In Making Things Better, A. David Napier demonstrates how anthropological description of non-Western exchange practices and beliefs can be a tonic for contemporary economic systems in which our impersonal relationship to ''things'' transforms the animate elements of social life into inanimate sets of commodities. Such a fundamental transformation, Napier suggests, makes us automatons in globally integrated social circuits that generate a cast of a winners and losers engaged in hostile competition for wealth and power. Our impersonal relations to ''things''-and to people as well-are so ingrained in our being, we take them for granted as we sleepwalk through routine life. Like the surrealist artists of the 1920s who, through their art, poetry, films, and photography, fought a valiant battle against mind-numbing conformity, Napier provides exercises and practica designed to shock the reader from their wakeful sleep. These demonstrate powerfully the positively integrative social effects of more socially entangled, non-Western orientations to ''things'' and to ''people.'' His arguments also have implications for the rights and legal status of indigenous peoples, which are drawn out in the course of the book.

In Making Things Better, A. David Napier demonstrates how anthropological description of non-Western exchange practices and beliefs can be a tonic for contemporary economic systems in which our impersonal relationship to ''things'' transforms the animate elements of social life into inanimate sets of commodities. Such a fundamental transformation, Napier suggests, makes us automatons in globally integrated social circuits that generate a cast of a winners and losers engaged in hostile competition for wealth and power. Our impersonal relations to ''things''-and to people as well-are so ingrained in our being, we take them for granted as we sleepwalk through routine life. Like the surrealist artists of the 1920s who, through their art, poetry, films, and photography, fought a valiant battle against mind-numbing conformity, Napier provides exercises and practica designed to shock the reader from their wakeful sleep. These demonstrate powerfully the positively integrative social effects of more socially entangled, non-Western orientations to ''things'' and to ''people.'' His arguments also have implications for the rights and legal status of indigenous peoples, which are drawn out in the course of the book.

Masks are found world-wide in connection with seasonal festivals, rites of passage, and curative ceremonies. They provide a means of investigating the paradoxical problems that appearances pose in the experience of transitional states. In this far-reaching work, A. David Napier studies mask iconography and the role played by masks in the realization of change. The masks of preclassical Greecein particular those of the Satyr and the Gorgonprovide his starting point. A comparison of Greek to Eastern and especially Indian models follows, and the book concludes with an examination of the interpretation of Hindu ideas in Bali that demonstrates the importance of ambivalence in mask iconography.