A satiric and searing collection of poetry obsessed with television, oceans, Jewish history, and time. Nature isn't dying it's simply revising its target audience In Shifting Baseline Syndrome , Aaron Kreuter asks the hard questions: will the Anthropocene have a laugh track? Is it okay to marry your eighteenth cousin? How different would the world look from outside the life-frame of the human? What is it like to have an acid trip in a portapotty? Is it the end . . . of Earth? Of capitalism? Of television? Throughout Kreuter's sophomore collection, the TV remote is never far. Shifting Baseline Syndrome is both searching and searing, veering between satire and sincerity, history and prophecy, and human and non-human worlds. As these clash ecstatically with loathing-and with the end looming-Kreuter demonstrates why we'll keep doing what we've always done: hoping, for once, that the series finale will be good.

Leaving Other People Alone reads contemporary North American Jewish fiction about Israel/Palestine through an anti-Zionist, diasporic lens. Aaron Kreuter argues that since Jewish diasporic fiction played a major role in establishing the centroperipheral relationship between Israel and the diaspora, it therefore also has the potential to challenge, trouble, and ultimately rework this relationship. Kreuter suggests that any fictional work that concerns itself with Israel/Palestine and Zionism comes with heightened responsibilities, primarily to make narrative space for the Palestinian worldview, the dispossessed other of the Zionist project. In engaging prose, the book features a wide range of scholarship and new, compelling readings of texts by Theodor Herzl, Leon Uris, Philip Roth, Ayelet Tsabari, and David Bezmozgis. Throughout the book, Kreuter develops his concept of diasporic heteroglossia, which is fiction’s unique ability to contain multiple, diasporic voices that resist and write back against national centres. This work makes an important and original contribution to Jewish studies, diaspora studies, and world literatures.