Salafis explicitly base their legitimacy on continuity with the Quran and the Sunna, and their distinctive practices-praying in shoes, wearing long beards and short pants, and observing gender segregation-are understood to have a similarly ancient pedigree. In this book, however, Aaron Rock-Singer draws from a range of media forms as well as traditional religious texts to demonstrate that Salafism is a creation of the twentieth century and that its signature practices emerged primarily out of Salafis' competition with other social movements amid the intellectual and social upheavals of modernity. In the Shade of the Sunna thus takes readers beyond the surface claims of Salafism's own proponents-and the academics who often repeat them-into the larger sociocultural and intellectual forces that have shaped Islam's fastest growing revivalist movement.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

Salafis explicitly base their legitimacy on continuity with the Quran and the Sunna, and their distinctive practices-praying in shoes, wearing long beards and short pants, and observing gender segregation-are understood to have a similarly ancient pedigree. In this book, however, Aaron Rock-Singer draws from a range of media forms as well as traditional religious texts to demonstrate that Salafism is a creation of the twentieth century and that its signature practices emerged primarily out of Salafis' competition with other social movements amid the intellectual and social upheavals of modernity. In the Shade of the Sunna thus takes readers beyond the surface claims of Salafism's own proponents-and the academics who often repeat them-into the larger sociocultural and intellectual forces that have shaped Islam's fastest growing revivalist movement.