Three kids - Kenny, his sister Edith, and their friend Benji - are all but abandoned on a farm in remotest Middle America. With little adult supervision, they feed and care for each other, making up the rules as they go. But when Kenny's and Benji's relationship becomes more than friendship, and Edith shoots something she really shouldn't shoot, the formerly indifferent outside world comes barging in whether they want it to or not.

Three homeless friends - a Filipina-American with a hidden past, a Filipina transsexual, and a Puerto Rican hustler - struggle on the Chicago streets to scrounge up enough cash to bus it to San Francisco before the winter cold hits. But when a bearded man on a quest, a mystery man in sunglasses, a wealthy john, and a doughnut shop's spell-casting assistant manager put their hopes and friendships to the test, the trio find they must spare some change of a far queerer kind.

Rod thinks the game is fixed. Momo's still learning the rules. Twee doesn't think winning is enough. JJ hates his hand. And why the hell is Henry still playing? Two families (and some guy named Henry) panic with hilarious and heartbreaking results when they realize their parents won't be around forever. Can anybody prepare for the inevitable moment when they're the ones left holding all the cards?

In light of the George Zimmerman verdict, The New Black Fest commissioned six very diverse playwrights to write 10-minute plays on the topic of Trayvon Martin, race and/or privilege. Facing Our Truth's purpose is to incite serious discussion in our collective communities around these urgent issues.The collection, Facing Our Truth: Ten Minute Plays on Trayvon, Race and Privilege is comprised of the following plays: THE BALLAD OF GEORGE ZIMMERMAN text by Dan O'Brien music by Qu