The thrilling multi-award-winning crime drama returns for a 29th series, with five more macabre stories for the team at the Lyell Centre to solve.

The enemy is in our waters . . .

July 1941

Having left England to join his father in the South Africa, Lieutenant Jack Pembroke has found a new home – and a new love – in Cape Town and is put in command of a small, anti-submarine flotilla at the Royal Navy base in Simonstown. He has precious little time to train his men, and prepare his ships, for the arrival of deadly Nazi wolf packs – U-boats sent by Admiral Dönitz from bases in France to cripple the Cape convoy route. With the Mediterranean all-but closed to maritime traffic, and Rommel’s forces rampaging through North Africa, this sea route is vital to supplying Allied forces in Egypt at a critical point in World War II.

Everything will hang in the balance with the arrival of the enemy in South African waters. Gruppe Savanne comprises five long-range Uboats under the command of Fregattenkapitän Wolfgang Brand, a hardened veteran, who will stretch the Cape’s defences to the limit. On board he carries a South African spy and ardent Nazi, who is to be landed on the West Coast to start a campaign of sabotage, assassination and rebellion bent on toppling the pro-British government of Prime Minister Jan Smuts.

With the spy safely ashore, and the Cape Peninsula under attack, Jack must now escort a convoy to Durban with the U-boat pack lying in wait. So begins a cat-and-mouse game that will push Jack and his men to breaking point. The Wolf Hunt is the second book in the thrilling Jack Pembroke series, each of which is a stand-alone story.

December 1941. It’s the height of World War II and the fate of the world hangs in the balance.

Lieutenant Jack Pembroke is ordered to join a convoy and sail his beloved ship, HMSAS Gannet, from South Africa to Egypt, where he will join the coastal escorts. With the Mediterranean all but closed to maritime traffic and Rommel’s forces rampaging across North Africa, it seems unlikely Gannet will survive.

Jack finds passionate romance with a Spanish beauty in exotic Alexandria but is soon thrust into battle while escorting ships running supplies to the beleaguered town of Tobruk, home of the Second South African Infantry Division. With the pressure building and ships around him being sunk by enemy bombers, Jack must deal with his own trauma while leading his men to safety.

It all comes to a head when Tobruk is surrounded, about to fall to Axis forces, with Gannet still trapped in the port.

Hell Run Tobruk is the third book in the thrilling Jack Pembroke series, each of which is a stand-alone story.

The book is the first of its kind as it combines cultural history with natural, as the historical context of the tidal pools are brought to life. Through the lense of South Africa’s history, this insight allows adventurers to really enhance their experience of the tidal pools with a deeper understanding of their significance.

The gorgeous photo-filled book contains information on how to get to the best pools, accessibility, facilities, swimmability, what to expect when you get there, things to do nearby and safety. Along with the stunning photography, unique and detailed maps of the areas are included. It includes tips on where is best for families, picnics, romantic dips, sunsets, sunrises, training and learning to swim.

There are black and white ink illustrations of the marine life found in the intertidal zone, and their relation to the tidal pools. The health benefits of cold-water immersion and the necessary safety, gear and guidance to safe swimming in cold water is valuable for the rising trend of cold-water swimmers.

The hotly anticipated sequel to the bestselling 2 Sisters Detective Agency.

Rhonda and Barbara “Baby” Bird are half-sisters—and full partners in their Los Angeles detective agency. They agree on nothing.

Rhonda, a former attorney, takes a by-the-book approach to solving crimes, while teenage Baby relies on her street smarts. But when they take a controversial case of a loner whose popular wife has gone missing, they’re accused of being PIs who can’t tell a client from a killer.

The Bird sisters share a late father, but not much else…except their willingness to fight.

Fight the system. Fight for the underdog. Fight for the truth. If they can stop fighting each other long enough to work together.

The award-winning BBC crime drama returns with five thrilling two-part stories, starring Emilia Fox in the lead role alongside David Caves, Richard Lintern and Liz Carr. This series also features a diverse supporting cast including Art Malik, Samantha Bond, Dervla Kirwan and Amanda Root.

In Season 22, pathologist Dr Nikki Alexander and her dedicated team help the police solve a slew of mystifying murders. Storylines range from street drugs and knife crime to issues facing the LGBT community.

The updated third edition of A Guide to Project Management has been extensively updated to reflect changes in the processes and procedures of project management, global trends and international standards, and the expansion of the Project Management Body of Knowledge.

It also includes a new chapter on Project Management and Development Studies. There are extensive self-assessment questions, group activities, exercises, and guidelines for the completion of a summative assignment/portfolio of evidence based on SAQA Unit Standards and chapter outcomes.

Forensic experts Dr Nikki Alexander, Jack Hodgson and Leo's replacement Dr Thomas Chamberlain investigate various cases including a triple murder after Nikki's friend, and fellow pathologist, Sally disappears.

The episodes are: 'Moment of Surrender', 'Duty of Candour', 'A Special Relationship', 'One Day' and 'Family'.

Award-winning crime drama Silent Witness returns for an exciting 26th season, with five more thrilling cases for the team at the Lyell Centre to solve.

Dr Nikki Alexander and the team of forensic pathologists and scientists at the Lyell Centre investigate intriguing new cases: a body falling from the top of a skyscraper, a people trafficking operation, a suspicious death at a festival, a train crash, and corrupt police officers.

The cases that end up at the Lyell Centre are rarely straightforward. Initial suspicions are challenged as the evidence mounts and Nikki and the team must work harder than ever to uncover the truth.

Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than 80 poems, Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process.

"These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I've spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what's been buried, but not forgotten, in the darkness," says Fox.

Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive book you'll read all year.

Emilia Fox, Richard Lintern and David Caves return in the award-winning crime drama Silent Witness.

Dr Nikki Alexander, Dr Thomas Chamberlain and Dr Jack Hodgson form a dedicated team of forensic pathologists who try to work out how and why the victim died. This season sees Nikki investigate a murder that's a carbon copy of a case from her past. She soon suspects that the killings are personal to her. But who will believe her? Jack creates tension when he finds himself aligned with a police complaints investigator over the accidental shooting of a girl by armed police.

And a seemingly random killing in the remote countryside leads Nikki and Jack into the dangerous underbelly of a criminal world.

In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox's days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg, Back to the Future. Sitcom during the day, movie at night - day after day, for months.

Fox's nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex's bravado, Marty's flair, and Fox's comedic virtuosity all swirled together to create something truly special.

In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time - a slice of entertainment history that's never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …”

In this gripping travelogue, Justin Fox goes on a one-of-a-kind journey. Marrying his love for travel and writing, he sets off to explore the places of his favourite books. From the mountainous eastern Karoo of Olive Schreiner to the big-game lowveld of Sir Percy Fitzpatrick, from Deneys Reitz’s wide-open Cape interior to the bushveld of Eugène Marais’s Waterberg, Fox reveals the majestic power of place. Through the savannah of Herman Charles Bosman’s Marico, the dusty plains of JM Coetzee’s Moordenaars Karoo, the forests of Dalene Matthee’s Garden Route, the subtropical hamlets of Zakes Mda’s Wild Coast, and finally the sandstone crags of Stephen Watson’s Cederberg, he brings to life the settings we’ve only seen through characters’ eyes.

Place is a moving love letter to South Africa, merging literature and landscape, and taking the reader on a breath-taking journey – into the heart of South Africa’s spectacular landscape and the inner-worlds of its most celebrated authors.

Lieutenant Jack Pembroke’s most dangerous mission yet.

It’s the summer of 1942 and the fate of the Mediterranean hangs in the balance. After evacuating South African troops from Tobruk, Jack and his small escort ship, HMSAS Gannet, join a vital and secret convoy from Egypt to relieve the island of Malta, which is under siege.

Powerful German and Italian forces have been assembled to make sure the ships don’t get through and the course of the war could well be determined by this mission, codenamed Operation Assegai.

However, reaching Malta is just the beginning. Gannet is chosen for a daring raid on an enemy-held island and the crew must join a commando in a lightning strike on a radar facility. It’s a dangerous – but crucial – sortie with the odds heavily stacked against Jack and his men. And while his love affair with the Spanish beauty Alana is taking on troubling overtones, Jack is haunted by flashbacks to the mayhem of Dunkirk.

Charlotte (Rose Williams) returns to Sanditon with her fiancé in tow but is forced to come to terms with her unresolved feelings for Colbourne (Ben Lloyd-Hughes). He, devastated, tries to move on and open his heart to another, but as they keep getting drawn together, can they continue to ignore their feelings?

Georgiana (Crystal Clarke) is horrified to discover a claim on her newfound inheritance. With the help of Samuel Colbourne (Liam Garrigan), she battles in court to keep what is hers. The public attention and scrutiny send her spiralling and she seems to be out of control. What she needs is a fiancé to send the circling fortune hunters away. What she gets is so much more. Edward (Jack Fox) meanwhile has promised Lady Denham (Anne Reid) he is truly reformed, but will Augusta Markham’s (Eloise Webb) fortune be too an irresistible a proposition?

Lady Denham rediscovers an old flame from her youth, and together they back Tom’s (Kris Marshall) new plans for Sanditon – at the expense of his marriage with Mary (Kate Ashfield), and then she falls gravely ill…

With weddings and failed engagements, will the Sanditon residents all find true love and happiness after all?

Symposium LL, 'Scientific Basis for Nuclear Waste Management XXXVI', was held November 25-30 at the 2012 MRS Fall Meeting in Boston, Massachusetts. This Symposium continues to set the research agenda in the field of radioactive waste management, charting the development of waste processing, conditioning, packaging and disposal. Symposium XXXVI featured 77 presentations, delivered over four days during the 2012 MRS Fall Meeting, from participants in Australia, Austria, Finland, France, Japan, Russia, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America. Sessions reported on advances in glass and ceramic wasteforms, conditioning of technetium, management of spent nuclear fuel, and geological disposal, plus a special joint session with Symposium HH, on radiation effects in nuclear materials. Each paper provides a snapshot of the exciting recent developments in each of these areas and the international progress toward achieving the safe, timely and cost-effective management and disposal of radioactive wastes.

As the global climate changes, scientists anticipate that the distribution of animal populations and disease vectors will expand. In the case of arthropods, such efforts hold immense significance as they have the potential to increase human mortality and suffering from arboviruses above current levels. The 238th American Chemical Society National Meeting and Exposition in Washington, D.C. on August 16-20, 2009, offered an opportunity for researchers to present and discuss new findings in invertebrate repellents research, regulations, and technology development. Recently efforts have been made to understand the role of chemicals in arthropod behavior, and screening programs are starting to incorporate repellency testing into their battery of bioassays. The lack of standardized protocols for measuring and comparison of repellents has remained a significant obstacle in arthropod research. Oftentimes studies report variable measures of success, and comparison of results across studies is not always consistent. Progress in the standardization of arthropod test methods for repellents would be valuable to many groups including academic researchers working in the field, contract labs supplying test results, government research laboratories, regulatory bodies in the process of developing guidelines for product registration, as well as companies looking to invest in new technologies. Perhaps one complicating factor in this process has been that research and technology haven't moved fast enough to meet the demand for effective arthropod repellents. Issues such as pest arthropod resurgence and insecticide/repellent resistance to chemical can create new challenges and add pressure for researchers. The collection of chapters in this book covers a range of applied and basic research on arthropod repellents. An overview of the state of arthropod repellents research is provided at the start. In the chapters that follow, there is a selection of papers demonstrating research on new repellent technologies at different stages of development. The scope of basic and applied research methods described in these chapters on new repellent technologies presents the range of testing that is often necessary to move a repellent technology forward in development. The transition from newly developed technologies to registered products is achieved in perspective of a growing market for natural arthropod repellents. New technologies that are completely developed and have gone through registration need to be accompanied by successful commercialization. The growing market for natural arthropod repellents presents such an example and highlights new opportunities in this area. The concluding chapter discusses the public entomology landscape, past and future opportunities for the development of chemical protectants.

This book is carefully designed to be used on a wide range of introductory courses at first degree and HND level in the U.K., with content matched to a variety of first year degree modules from IEng and other BSc Engineering and Technology courses. Lecturers will find the breadth of material covered gears the book towards a flexible style of use, which can be tailored to their syllabus, and used along side the other IIE Core Textbooks to bring first year students up to speed on the mathematics they require for their engineering degree.
*Features real-world examples, case studies, assignments and knowledge-check questions throughout
*Introduces key mathematical methods in practical engineering contexts
*Bridges the gap between theory and practice

It's the perfect getaway. But the past will always find you . . .

When ex-cop Bill Robinson takes over The Inn by the Sea, all he wants is a quiet escape from the city. But when a crime boss moves into town and begins terrorizing Bill's friends, he can't just sit back and watch.

It's not long before local criminals are turning up dead and The Inn comes under attack.

With the help of The Inn's fearless residents, Bill must do everything he can to defend his town, his chosen family, and his home.

Observing Bioethics examines the history of bioethics as a discipline related not only to modern biology, medicine, and biotechnology, but also to the core values and beliefs of American society and its courts, legislatures, and media. The book is written from the perspective of two social scientists--a sociologist of medicine(Renee C. Fox) and a historian of medicine (Judith P. Swazey)--who have participated in bioethics since the emergence of this multidisciplinary field more than 30 years ago.
Fox and Swazey draw on first-hand observations and experiences in a variety of American bioethical settings; face-to-face interviews with first- and second-generation figures in the genesis and early unfolding of bioethics; a detailed examination of the theatrical media coverage of what was considered to be a banner event in the annals of bioethics (the creation and birth of the cloned sheep, Dolly); case studies of how bioethics has internationally developed; and a large corpus of primary documents and secondary source materials.
While recognizing the intellectual, moral, and sociological importance of American bioethics, Fox and Swazey are critical of its characteristics. Foremost among these are what they identify as the problems of thinking socially, culturally, and internationally in American bioethics; the 'tenuous interdisciplinarity' of the field; and the troubling extent to which the 'culture wars' have penetrated bioethics.
This book will appeal to a wide range of doctors, scientists, and academics who are involved in the history and sociology of bioethics.

Political theory is traditionally concerned with the justification and limits of state power. It asks: Can states legitimately direct and coerce non-consenting subjects? If they can, what limits, if any, constrain sovereign power? Public law is concerned with the justification and limits of judicial power. It asks: On what grounds can judges 'read down' or 'read in' statutory language against the apparent intention of the legislature? What limits, if any, are appropriate to these exercises of judicial power? This book develops an original constitutional theory of political authority that yields novel answers to both sets of questions. Fox-Decent argues that the state is a fiduciary of its people, and that this fiduciary relationship grounds the state's authority to announce and enforce law. The fiduciary state is conceived of as a public agent of necessity charged with guaranteeing a regime of secure and equal freedom. Whereas the social contract tradition struggles to ground authority on consent, the fiduciary theory explains authority with reference to the state's fiduciary obligation to respect legal principles constitutive of the rule of law. This obligation arises from the state's possession of irresistible public powers. The author begins with a discussion of Hobbes's conception of legality and the problem of discretionary power in administrative law. Drawing on Kant, he sketches a theory of fiduciary relations, and develops the argument through three parts. Part I shows that it is possible for the state to stand in a public fiduciary relationship to its people through a discussion of Crown-Native fiduciary relations recognized by Canadian courts. Part II sets out the theoretical underpinnings of the fiduciary theory of the state. Part III explores the implications of the fiduciary theory for administrative law and common law constitutionalism. The final chapter situates the theory within a broader philosophical discussion of the rule of law.

Jodie Whittaker stars in this London-set psychological thriller. Mia (Whittaker) is an emotionally fragile young nurse struggling to come to terms with her mother's recent death. When an old woman in her building commits suicide in front of her, Mia becomes intensely curious about her. Admitted into the old woman's flat by the mysterious caretaker, Max (David Warner), Mia is shocked to discover that it is filled with mementoes and belongings from Mia's own past, including pictures of her abusive former lover Ludwig (Dougray Scott). So begins a journey into her past in which Mia finally learns to accept her own mistakes and faults, including her strong affection for the partner who hurt her, even as she tries to avoid the tragic ending that fate appears to have in store for her. Emilia Fox co-stars.

Crisis Cities blends critical theoretical insight with a historically grounded comparative study to examine the form, trajectory, and contradictions of redevelopment efforts following the 9/11 and Hurricane Katrina disasters. Based on years of research in the two cities, Gotham and Greenberg contend that New York and New Orleans have emerged as paradigmatic crisis cities, representing a free-market approach to post-disaster redevelopment that is increasingly dominant for crisis-stricken cities around the world. This approach, which Gotham and Greenberg term crisis driven urbanization, emphasizes the privatization of disaster aid and resources, the devolution of disaster recovery responsibilities to the local state, and the use of generous tax incentives to bolster revitalization. Crisis driven urbanization also involves global branding campaigns and public media events to repair a city's image for business and tourism, as well as internally-focused political campaigns and events that associate post-crisis political leaders and public-private partnerships with this revitalized urban image. By focusing on past and present conditions in New York and New Orleans, Gotham and Greenberg show how crises expose long-neglected injustices, underlying power structures, and social inequalities. In doing so, they reveal the impact of specific policy reforms, public-private actions, and socio-legal regulatory strategies on the creation and reproduction of risk and vulnerability to disasters. Crisis Cities questions the widespread narrative of resilience and reveals the uneven and contradictory effects of redevelopment activities in the two cities.

All 24 episodes from the ninth season of the US drama series following a passionate team of forensic investigators who work the graveyard shift at the Las Vegas Criminalistics Bureau.

Their job is to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves: the victims.