Lost Federations traces the story of unmade projects across the Star Trek franchise from the 1960s to the present day, examining why they never happened. The production of Star Trek was never an easy road, from the cancellation of the original, iconic 1960’s series, through failed revival attempts, and a 1980s-1990s heyday. But the franchise suffered a slow decline before 2009’s big-screen revival, Star Trek, staring Chris Pine. Lost Federations maps the story of the unmade Star Trek adventures alongside the successes and failures of the Star Trek series and movies that do exist, and considers how these unmade projects might have influenced not just the Star Trek franchise, but wider production trends within film and television – making a case for how much of our popular culture and entertainment has been driven by Star Trek’s almost 60-year vision, and how differently that story might have evolved.

Scotland's greatest export. The world's first super spy. Voted the sexiest man on the planet. Sir Sean Connery was a titanic figure on screen and off for over half a century. Behind the son of a factory worker, growing up in near-poverty on the harsh streets of pre-war Edinburgh, lay a timeless array of motion pictures that spanned multiple decades and saw Connery work across the globe with directors as diverse as Alfred Hitchcock, Steven Spielberg and Michael Bay. And amongst them his greatest role, whether he liked it or not - Bond, James Bond. Author A. J. Black delves into Connery's life for more than mere biography, exploring not just the enormously varied pictures he made including crowd pleasing blockbusters such as The Untouchables or Indiana Jones and the Last Crusade, serious-minded fare in The Hill or The Offence, and his strange sojourns into eclectic fantasy with Zardoz or Time Bandits, but also the sweep of a career that crossed movie eras as well as decades. From skirmishes with the angry young men of the British New Wave, via becoming the cinematic icon of the 1960s as 007, through to a challenging reinvention as a unique older actor of stature in the 1980s, this exploration of the Cinematic Connery shows just how much his work reflected the changing movie-going tastes, political realities and cultural trends of the 20th century, and beyond . . .

Since 1966, the Star Trek television franchise has used outer space and the thrilling adventures of the crews of the U.S.S. Enterprise to reflect our own world and culture. Kirk and Spock face civil rights issues and Vietnam war allegories while Picard, Data, and the next generation seek an ordered, post-Cold War stability in the Reagan era. The crews of Deep Space Nine, Voyager and Enterprise must come to terms with our real life of war, manifest destiny in the 21st century, and the shadow of 9/11. Now, as the modern era of the franchise attempts to portray a utopia amidst a world spinning out of control, Star Trek remains about more than just the future. It is about our present. It is about us. This book charts the history of Gene Roddenberry's creation across five decades alongside the cultural development of the United States and asks: are we heading for the utopian Federation future, or is it slipping ever further away from reality?

Mythology for centuries has served as humanity's window into understanding its distant past. In our modern world, storytelling creates its own myths and legends, in media ranging from the world of television and cinema to literature and comic books, that help us make sense of the world we live in today. What is the "Mytharc," how did it arise, and how does it inform modern long-form storytelling? How does the classical hero's journey intersect with modern myth and narrative? And where might the storytelling of tomorrow take readers and viewers as we imagine our future? From The X-Files to H.P. Lovecraft, from Lost to the Marvel cinematic universe and many worlds beyond, this study explores our modern storytelling mythology and where it may lead us.

In Four Volumes. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

In Four Volumes. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

In Four Volumes. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

A study of political ideas in the conflict between the Council of Basle (1431-1449) and Pope Eugenius IV (1431-1447). The supporters of conciliar and papal supremacy each developed a remarkable array of political doctrines, which can now be seen as the immediate ancestors of later, more famous theories of 'democracy' and 'monarchy' respectively. Dr Black discusses both the development and the meaning of these doctrines, and their contribution to the notion of constitutional democracy and of monarchical sovereignty respectively. Both doctrines, he suggests, find a place in the modern state. He also examines the papacy's attempt to forge an international alliance of rulers, based on the monarchical view of sovereignty, against the Council. Extracts from writing of the two leading figures in the dispute, John of Segovia and John Turrecremata, are given in appendices.