Winner of the BBC Ukrainian Book of the Year Award and the German Usedom Prize, Forgottenness movingly—and unflinchingly—illuminates the intricacies of the Ukrainian experience in the twentieth and twenty-first centuries. An exceedingly anxious young narrator grapples with a host of conditions, from obsessive-compulsive disorder and alcoholism to a creeping sense of agoraphobia. As her symptoms deepen, she finds unexpected solace and companionship in researching the historical figure of Viacheslav Lypynskyi (1882–1931), a social and political activist of Polish descent who played a pivotal role in the struggle for Ukrainian independence—and just so happened to struggle with hypochondria. Through a series of mesmerizing digressions, the narrator’s own family saga is told in parallel with Lypynskyi’s, culminating in “an impressively sincere self-inquiry about identity”?(Jury of the Usedom Prize, led by Olga Tokarczuk). Shot through with wry humor and brilliantly translated by Zenia Tompkins, this urgent work announces Tanja Maljartshuk as a major voice in world literature.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.