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As one of the 18th century's most influential architecture
writer/designers, Swan came to define many conventions of English
rococo detail. Included here is a range of floor plans and detail
elevations that demonstrates both Swan's unique style, as well as
the types of homes prevalent in Georgian England and colonial
America. 125 illustrations.
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT101999London:
printed for and sold by the author; by Mr. Meadows; Messrs. Hitch
and Hawes; H. Piers and Partner, 1757. 2v., plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT134793Several
plates have letterpress descriptions.London: printed for the
author: and sold by Thomas Meighan; and W. Meadows, 1745.
viii,20p., LX plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT102000In some
copies the names of Meadows and Hitch and Hawes have been erased
and replaced in ink with Mr. Brotherton and Mr. Buckland.London:
printed for and sold by the author; by Mr. Meadows; Messrs Hitch
and Hawes; and H. Piers and Partner, 1758. viii,16, 10]p., plates:
ill.; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT134784Several
plates have letterpress descriptions.London: printed for the
author: and sold by Thomas Meighan; W. Meadows, and H. Piers, 1750.
viii,20p., LX plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT101999London:
printed for and sold by the author; by Mr. Meadows; Messrs. Hitch
and Hawes; H. Piers and Partner, 1757. 2v., plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT060920London:
printed for Robert Sayer, 1768. 31, 1]p., plates; 8
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British LibraryT134924London:
printed for and sold by Robert Sayer, 1765?]. viii,16p., LX plates;
2
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