Quick answers to tough questions about Jesus' life, ministry, and divinity.

Is there archeological proof that Jesus existed? Did Jesus ever actually claim to be God? Is Jesus really the only way? There's a good chance that every Christian will be asked tough questions like these at some point in their lives, whether from combative skeptics, curious seekers, or even doubts in their own minds.

To help followers of Christ answer questions quickly and confidently, Josh and Sean McDowell adapted the wisdom from their apologetics classic Evidence That Demands a Verdict into an accessible resource that provides answers to common questions about Jesus.

Evidence For Jesus answers these questions and more:

• Is there evidence that Jesus was real?
• Did Jesus ever actually claim to be God?
• What makes Jesus unique from other religious figures?
• Is Christianity a copycat religion?
• What does the Old Testament teach about the coming Messiah?
• Did Jesus really rise from the dead?
• Why does the resurrection of Jesus matter?

Evidence for Jesus will equip brand new believers and lifelong Christians alike with time-tested rebuttals to defend their faith in Jesus against even the harshest critics.

This edition of the writings of Theobald Wolfe Tone (1763-98), barrister, United Irishman, agent of the Catholic Committee and later an officer in the French revolutionary army, is intended to comprehend all his writings and largely to supersede the two-volume Life of Theobald Wolfe Tone. ..written by himself that was edited by his son William, and published at Washington in 1826. It consists mainly of Tone's correspondence, diaries, autobiography, pamphlets, public addresses, and miscellaneous memoranda (both personal and public); it is based on the original MSS if extant or the most reliable printed sources.
Tone's participation in Irish politics in the early 1790s and his presence on the periphery of the ruling circle in revolutionary France from February 1796 to September 1798 would be sufficient to make his writings a major historical source. The literary quality of his writings, diaries, and autobiography enhances their importance. The unique quality of Tone's writings is that they are the production of a gifted and convivial young Irishman who moved widely in intellectual and political circles.
This volume - France, the Rhine, Lough Swilly, and the Death of Tone - completes the edition, following the last part of Tone's life, until his death following the abortive Irish uprising of 1798. It includes addenda, corrigenda, an iconography, a bibliography, and a complete index to all three volumes.

Sarah Butler stars in this thriller produced and directed by Malek Akkad. When an employee at Gault Capital suddenly dies in mysterious circumstances, his colleagues are left wondering about what really happened. When curious co-worker Jane (Butler) discovers that the deceased was looking into the potential fraud of Gault and its owner Thaddeus Gault (Malcolm McDowell), Jane decides to dig a little deeper and see what she can find. After Thaddeus gets wind of Jane's investigation, he sends a hitman (D.B. Sweeney) to silence her. As Jane attempts to flee the building she gets trapped in the elevator and must work out a way to escape the relentless killer.

An American teen stranded in London is forced to team up with the British crown prince if she wants to make it back home before the end of the world in this delightfully rompy high-stakes rom-com.

Wren Wheeler has flown five thousand miles across the ocean to discover she’s the worst kind of traveler: the kind who just wants to go home. Her senior-year trip to London was supposed to be life-changing, but by the last day, Wren’s perfectly-planned itinerary is in tatters. There's only one item left to check off: breakfast at The World’s End restaurant. The one thing she can still get right.

The restaurant is closed for renovations―of course―but there's a boy there, too. A very cute boy with a posh British accent who looks remarkably like the errant Prince Theo, on the run from the palace and his controlling mother. When Wren helps him escape a pack of tourists, the Prince scribbles down his number and offers her one favor in return. She doesn’t plan to take him up on it―until she gets to the airport and sees cancelled flights and chaos. A comet is approaching Earth, and the world is ending in eight days. Suddenly, that favor could be her only chance to get home to her family before the end of the world.

Wren strikes a bargain with the runaway prince: if she’ll be his bodyguard from London to his family’s compound in Santorini, he can charter her a private jet home in time to say goodbye. Traveling through Europe by boat, train, and accidentally stolen automobile, Wren finds herself drawn to the dryly sarcastic, surprisingly vulnerable Theo. But the Prince has his own agenda, one that could derail both their plans. When life as they know it will be over in days, is it possible to find a happy ending?

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Fundamentals of Uncertainty Quantification for Engineers provides a comprehensive introduction to uncertainty quantification (UQ) accompanied by a wide variety of applied examples, implementation details, and practical exercises to reinforce the concepts outlined in the book. It starts with review of the history of probability theory and recent development of UQ methods in the domains of applied mathematics and data science. Major concepts of probability axioms, conditional probability, and Bayes’ rule are discussed and examples of probability distributions in parametric data analysis, reliability, risk analysis, and materials informatics are included. Random processes, sampling methods, and surrogate modeling techniques including multivariate polynomial regression, Gaussian process regression, multi-fidelity surrogate, support-vector machine, and decision tress are also covered. Methods for model selection, calibration, and validation are introduced next, followed by chapters on sensitivity analysis, stochastic expansion methods, Markov models, and non-probabilistic methods. The book concludes with a chapter describing the methods that can be used to predict UQ in systems, such as Monte Carlo, stochastic expansion, upscaling, Langevin dynamics, and inverse problems, with example applications in multiscale modeling, simulations, and materials design.