The writings in this edition explore historical and contemporary issues in Ethiopia as the country underwent change and celebrated its new millennium. However, despite the recognizance of socio-economic and political changes, Ethiopia still faces enduring problems and challenges to its stability and continuity. The political past haunts the country while it is facing the future with optimism and hope. The contributors in this edition examine historical and contemporaneous issues with different lenses; they investigate the multiplicity and complexity of the contradictions that define traditional and modern Ethiopia. The contributions highlight the significance of the instability, dislocation, conflict and transformation inherent in any society. None of these writings, however, celebrate the forces that create the conflict; they are cautious not to glorify the present and romanticize the past. On the contrary, they seek to contextualize the challenges which the country faces with a view to open a dialogue, not exclusively among Ethiopians, but with scholars and social activists in the rest of Africa, as well as the international community. The contributions cover and examine such important topics as historiography, political power and legitimacy, ideology and radical views, knowledge transmission and modernity, emigration and the Ethiopian Diaspora, ethnic and linguistic identity, patriarchy and feminist discourses in a traditional society, public policies and economic development, traditional and modern art and culture, and neo-liberalism and globalization. This book was published as a special issue of African Identities.

European and African works have found it difficult to move past the image of Africa as a place of exotica and relentless brutality. This book explores the status and critical relationship between politics, culture, literary creativity, criticism, education and publishing in the context of promoting Africa's indigenous knowledge, and seeks to recover some of the sites where Africans continue to elaborate conflicting politics of self-affirmations. It both acknowledges and steps outside the protocols of analysis informed by nationalism, differentiating the forms that postcolonial theories have taken, and arguing for a selective appropriation of theory that emerges from Africa's lived experiences.

This title was first published in 2003. Aimed at examining contemporary debates and issues which are at the cutting edge of the social sciences, Pal Ahluwalia and Abebe Zegeye have put together a book on subjects of critical importance to the African condition. A combination of empirical and theoretical materials, this text introduces new perspectives.

This title was first published in 2003. Aimed at examining contemporary debates and issues which are at the cutting edge of the social sciences, Pal Ahluwalia and Abebe Zegeye have put together a book on subjects of critical importance to the African condition. A combination of empirical and theoretical materials, this text introduces new perspectives.

Mulatu was the first Ethiopian jazz music-maker to study abroad and thus be exposed to Western musical trends. When he returned to Addis Ababa he pursued his dream of drawing on the musical heritage of his homeland a heritage that has been buffeted by Ethiopia s turbulent history to produce a unique, compelling blend of music: Ethiopian sounds with a twist . In the late 1960 s, his Ethio jazz introduced, among other new ideas, the Afro-Latin soul where he played conga, piano, vibraphone and innovative musical arrangements. These included compositions of popular Ethio jazz music which took on a modern, funk, jazz-infused quality that soon had recording companies knocking at his door.