With more than 500 reviews by subject specialists, this volume is the only comprehensive record of the output of new works in science fiction, fantasy, and horror fiction. The volume begins with a survey of the year for fiction in the three areas. Each survey section concludes with a recommended reading list. In addition there is a survey of fantasy literature and film scholarship, a survey of the year in young adult fiction in the three main areas. Following sections devoted to award winners in 1989 and 1990, the volume provides alphabetically arranged reviews for fiction, young adult fiction, and non-fiction. Access to the material is augmented by a comprehensive title index. By concentrating on literature and serious scholarship rather than peripheral materials, and by enlisting the assistance of the leading scholars in the field, Collins and Latham have assembled a work that is invaluable to teachers, students, and librarians seeking guidance in collection building in science fiction, fantasy, and horror fiction and scholarship. This and the preceding two annuals are designed for easy use within school, public, and university libraries and will be of interest to individual collectors/readers in these three areas as well.

This book is th e result of a collaborative research project involving the Centre for Defence and Security Studies at the University of Manitoba (Canada) and the Centre for Defence Economics at the University of York in England . Perhaps not surprisingly, given its transatlantic origins, its lineage is somewhat involved. In Canada , its origins can be traced to two earlier research projects on the political economy of arms production undertaken by members of what has since become the Centre for Defence and Security Studies . The first of these , carried out in collaboration with Toronto 's York University, and financially supported by the Centre for Studies in Defence Resources Management at the National Defence College in Kingston, Ontario , was entitled " Th e Implications of Europe 1992 For Canadian Defence and Defence Industrial Interests" . The second , undertaken in conjunction with both York University and Nova Scotia's Dalhousie University , was supported by the now defunct Canadian Institute for International Peace and Security , and dealt with " N a t i o n a l Defence and the Canadian Economy . " Workshops were held in connection with both these studies, which brought together academic, governmental and industry experts in the field of defence production .

This is the fourth volume in a series offering comprehensive critical overviews of the genres of science fiction, fantasy, and horror for a calendar year, here 1990. In addition to the features provided in earlier volumes, this annual adds a survey article reviewing children's science fiction and fantasy. This, with the surveys of science fiction, horror, young adult literature, and related nonfiction, makes this annual series the most complete source for critical commentary on these genres currently available. In addition to the surveys, the volume offers review articles on the state of the art of the SF short story; the work of the year's major new fantasy authors; the significance and influence of H.P. Lovecraft's fiction; and an analysis of how YA fiction differs from adult literature. Author profiles are provided on Greg Bear, Charles de Lint, David J. Schow, and Andre Norton. Following a list of 1990 titles selected for major awards comes the general review section, where more than 500 fiction, young adult fiction, and nonfiction titles are reviewed by more than 100 reviewers. The volume concludes with a title index and an index to contributors. All in all, an essential reference tool for scholars and students of contemporary science fiction, fantasy, and horror and all libraries with collections in these areas.

The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.

This book is th e result of a collaborative research project involving the Centre for Defence and Security Studies at the University of Manitoba (Canada) and the Centre for Defence Economics at the University of York in England . Perhaps not surprisingly, given its transatlantic origins, its lineage is somewhat involved. In Canada , its origins can be traced to two earlier research projects on the political economy of arms production undertaken by members of what has since become the Centre for Defence and Security Studies . The first of these , carried out in collaboration with Toronto 's York University, and financially supported by the Centre for Studies in Defence Resources Management at the National Defence College in Kingston, Ontario , was entitled " Th e Implications of Europe 1992 For Canadian Defence and Defence Industrial Interests" . The second , undertaken in conjunction with both York University and Nova Scotia's Dalhousie University , was supported by the now defunct Canadian Institute for International Peace and Security , and dealt with " N a t i o n a l Defence and the Canadian Economy . " Workshops were held in connection with both these studies, which brought together academic, governmental and industry experts in the field of defence production .

The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.

It is 1894, and the news of a Transylvanian nobleman's death at the hands of a certain Professor Van Helsing is the talk of London. Unsatisfied at the acquittal of the professor, Mycroft Holmes asks Sherlock to investigate what truly led to the deaths of Lucy Westenra and the mysterious aristocrat. The newspapers are full of inconsistencies and wild supernatural theories, and as Holmes digs deeper, he suspects that those hailed as heroes are not what they seem. The clues point to an innocent man framed and murdered for crimes he did not commit, and Holmes and Watson find themselves targeted at every turn, as what began as a quest to clear one man's name reveals a conspiracy that draws them to the mountains of Transylvania and the infamous Castle Dracula.