Forty years after Pablo Neruda’s death, this compilation of his sonnets, unlike previous translations, captures the true spirit and verbal dexterity of his lesser-known genre. Pablo Neruda is still one of the most widely read, influential and beloved 20th-century poets. He was a Nobel Laureate, famous for his politically engaged lyrics, who also wrote these bold and sensual sonnets. In this new edition, the poems are followed by three essays on reading Neruda and his poetic effect by the notable poets and translators A. F. Moritz, Beatriz Hausner, and Toronto’s Poet Laureate (2012–2015) George Elliott Clarke, as well as a new afterword by the translator, questions for discussion, and recommended readings.

From one of the defining poets of his generation, a new collection that plumbs the depth of beauty, history, responsibility, and love. As Far As You Know, acclaimed poet A. F. Moritz's twentieth collection of poems, begins with two sections entitled "Terrorism" and "Poetry." The book unfolds in six movements, yet it revolves around and agonizes over the struggle between these two catalyzing concepts, in all the forms they might take, eventually arguing they are the unavoidable conditions and quandaries of human life. Written and organized chronologically around before and after the poet's serious illness and heart surgery in 2014, these gorgeously unguarded poems plumb and deepen the reader's understanding of Moritz's primary and ongoing obsessions: beauty, impermanence, history, social conscience and responsibility, and, always and most urgently, love. For all its necessary engagement with worry, sorrow, and fragility, As Far As You Know sings a final insistent chorus to what it loves: "You will live."

To read A.F. Moritz is to find out what it means to be alive at this juncture of history. These poems are mansions, both derelict and opulent. Wander in with the mind open and hear what the ages, humanity, and the myth of progress have wrought. Night Street Repairs contains necessary meditations on time, modernity, and our current situation as a society of appetite flirting with self-destruction. Many voices act as vigilant witness to our urban wastes and wastefulness. Moritz's unmistakable cadences -- magisterial, philosophical, and funny -- mingle among the ancients, the Bible, Leopardi, Montale, and Rilke as he extends his already prestigious and singular poetic project.