Word order is not a subject anyone reading Latin can afford to ignore: apart from anything else, word order is what gets one from disjoint sentences to coherent text. Reading a paragraph of Latin without attention to the word order entails losing access to a whole dimension of meaning, or at best using inferential procedures to guess at what is actually overtly encoded in the syntax. This book begins by introducing the reader to the linguistic concepts, formalism and analytical techniques necessary for the study of Latin word order. It then proceeds to present and analyze a representative selection of data in sufficient detail for the reader to develop both an intuitive grasp of the often rather subtle principles controlling Latin word order and a theoretically grounded understanding of the system that underlies it. Combining the rich empirical documentation of traditional philological approaches with the deeper theoretical insight of modern linguistics, this work aims to reduce the intricate surface patterns of Latin word order to a simple and general crosscategorial system of syntactic structure which translates more or less directly into constituents of pragmatic and semantic meaning.

The advent of the new discipline of Formal Semantics around forty years ago has resulted in a vast expansion in our knowledge and theoretical understanding of grammatical meaning. Semantics for Latin collects together this new material, applies it to Latin, and makes the results accessible to a Classical audience. The issues confronted by Formal Semantics are mostly those that comprise the core subject matter of Latin grammar. Formal Semantics, however, is not just a new way of doing an old subject: the richness and explanatory depth of its analyses, together with their striking elegance and precision, go far beyond anything that was achieved by the rather vague notional semantics used in our classroom textbooks and in the standard German reference grammars. Thus, apart from its intrinsic interest, the material in this book will be of real practical value to students and teachers of Latin and, more generally, to scholars engaged in any discussion of Latin textual meaning.

The interface between syntax and meaning, both semantic and pragmatic, has emerged as perhaps the richest and most fascinating area of current linguistics theory. This study applies some of these ideas to hyperbaton, offering an original new theory with broad applications for our understanding of Greek syntax. Students of epic will find a fresh perspective on orality in Homer while the general classicist will discover a more precise and explicit framework for the analysis of textual meaning in literary research.

In this important study, A. M. Devine and Laurence D. Stephens interpret the evidence of Greek verse texts, inscriptions, and musical settings in the framework of a theory of prosody based on cross-linguistic evidence and experimental phonetic and psycholinguistic data, and reconstruct the syllable structure, rhythm, accent, phrasing, and intonation of classical Greek speech. The authors employ sophisticated statistical analyses to support an impressive range of new findings which relate not only to phonetics and phonology, but also to pragmatics and the syntax-phonology interface. Introductory and background material is provided for the benefit of general classicists and nonspecialist readers, making the work an indispensable resource for both students and scholars in the fields of classics and linguistics. A pioneering study, The Prosody of Greek Speech offers a new paradigm for the reconstruction of the prosody of dead languages.

Latin is often described as a free word order language, but in general each word order encodes a particular information structure: in that sense, each word order has a different meaning. Pragmatics for Latin provides a descriptive analysis of Latin information structure based on detailed philological evidence and elaborates a syntax-pragmatics interface that formalizes the informational content of the various different word orders. Using a slightly adjusted version of the structured meanings theory, the book shows how the pragmatic meanings matching the different word orders arise naturally and spontaneously out of the compositional process as an integral part of a single semantic derivation covering denotational and informational meaning at one and the same time.

The reconstruction of the prosody of a dead language is, on the face of it, an almost impossible undertaking. However, once a general theory of prosody has been developed from eliable data in living languages, it is possible to exploit texts as sources of answers to questions that would normally be answered in the laboratory. In this work, the authors interpret the evidence of Greek verse texts and musical settings in the framework of a theory of prosody based on crosslinguistic evidence and experimental phonetic and psycholinguistic data, and reconstruct the syllable structure, rhythm, accent, phrasing, and intonation of classical Greek speech. Sophisticated statistical analyses are employed to support an impressive range of new findings which relate not only to phonetics and phonology, but also to pragmatics and the syntax-phonology interface.