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Meddeb wages a war of interpretations in this book demonstrating
that Muslims cannot join the concert of nations unless they set
aside outmoded notions such as jihad, and realize that the feuding
among monotheisms must give way to the more important issue of what
it means to be a citizen intoday's post-religious global setting.
Abdelwahab Meddeb makes an urgent case for an Islamic reformation,
located squarely in Western Europe, now home to millions of
Muslims, where Christianity and Judaism have come to coexist with
secular humanism and positivist law. He is not advocating
"moderate" Islam, which he characterizes as thinly disguised
Wahabism, but rather an Islam inspired by the great Sufi thinkers,
whose practice of religion was not bound by doctrine.
To accomplish this, Meddeb returns to the doctrinal question of the
text as transcription of the uncreated word of God and calls upon
Muslims to distinguish between Islam's spiritual message and the
temporal, material, and historically grounded origins of its
founding scriptures. He contrasts periods of Islamic history--when
philosophers and theologians engaged in lively dialogue with other
faiths and civilizations and contributed to transmitting the
Hellenistic tradition to early modern Europe--with modern Islam's
collective amnesia of this past.
Abdelwahab Meddeb crosses boundaries in unusual and important ways.
Born in Tunis, he is now a French national. In his academic and
literary work, he is concerned with the roots and history of Islam
and with crossings, like his own, between Islam and Europe. He is
an author of extraordinarily beautiful French; this is the first
book to represent this lyrical aspect of his work in English
translation. White Traverses is a poetic memoir about growing up in
Tunisia and the contrasts between Islamic and European influences.
In it, the intense colors and blinding whites of the Maghreb
interweave with the rich traditions of French poetic discourse. In
Africa as in Europe, white designates purity. Yet the complex
Mediterranean streams of culture that flow together in Tunis
problematize this myth. Meddeb captures their white refractions in
vignettes that teach us the truth of the coincidence of contraries,
of how the impure lodges in the pure.Tombeau of Ibn Arabi is a
series of prose poems that draw their inspiration from the great
Sufi poet of mediaeval Andalusia, Ibn Arabi, whose fervent love
poetry both scandalized and transformed Islamic culture, and from
Dante, who learned from Ibn Arabi a poetry of sensual love as
initiation into spiritual experience. It seeks to show how a text
written in the present day can maintain a link with the great dead
. Ibn Arabi and Dante are two symbolic figures confirming the
author's twofold spiritual genealogy--Arabic and European.
Abdelwahab Meddeb crosses boundaries in unusual and important ways.
Born in Tunis, he is now a French national. In his academic and
literary work, he is concerned with the roots and history of Islam
and with crossings, like his own, between Islam and Europe. He is
an author of extraordinarily beautiful French; this is the first
book to represent this lyrical aspect of his work in English
translation. White Traverses is a poetic memoir about growing up in
Tunisia and the contrasts between Islamic and European influences.
In it, the intense colors and blinding whites of the Maghreb
interweave with the rich traditions of French poetic discourse. In
Africa as in Europe, white designates purity. Yet the complex
Mediterranean streams of culture that flow together in Tunis
problematize this myth. Meddeb captures their white refractions in
vignettes that teach us the truth of the coincidence of contraries,
of how the impure lodges in the pure.Tombeau of Ibn Arabi is a
series of prose poems that draw their inspiration from the great
Sufi poet of mediaeval Andalusia, Ibn Arabi, whose fervent love
poetry both scandalized and transformed Islamic culture, and from
Dante, who learned from Ibn Arabi a poetry of sensual love as
initiation into spiritual experience. It seeks to show how a text
written in the present day can maintain a link with the great dead
. Ibn Arabi and Dante are two symbolic figures confirming the
author's twofold spiritual genealogy--Arabic and European.
Abdelwahab Meddeb makes an urgent case for an Islamic reformation,
located squarely in Western Europe, now home to millions of
Muslims, where Christianity and Judaism have come to coexist with
secular humanism and positivist law. He is not advocating
"moderate" Islam, which he characterizes as thinly disguised
Wahabism, but rather an Islam inspired by the great Sufi thinkers,
whose practice of religion was not bound by doctrine. To accomplish
this, Meddeb returns to the doctrinal question of the text as
transcription of the uncreated word of God and calls upon Muslims
to distinguish between Islam's spiritual message and the temporal,
material, and historically grounded origins of its founding
scriptures. He contrasts periods of Islamic history-when
philosophers and theologians engaged in lively dialogue with other
faiths and civilizations and contributed to transmitting the
Hellenistic tradition to early modern Europe-with modern Islam's
collective amnesia of this past. Meddeb wages a war of
interpretations in this book, in his attempt to demonstrate that
Muslims cannot join the concert of nations unless they set aside
outmoded notions such as jihad and realize that feuding among the
monotheisms must give way to the more important issue of what it
means to be a citizen in today's postreligious global setting.
In this impassioned, erudite, and deeply moving book, Abdelwahab
Meddeb, born and raised in Tunis and now living in Paris, details
the breadth and scope of the Arab intellectual tradition and
dismantles common preconceptions held by the Islamic and Western
worlds. He describes the growing resentment between the West and
the Islamic world as being due, in large part, to Islam's drift
away from its own pluralist tradition. Tracing the history of the
"conquering" of the Arab world by the West, he provides a detailed
history of the ways in which Islamic fundamentalism has come to
compensate for Western dominance. Directly addressing the terrorist
attacks of September 11, he challenges us to reconsider the
presumption that the gulf between the Islamic world and the West is
too wide to breach.The "malady" of Islam lies in its alienation
from the West and the corrosive influence that fundamentalism has
wrought. This book is a correction of the historical record, a
passionate description of the best of Islamic thought and culture,
and an absolutely necessary read for those seeking a better
understanding not only of Islam but also ourselves.
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