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Vibratory Modernism is a collection of original essays that will
enable scholars and students to explore how vibrations provided a
means of bridging science and art - two fields that became
increasingly separate over the course of the nineteenth and early
twentieth centuries. The book demonstrates the vital role played by
vibrations in the fields of physics, physiology, spiritualism, and
by new vibratory technologies, in helping to shape the way
modernist art was made and viewed. The chapters are placed into
three connecting parts focusing on literature, the visual arts and
theatre, each part highlighting the diverse ways in which writers,
artists and performers engaged with the fascinating world of
vibrations.
Vibratory Modernism is a collection of original essays that show
how vibrations provide a means of bridging science and art - two
fields that became increasingly separate in the nineteenth and
early twentieth centuries.
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