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The Marine Corps has always considered itself a breed apart. Since 1775, America s smallest armed service has been suspicious of outsiders and deeply loyal to its traditions. Marines believe in nothing more strongly than the Corps uniqueness and superiority, and this undying faith in its own exceptionalism is what has made the Marines one of the sharpest, swiftest tools of American military power. Along with unapologetic self-promotion, a strong sense of identity has enabled the Corps to exert a powerful influence on American politics and culture. Aaron O Connell focuses on the period from World War II to Vietnam, when the Marine Corps transformed itself from America s least respected to its most elite armed force. He describes how the distinctive Marine culture played a role in this ascendancy. Venerating sacrifice and suffering, privileging the collective over the individual, Corps culture was saturated with romantic and religious overtones that had enormous marketing potential in a postwar America energized by new global responsibilities. Capitalizing on this, the Marines curried the favor of the nation s best reporters, befriended publishers, courted Hollywood and Congress, and built a public relations infrastructure that would eventually brand it as the most prestigious military service in America. But the Corps triumphs did not come without costs, and O Connell writes of those, too, including a culture of violence that sometimes spread beyond the battlefield. And as he considers how the Corps interventions in American politics have ushered in a more militarized approach to national security, O Connell questions its sustainability."
The first rule of warfare is to know one's enemy. The second is to know thyself. More than fifteen years and three quarters of a trillion dollars after the US invasion of Afghanistan, it's clear that the United States followed neither rule well. America's goals in Afghanistan were lofty to begin with: dismantle al-Qaeda, remove the Taliban from power, remake the country into a democracy. But not only did the mission come completely unmoored from reality, the United States wasted billions of dollars, and thousands of lives were lost. Our Latest Longest War is a chronicle of how, why, and in what ways the war in Afghanistan failed. Edited by historian and Marine lieutenant colonel Aaron B. O'Connell, the essays collected here represent nine different perspectives on the war all from veterans of the conflict, both American and Afghan. Together, they paint a picture of a war in which problems of culture and ideology derailed nearly every field of endeavor. The authors also draw troubling parallels to the Vietnam War, arguing that deep-running ideological currents in American life explain why the US Government has repeatedly used armed nation-building to try to transform failing states into modern, liberal democracies. In Afghanistan, as in Vietnam, this created a dramatic mismatch of means and ends that neither money, technology, nor the force of arms could overcome. The war in Afghanistan has been the longest in US history. We lost the war, and somehow we continue to lose it every day. These are difficult topics for any American or Afghan to consider, especially for those who fought in the war or lost friends or family in it. This sobering history written by the very people who have been fighting the war is impossible to ignore.
The first rule of warfare is to know one’s enemy. The second is to know thyself. More than fifteen years and three quarters of a trillion dollars after the US invasion of Afghanistan, it’s clear that the United States followed neither rule well. America’s goals in Afghanistan were lofty to begin with: dismantle al Qaeda, remove the Taliban from power, remake the country into a democracy. But not only did the mission come completely unmoored from reality, the United States wasted billions of dollars, and thousands of lives were lost. Our Latest Longest War is a chronicle of how, why, and in what ways the war in Afghanistan failed. Edited by historian and Marine lieutenant colonel Aaron B. O’Connell, the essays collected here represent nine different perspectives on the war—all from veterans of the conflict, both American and Afghan. Together, they paint a picture of a war in which problems of culture and an unbridgeable rural-urban divide derailed nearly every field of endeavor. The authors also draw troubling parallels to the Vietnam War, arguing that deep-running ideological currents in American life explain why the US government has repeatedly used armed nation-building to try to transform failing states into modern, liberal democracies. In Afghanistan, as in Vietnam, this created a dramatic mismatch of means and ends that neither money, technology, nor the force of arms could overcome. The war in Afghanistan has been the longest in US history, and in many ways, the most confounding. Few who fought in it think it has been worthwhile. These are difficult topics for any American or Afghan to consider, especially those who lost friends or family in it. This sobering history—written by the very people who have been fighting the war—is impossible to ignore.
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