E.H.Shepard’s original, iconic artwork has been reproduced for this 100th anniversary range so it truly pays homage to the vividness of the original art that accompanied Milne’s classic, favourite stories.

Meet the world’s favourite bear in this delightful collection, in which Pooh gets into a tight place, nearly catches a Woozle, and discovers the wrong sort of honey – amongst other things!

A.A.Milne’s Winnie-the-Pooh is nothing less than a true children’s classic. Winnie-the-Pooh may be a Bear of Very Little Brain, but thanks to his friends Piglet, Eeyore and, of course, Christopher Robin, he’s never far from an adventure.

This very special 100th anniversary hardback collection of the classic stories will delight fans of Winnie-the-Pooh young and old. Relive all your favourite moments in the Hundred Acre Wood, brought stunningly to life with the iconic original decorations by E.H.Shepard.

Milne and Shepard had a unique working relationship for their time, in that they closely collaborated on the design of the storybooks and poetry. This joint approach to laying out the words and illustrations was clearly the perfect partnership; Shepard entirely captured the charm of Pooh’s world, created by Milne, resulting in the gorgeous books we all know and love.

The nation’s favourite teddy bear has been delighting generations of children for nearly 100 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness.

Pooh ranks alongside other beloved characters such as Paddington Bear and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

E.H.Shepard’s original, iconic artwork has been reproduced for this 100th anniversary range so it truely pays homage to the vividness of the original art that accompanied Milne’s classic, favourite stories.

In this famous collection of verse for children, we join Christopher Robin and his friends for a trip to Buckingham Palace, learn what a King likes for his breakfast and meet a much-loved bear for the very first time.

Curl up with A.A.Milne’s classic book of poetry for children, When We Were Very Young. This is the first volume of rhymes written especially for children by Milne – as popular now as when they were first written.

This special 100th anniversary hardback collection is a heart-warming and funny introduction to children’s poetry, offering the same sense of humour, imagination and whimsy that we’ve come to expect from Milne's favourite books about Winnie-the-Pooh, that Bear of Very Little Brain.

This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh'

Milne and Shepard had a unique working relationship for their time, in that they closely collaborated on the design of the storybooks and poetry. This joint approach to laying out the words and illustrations was clearly the perfect partnership; Shepard entirely captured the charm of Pooh’s world, created by Milne, resulting in the gorgeous books we all know and love.

The nation’s favourite teddy bear has been delighting generations of children for nearly 100 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness.

Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

E.H.Shepard’s original, iconic artwork has been reproduced for this 100th anniversary range so it truly pays homage to the vividness of the original art that accompanied Milne’s classic, favourite stories.

fJoin Pooh, Piglet and all their friends in the Hundred Acre Wood in this collection of stories about the Bear for All Ages – in which Tigger finds out what Tigger like to eat, Piglet does a Very Grand Thing and Pooh invents a new game.

This is the second classic children’s story collection by A.A.Milne about Winnie-the-Pooh and his friends in the Hundred Acre Wood. In this highly popular volume Pooh meets the irrepressible Tigger for the first time, learns to play Poohsticks and sets a trap for a Heffalump.

In this stunning 100th anniversary hardback edition of The House at Pooh Corner, A.A.Milne’s classic characters are once again brought to life by E.H.Shepard’s beautiful decorations.

Milne and Shepard had a unique working relationship for their time, in that they closely collaborated on the design of the storybooks and poetry. This joint approach to laying out the words and illustrations was clearly the perfect partnership; Shepard entirely captured the charm of Pooh’s world, created by Milne, resulting in the gorgeous books we all know and love.

The nation’s favourite teddy bear has been delighting generations of children for nearly 100 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness.

Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.