical object, in its own right.

An interdisciplinary study of skin bridging cultural and psychoanalytic theory to consider how the body's "exterior" is central to human subjectivity and relations. The authors explore racialization, body modification, self-harm, and comedic representations of skin, drawing from the clinical domain, visual arts, popular culture, and literature.

On June 23, 1985, the bombing of Air India Flight 182 killed 329 people, most of them Canadians. Today this pivotal event in Canada's history is hazily remembered, yet certain interests have shaped how the tragedy is woven into public memory, and even exploited to advance a pernicious national narrative. Remembering Air India insists that we "remember Air India otherwise." This collection investigates the Air India bombing and its implications for current debates about racism, terrorism, and citizenship. Drawing together academic analysis, testimony, visual arts, and creative writing, this innovative volume tenders a new public record of the bombing, one that shows how important creative responses are for deepening our understanding of the event and its aftermath. Contributions by: Cassel Busse, Chandrima Chakraborty, Amber Dean, Rita Kaur Dhamoon, Angela Failler, Teresa Hubel, Suvir Kaul, Elan Marchinko, Eisha Marjara, Bharati Mukherjee, Lata Pada, Uma Parameswaran, Sherene H. Razack, Renee Sarojini Saklikar, Maya Seshia, Karen Sharma, Deon Venter, Padma Viswanathan

The Idea of a Human Rights Museum is the first book to examine the formation of the Canadian Museum for Human Rights and to situate the museum within the context of the international proliferation of such institutions. Sixteen essays consider the wider political, cultural and architectural contexts within which the museum physically and conceptually evolved drawing comparisons between the CMHR and institutions elsewhere in the world that emphasize human rights and social justice. This collection brings together authors from diverse fields-law, cultural studies, museum studies, sociology, history, political science, and literature-to critically assess the potentials and pitfalls of human rights education through ""ideas"" museums. Accessible, engaging, and informative, the collection's essays will encourage museum-goers to think more deeply about the content of human rights exhibits. The Idea of a Human Rights Museum is the first title in the University of Manitoba Press's Human Rights and Social Justice Series. This series publishes work that explores the quest for social justice and the basic rights and freedoms to which all human beings are entitled, including civil, political, economic, social, collective, and cultural rights.