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Drawing on film theory, literary modernism, psychology and art
history, Fields of View elucidates an expanded network of
connections between avant-garde film and wider culture. In this
bold and original work, A.L. Rees identifies three key terms -
'field', 'frame' and 'interval' and charts their use by filmmakers
and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce
Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the
1920s through to the present day. A seminal voice in film culture,
Rees left the incomplete manuscript for this book on his death, and
Simon Payne has subsequently carefully prepared the book for
publication. Fields of View is an important work that establishes a
unique perspective on experimental film.
Avant-garde film is almost indefinable. It is in a constant state
of change and redefinition. In his highly-acclaimed history of
experimental film, A.L. Rees tracks the movement of the film
avant-garde between the cinema and modern art (with its postmodern
coda). But he also reconstitutes the film avant-garde as an
independent form of art practice with its own internal logic and
aesthetic discourse. In this revised and updated edition, Rees
introduces experimental film and video to new readers interested in
the wider cinema, as well as offering a guide to enthusiasts of
avant-garde film and new media arts. Ranging from Cezanne and Dada,
via Cocteau, Brakhage and Le Grice, to the new wave of British film
and video artists from the 1990s to the present day, this expansive
study situates avant-garde film between the cinema and the gallery,
with many links to sonic as well as visual arts. The new edition
includes a review of current scholarship in avant-garde film
history and includes updated reading and viewing lists. It also
features a new introduction and concluding chapter, which assess
the rise of video projection in the gallery since the millennium,
and describe new work by the latest generation of experimental
film-makers. The new edition is richly illustrated with images of
the art works discussed.
Drawing on film theory, literary modernism, psychology and art
history, Fields of View elucidates an expanded network of
connections between avant-garde film and wider culture. In this
bold and original work, A.L. Rees identifies three key terms -
'field', 'frame' and 'interval' and charts their use by filmmakers
and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce
Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the
1920s through to the present day. A seminal voice in film culture,
Rees left the incomplete manuscript for this book on his death, and
Simon Payne has subsequently carefully prepared the book for
publication. Fields of View is an important work that establishes a
unique perspective on experimental film.
There are number of blood tests that reflect the condition of
liver. Serum alanine aminotransferase (ALT) is one of the important
and sensitive indicator of injury to liver cells although raised
values can be caused by diseases unrelated to the liver. There is a
tendency amongst clinicians to consider a raised serum alanine
aminotransferase synonymous with a viral hepatitis, acute or
chronic but there are a large number of unusually or frequently
overlooked causes of raised serum alanine aminotransferase in
addition to viral hepatitis. It is very important to consider these
uncommon causes while investigating a patient for raised serum ALT
because early detection may not only helpful in diagnosis but
management of such cases as well. This study will not only help in
earlier diagnosis of unusual causes of raised serum Alanine
aminotransferase but also in management of such cases.
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