Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book examines the flight of young Australian writers to London in the decades before and after Federation in 1901. Peter Morton studies how their careers were shaped by shifting their country of residence, the expatriate experience, and how the loss of these expatriates affected the evolving literary culture of Australia.

This book is a critical biography of Grant Allen, (1848-1899), the first for a century, based on all the surviving primary sources. Born in Kingston, Ontario, into a cultured and affluent family, Allen was educated in France and England. A mysterious marriage while he was an Oxford undergraduate wrecked his academic career and radicalized his views on sexual and marital questions, as did a three-year teaching stint in Jamaica. Despite his lifelong ill health and short life, Allen was a writer of extraordinary productivity and range. About half - more than 30 books and many hundreds of articles - reflects interests which ran from Darwinian biology to cultural travel guides. His prosperity, however, was underpinned by fiction; more than 30 novels, including The Woman Who Did , which has attracted much recent attention from feminist critics and historians. The Better End of Grub Street uses Allen's career to examine the role and status of the freelance author/journalist in the late-Victorian period. Allen's career delineates what it took to succeed in this notoriously tough profession.

This book examines the flight of young Australian writers to London in the decades before and after Federation in 1901. Peter Morton studies how their careers were shaped by shifting their country of residence, the expatriate experience, and how the loss of these expatriates affected the evolving literary culture of Australia.

This book is a critical biography of Grant Allen, (1848-1899), the first for a century, based on all the surviving primary sources. Born in Kingston, Ontario, into a cultured and affluent family, Allen was educated in France and England. A mysterious marriage while he was an Oxford undergraduate wrecked his academic career and radicalized his views on sexual and marital questions, as did a three-year teaching stint in Jamaica. Despite his lifelong ill health and short life, Allen was a writer of extraordinary productivity and range. About half - more than 30 books and many hundreds of articles - reflects interests which ran from Darwinian biology to cultural travel guides. His prosperity, however, was underpinned by fiction; more than 30 novels, including The Woman Who Did , which has attracted much recent attention from feminist critics and historians. The Better End of Grub Street uses Allen's career to examine the role and status of the freelance author/journalist in the late-Victorian period. Allen's career delineates what it took to succeed in this notoriously tough profession.

Engraving by hand is the oldest art of mankind and one that still flourishes today. With a simple message the precious metal engraver can give a unique personality to an otherwise commonplace cigarette box, goblet or compact. Despite the singular character of the craft very few practical books have been written on engraving precious and other materials employed by the jeweller; in fact none have been published in the United Kingdom for many years. Engraving on Precious Metals is for professionals and others who wish to learn hand engraving as a hobby or trade, and reveals many previously undisclosed practices of the commercial engraver which help to make his skill quite astonishing. All aspects of the craft are covered exhaustively, including the relatively modern innovation of the high-class machine engraver. This machine is particularly useful for repeat monograms and designs which are afterwards filled, because the template that guides the machine can be cut by hand. Illustrated throughout with over 250 drawings, the book gives practical hints for use in the workshop, while artistic matters are covered extensively in chapters on lettering design and layout, monograms, nameplates and ornamentation. A basic knowledge of ancillary crafts can be found in the sections on piercing, polishing, soldering and inlaying, and the use of unusual materials such as ivory, wood or plastic is also discussed. The final chapter contains a wide selection of different styles of lettering which are numbered for easy reference, and can be used by the retailer to indicate styles to customers and engravers.