In 2015 portraits by Dr John Adamson were displayed at the National Museum of Scotland exhibition Photography: A Victorian Sensation. The audience response to these powerful works was such that this book has been produced, the first devoted to placing his work in its historical context and to acquainting a new audience with his work which, for conservation reasons, cannot be displayed all the time. Dr Adamson (1809-70) was the older brother of the better known Robert Adamson (1821-48), famous for his pioneering photography work with D. O. Hill. John Adamson remained an amateur; his photography had to be fitted in around his busy medical practice in St Andrews. The photographs are drawn mainly from two extremely early and significant albums, presented to the Museum in the 1940s. An Appendix has technical information on, for example: camera obscura, lenses, daguerreotype, calotype, the albumen process, and the collodian negative process.

This book examines the Argonautica of Apollonius of Rhodes through one aspect of its relationship with other texts. The particular intertextual relationship examined is that with the Histories of Herodotus, focusing on the presence of the latter text in the former in terms of the poem's employment of characteristics and features of historiographical discourse, narrative structures, presentation and description of characters, aetiology and patterns of explanation, portrayal of ethnic groups, depiction of kingship and tyranny; the relationship between particular passages in both texts is also explored. The consequences for the interpretation of the poem are profound: the Argonautica employs Herodotean historiography as a key intertext in order to manipulate and frustrate the reader's generic expectations for an epic poem and to complicate the relationship between the contemporary Hellenistic Mediterranean (and its kingdoms) and the distant mythological Argonautic past.

In the middle of the nineteenth century a sympathetic relationship between art, science and technology laid the groundwork for photography to flourish, including camera obscura and the panorama. This is a lavishly produced book on the eventful first thirty years of photography in Scotland - around 1840 - 70. The photographers whose work is discussed include David Octavius Hill, Robert Adamson, James Valentine, Thomas Annan and George Washington Wilson plus practitioners not previously mentioned in any publication. Julia Margaret Cameron's encounter with Scotland is also described as is the work of Scottish photographers abroad.

At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history of science at the National Museums of Scotland, charts the growth of these centres and provides a characterisation of their products. New information is provided on aspects of the trade, especially marketing techniques, sources of materials, tools and customer relationships. From contemporary evidence, she argues that the principal output of the provincial trade (with some notable exceptions) must have been into the London marketplace, anonymously, and at the cheaper end of the market. She also discusses the structure and organization of the provincial trade, and looks at the impact of new technology imported from other closely-allied trades. By virtue of its approach and subject matter the book considers aspects of economic and business history, gender and the family, the history of science and technology, material culture, and patterns of migration. It contains a myriad of stories of families and firms, of entrepreneurs and customers, and of organizations and arms of government. In bringing together this wide range of interests, Dr Morrison-Low enables us to appreciate how central the making, selling and distribution of scientific instruments was for the Industrial Revolution.

At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history of science at the National Museums of Scotland, charts the growth of these centres and provides a characterisation of their products. New information is provided on aspects of the trade, especially marketing techniques, sources of materials, tools and customer relationships. From contemporary evidence, she argues that the principal output of the provincial trade (with some notable exceptions) must have been into the London marketplace, anonymously, and at the cheaper end of the market.She also discusses the structure and organisation of the provincial trade, and looks at the impact of new technology imported from other closely-allied trades. By virtue of its approach and subject matter, the book considers aspects of economic and business history, gender and the family, the history of science and technology, material culture, and patterns of migration. It contains a myriad of stories of families and firms, of entrepreneurs and customers, and of organizations and arms of government. In bringing together this wide range of interests, Dr Morrison-Low enables us to appreciate how central the making, selling and distribution of scientific instruments was for the Industrial Revolution.

Lucretius' didactic masterpiece De Rerum Natura (On the Nature of Things) is one of the most brilliant and powerful poems in the Latin language, a passionate attempt at dispelling humanity's fear of death and its enslavement by false beliefs about the gods, and a detailed exposition of Epicurean atomist physics. For centuries, it has raised the question of whether it is primarily a poem or primarily a philosophical treatise, which also presents scientific doctrine. The current volume seeks to unite the three disciplinary aspects - poetry, philosophy, and science - in order to offer a holistic response to an important monument in cultural history. With ten original essays and an analytical introduction, the volume aims not only to combine different approaches within single covers, but to offer responses to the poem by experts from all three scholarly backgrounds. Philosophers and scholars of ancient science look closely at the artistic placement of individual words, while literary critics explore ethical matters and the contribution of Lucretius' poetry to the argument of the poem. Topics covered include death and grief, evolution and the cosmos, ethics and politics, perception, and epistemology.

The surviving body of ancient letters offers the reader a stunning variety of material, ranging from the everyday letters preserved among the Oxyrhynchus papyri to imperial rescripts, New Testament Epistles, fictional or pseudepigraphical letters and a wealth of missives on almost every conceivable subject. They offer us a unique insight into ancient practices in the fields of politics, literature, philosophy, medicine and many other areas. This collection presents a series of case studies in ancient letters, asking how each letter writer manipulates the epistolary tradition, why he chose the letter form over any other, and what effect the publication of volumes of collected letters might have had upon a reader's engagement with epistolary works. This volume is the first of its kind on ancient letters in any language, and it brings together both well-established and promising young scholars currently working in the fields of ancient literature, history, philosophy and medicine to engage in a shared debate about this most adaptable and 'interdisciplinary' of genres.

In the middle of the nineteenth century a sympathetic relationship between art, science and technology laid the groundwork for photography to flourish, including camera obscura and the panorama. This is a lavishly produced book on the eventful first thirty years of photography in Scotland - around 1840 - 70. The photographers whose work is discussed include David Octavius Hill, Robert Adamson, James Valentine, Thomas Annan and George Washington Wilson plus practitioners not previously mentioned in any publication. Julia Margaret Cameron's encounter with Scotland is also described as is the work of Scottish photographers abroad.

This book examines the Argonautica of Apollonius of Rhodes through one aspect of its relationship with other texts. The particular intertextual relationship examined is that with the Histories of Herodotus, focusing on the presence of the latter text in the former in terms of the poem's employment of characteristics and features of historiographical discourse, narrative structures, presentation and description of characters, aetiology and patterns of explanation, portrayal of ethnic groups, depiction of kingship and tyranny; the relationship between particular passages in both texts is also explored. The consequences for the interpretation of the poem are profound: the Argonautica employs Herodotean historiography as a key intertext in order to manipulate and frustrate the reader's generic expectations for an epic poem and to complicate the relationship between the contemporary Hellenistic Mediterranean (and its kingdoms) and the distant mythological Argonautic past.