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From the author of the Pulitzer Prize finalist "You Are Not A
Stranger Here," a stunning, masterful portrait of our modern gilded
age.
At the heart of "Union Atlantic" lies a test of wills between a
retired history teacher, Charlotte Graves--who has suddenly begun
to hear her two dogs speaking to her in the voices of Cotton Mather
and Malcolm X--and an ambitious young banker, Doug Fanning, who is
building an ostentatious mansion on what was once Charlotte's
family land. Drawn into the conflict is Nate Fuller, a troubled
high-school student who stirs powerful emotions in both of them.
What emerges is a riveting story of financial power, the defense of
tradition, and the distortions of desire these forces create. With
remarkable scope and precision, "Union Atlantic" delivers a
striking vision of the violent, anxious world we've come to
inhabit.
Shortlisted for the NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 2017
PULITZER PRIZE Finalist for Fiction TIME Top Ten Novels of 2016 'It
might be the best American novel about a middle-class family since
Jonathan Franzen's The Corrections' Independent 'Exceptional,
haunting, distinctive... [It] resembles the work of Anne Tyler,
intertwining grief and love... Intimate and panoramic' The Sunday
Times 'Dreadfully sad and hilariously funny. Literature of the
highest order' Peter Carey Universal and essential, the
heart-breaking story of an ordinary American family shaped by
tragedy Michael's father walked into the woods one day, and out of
his family's life for ever. Yet he and his brother and sister see
it less as a tragedy in their past and more as a forewarning of the
future. For Michael - smart, brilliant, so alive and vital - feels
the darkness that drew their father away and how, given the chance,
it might take the whole family. He wants to save them - but can he
save himself?
The nine stories in You Are Not a Stranger Here are set in Los Angeles, the Midwest, New England and England. What unites them is the refined writing and a raw emotional power that carries the reader past the surface of the subject and into the core of the characters' lives. There is grief, passion, loneliness, humour and longing in these stories, but ultimately the book sets off the shock of recognition that takes readers past the clich-d language of human suffering and brings them to understand their own experience through the characters' lives.
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