The essays in Sound Judgment span the full career of Richard Leppert, from his earliest to work that appears here for the first time, on subjects drawn from early modernity to the present concerning music both popular and classical, European and North American. Noted for his path-breaking interdisciplinary scholarship on music and visual culture, the collection includes key essays on music's visualization in art practices in virtually all visual media, including film. The fourteen essays comprising this volume demonstrate Leppert's many contributions to critical musicology, particularly in the areas of aesthetics as well as social and intellectual history, all of it grounded in a heterodox body of critical and cultural theory, with the work of Theodor W. Adorno particularly noteworthy. The collection is preceded by an introduction in which Leppert traces his intellectual development, defined in large part by the social, cultural, and political upheavals of the 1960s and their aftermath both in the academy and in society at large.

The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.

In Art and the Committed Eye Richard Leppert examines Western European and American art from the fifteenth to the twentieth century. He studies the complex relation between the "look" of images and the variety of social and cultural uses to which they are put and demonstrates that the meaning of any image is significantly determined by its function, which changes over time. In particular, he emphasizes the ways in which visual culture is called on to mediate social differences defined by gender, class, and race. In , Leppert addresses the nature and task of representation, discussing how meaning accrues to images and what role vision and visuality play in the history of modernity. Here he explains imagery's power to attract our gaze by triggering desire and focuses on the long history of the use of representation to enact a deception, whether in painting or advertising. explores art's relation to the material world, to the ways in which images mark our various physical and psychic ties to objects. The author analyzes still life paintings whose subject matter is both extraordinarily diverse and deeply paradoxical-from flower bouquets to grotesque formal arrangements of human body parts. Leppert demonstrates that even in "innocent" still lifes, formal design and technical execution are imbued with cultural conflict and social power. is devoted to the representation of the human body-as subject to obsessive gazing and as an object of display, spectacle, and transgression. The variety of body representation is enormous: pleased or tortured, gorgeous or monstrous, modest or lascivious, powerful or weak, in the bloom of life or under the anatomist's knife, clothed or naked. But it is the sexual body, Leppert shows, that has provided the West with its richest, most complex, contradictory, conflicted, and paradoxical accounts of human identity in relation to social ideals.

"The Nude" explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.

This innovative book examines the place and practice of musical life in eighteenth-century England among the upper classes. Focusing on the home, it shows how domestic music-making was shaped by socio-cultural forces while itself contributing to socio-cultural formation. Particular attention is given to visual representations of music in eighteenth-century paintings, drawings and prints. Other documentary material analyzed includes the music of the period, instruction manuals, tracts on education, courtesy and conduct books, sermons, diaries, letters and memoirs, fictional writing and journalism. Through these media the author examines the role played by construction, the human body via questions of physicality and sexuality in dancing, its agency in defining and replicating dominant ideologies of the family and its use in establishing and maintaining social and cultural boundaries.

This provocative volume of essays is now available in paperback. The contributors to this volume - musicologists, sociologists, cultural theorists - all challenge the view that music occupies an autonomous aesthetic sphere. Recently, socially and politically grounded enterprises such as feminism, semiotics and deconstruction have effected a major transformation in the ways in which the arts and humanities are studied, leading in turn to a systematic investigation of the implicit assumptions underlying the critical methods of the last two hundred years. Influenced by these approaches, the writers here question a prevailing ideology that insists there is a division between music and society and examine the ways in which the two do in fact interact and mediate one another within and across socio-cultural boundaries.

Featuring hundreds of high-quality Netter illustrations alongside modern diagnostic images, Netter's Integrated Review of Medicine: Pathogenesis to Treatment provides concise, visual overviews of the basic science and mechanisms of disease. The integrated approach to underlying principles helps students and clinicians understand why best practices, evidence, and guidelines make sense in the context of diagnosis and treatment. Short, to-the-point chapters focus on common clinical situations and bridge the gap between basic science summaries and the clinical thought process. Access to this product, which may be at the discretion of your institution, is up to 3 years of online and perpetual offline access. Elsevier reserves the right to restrict or remove access due to changes in product portfolio or other market conditions. Reviews foundational science in the context of frequently encountered point-of-care situations, offering an excellent review. Presents 400 full-color Netter images alongside diagnostic images, providing a memorable, highly visual approach. Offers readable, practical content organized by clinical topic, covering the basic sciences that are most relevant to each disease or condition. Provides readers with a detailed, logically organized framework for approaching patient care: the first part focuses on evaluating a new patient, moving from history and physical exam findings to integration of objective data used to formulate a diagnosis; the second part proceeds from this diagnosis to review its implications, further evaluation, and treatment. Expert ConsultT eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, and references from the book on a variety of devices.

Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas-cultural, social, and personal-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.

During the 1980s, U.S. television experienced a reinvigoration of the family sitcom genre. In TV Family Values, Alice Leppert focuses on the impact the decade's television shows had on middle class family structure. These sitcoms sought to appeal to upwardly mobile "career women" and were often structured around non-nuclear families and the reorganization of housework. Drawing on Foucauldian and feminist theories, Leppert examines the nature of sitcoms such as Full House, Family Ties, Growing Pains, The Cosby Show, and Who's the Boss? against the backdrop of a time period generally remembered as socially conservative and obsessed with traditional family values.

This volume presents the recent developments in the field of arsenic in soil and groundwater. Arranged into nine sections, the text emphasizes the global occurrences of arsenic in the environment, particularly on its source, pathways, behavior, and effects it has on soils, plants, water, animals, and humans. It also covers the diverse issues of arsenic in the mining environment, arsenic emanating from hydrothermal springs, and the geochemical modeling of arsenic adsorption to oxide surfaces. Finally, the text includes different cost effective removal mechanisms of arsenic from drinking water using natural red earth, solar oxidation, and arsenic oxidation by ferrrate.
Written in simple English, and few technical terms, the book is designed to create interest within the countries with occurrences of arsenic in drinking water with
-an update the current status of knowledge on the dynamics of natural arsenic from the aquifers through groundwater to food chain and efficient techniques for arsenic removal.
-serve as a standard text book for graduate, postgraduate students and researchers in the field of Environmental Sciences and Hydrogeochemistry as well as researchers, environmental scientists and chemists, toxicologists, medical scientists and even for general public seeking an in-depth view of arsenic which had been classed as a carcinogen.
-bring awareness, among administrators, policy makers and company executives, on the problem and to improve the international cooperation

Der Einstieg in die planspielrelevante Literatur ist aufwendig und zeitraubend. Ma- terial uber die Methode Planspiel ist verhaltnismassig weit gestreut, so dass zunachst einige Sucharbeit erforderlich ist, um sich einen Uberblick zu verschaffen. Wir ver- folgen daher mit der vorliegenden Arbeit im wesentlichen zwei Ziele: Der einfuhrende Text versucht in knapper Form einen Uberblick uber Eigenschaften, Moeglichkeiten und Einsatzbereiche von Planspielen in der Raumplanung zu geben und setzt sich auch kritisch mit der Methode auseinander. Hierbei haben wir uns um eine moeglichst verstandliche, d. h. nicht mit Fachbegriffen uberfrachtete Sprache bemuht, um auch denjenigen Lesern, die sich bisher noch nicht mit Modellen und Modelltheorie im allgemeinen bzw. mit Planspielen im besonderen beschaftigt haben, einen sehne! len Einstieg zu ermoeglichen und ihr Interesse fur zu die Methode wecken. Daruberhinaus enthalt das Buch -gleichrangig zum Text- zwei Materialteile: eine Liste von Spielen und Spielbeschreibungen und eine Zusammenstellung von uber 800 Titeln planspielrelevanter Literatur. Beide Materialteile sollen fur die gezielte Auswahl bzw. den Vergleich einzelner Spielmodelle und die Auffindung geeigneter Literatur zur vertieften Bearbeitung spezieller Problemstellungen eine Hilfe bieten. Wir hoffen dazu beigetragen zu haben, die weitere Arbeit mit Planspielen und an Plan- spielen zu erleichtern bzw. neues Interesse an der Methode Planspiel zu wecken. Unser besonderer Dank gilt vor allem Ekkehard Brunn fur seine Unterstutzung des Vor- habens und seinen Zuspruch, die wesentlich zum Gelingen der Arbeit beigetragen haben und Frau Magdalene Haack, die unsere -nicht immer gut lesbaren- Manuskripte in muhe- voller Arbeit druckfertig geschrieben hat.

"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."--Rose Rosengard Subotnik, author of "Deconstructive Variations: Music and Reason in Western Society

"An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."--Lydia Goehr, author of "The Quest for Voice: Music, Politics and the Limits of Philosophy

"With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."--James Deaville, Director, School of the Arts, McMasterUniversity

"The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."--Martin Jay, author of "The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research

"There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. "Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective--or, for that matter, in modernity and music all told--can afford to ignore "Essays on Music."--Gary Tomlinson, author of "Metaphysical Song: An Essay on Opera

"This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment ofAdorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally--and eagerly--for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."--Lawrence Kramer, author of "Musical Meaning: Toward a Critical History