Originally published in 1931, this book contains a number of selections from the prose writings of William Morris. The extracts come from Morris' fiction publications as well as his more well-known opinions on art and design. This book will be of value for anyone interested in an overview of Morris' prose output or late nineteenth-century English writing more generally.

Originally published in 1930, this book contains a series of extracts from Thomas Carlyle's influential three-volume work The French Revolution: A History (1837). The text was compiled with the intention of providing a 'representation both of Carlyle's delineation of the Revolution, and of his poetic scheme of history.' Continuity of narrative is ensured through the use of short explanatory link passages which are inserted between extracts. A detailed editorial introduction is also included, with information on the text, Carlyle's life and his conception of history. This book will be of value to anyone with an interest in Carlyle's writings and perspectives on the French Revolution.

Originally published in 1929, this book presents a selection of Thomas Carlyle's writings, aiming 'to collect and arrange the passages most representative of Carlyle's contribution to culture and to thought, particularly in the spheres of Literary Criticism, Philosophy, Political Economy, and History.' A detailed editorial introduction is also included, with information on Carlyle's life and intellectual views. This book will be of value to anyone with an interest in Thomas Carlyle and his works.

First published in 1928, this book gathers together a selection of John Ruskin's relatively neglected writings on literature and aesthetics. As noted in the textual preface, 'The attention which has been given to Ruskin's other subjects makes the neglect of this branch of his work more striking, for there is here much of permanent value. Interesting themes, original treatment, suggestive ideas which warm and stimulate the mind, are set out in a more easily readable form than is usual in Ruskin's works.' This book will be of value to anyone with an interest in Ruskin and literary criticism.