Winner of the Duff Cooper Prize, King Leopold’s Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.

In the late nineteenth century, a time when Africa was being parcelled among European powers, King Leopold of Belgium seized vast, untapped territories around the Congo River. Under his brutal regime, resources were plundered, natives oppressed and populations halved. Amidst the corruption, Leopold maintained a façade of a compassionate leader.

In King Leopold's Ghost, author Adam Hochschild introduces us to a group of missionaries and idealists who, upon their arrival in Africa, found themselves in the middle of a horrifying holocaust. Their courage to stand against Leopold shines a light on this often overlooked chapter of history.

A devastating piece of African history, King Leopold's Ghost explores the grave cost paid by those silenced by colonial terror.

Eighteenth-century Britain was the world's leading centre for the slave trade. Profits soared and fortunes were made, but in 1788 things began to change. Bury The Chains tells the remarkable story of the men who sought to end slavery and brought the issue to the heart of British political life. 'Hochschild's marvellous book is a timely reminder of what a small group of determined people, with right on their side, can achieve. Carefully researched and elegantly written, with a pacy narrative that ranges from the coffee houses of London to the back-breaking sugar plantations of the West Indies, it charts the unlikely success of the first international human rights movement' Saul David, Literary Review 'Hochschild is such a gifted researcher and story-teller that he never fails to hold the reader's attention. . . For all its terrible theme, Hochschild's book is not in the least depressing, because it is suffused with admiration for the courage and enlightenment of the men and women who crusaded against this evil, and finally prevailed' Max Hastings, Sunday Telegraph 'Thought-provoking, absorbing and well-written' Brendan Simms, Sunday Times 'Stirring and unforgettable' Economist

National Bestseller • One of the year's most acclaimed works of nonfiction A BEST BOOK OF THE YEAR: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus, New York Post, Fast Company From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced—in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens’ arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames.   This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons—a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O’Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator—who was in fact Hoover’s star undercover agent. It is a time that we have mostly forgotten about, until now.  In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country—and showing how their struggles still guide us today.  

In this brilliant new work of history, Adam Hochschild follows a group of characters connected by blood ties, close friendships or personal enmities and shows how the war exposed the divisions between them. They include the brother and sister whose views on the war could not have been more diametrically opposed - he a career soldier, she a committed pacifist; the politician whose job was to send young men who refused conscription to prison, yet whose godson was one of those young men and the suffragette sisters, one of whom passionately supported the war and one of whom was equally passionately opposed to it. Through these divided families, Hochschild paints a vivid picture of Britain poised between the optimism of the Victorian era and the era of Auschwitz and the Gulag - a divided country, fractured by the seismic upheaval of the Great War and its aftermath.

Sven Lindqvist is one of our most original writers on race, colonialism, and genocide, and his signature approach--uniting travelogues with powerful acts of historical excavation--renders his books devastating and unforgettable.
Now, for the first time, Lindqvist's most beloved works are available in one beautiful and affordable volume with a new introduction by Adam Hochschild. "The Dead Do Not Die" includes the full unabridged text of ""Exterminate All the Brutes,"" called "a book of stunning range and near genius" by David Levering Lewis. In this work, Lindqvist uses Joseph Conrad's "Heart of Darkness" as a point of departure for a haunting tour through the colonial past, retracing the steps of Europeans in Africa from the late eighteenth century onward and thus exposing the roots of genocide via his own journey through the Saharan desert.
The full text of "Terra Nullius" is also included, for which Lindqvist traveled 7,000 miles through Australia in search of the lands the British had claimed as their own because it was inhabited by "lower races," the native Aborigines--nearly nine-tenths of whom were annihilated by whites. The shocking story of how "no man's land" became the province of the white man was called "the most original work on Australia and its treatment of Aboriginals I have ever read . . . marvelous" by Phillip Knightley, author of "Australia."

"This is the kind of investigatory history Hochschild pulls off like no one else . . . Hochschild is a master at chronicling how prevailing cultural opinion is formed and, less frequently, how it's challenged." -- Maureen Corrigan, NPR's "Fresh Air"
World War I was supposed to be the "war to end all wars." Over four long years, nations around the globe were sucked into the tempest, and millions of men died on the battlefields. To this day, the war stands as one of history's most senseless spasms of carnage, defying rational explanation.
"To End All Wars" focuses on the long-ignored moral drama of the war's critics, alongside its generals and heroes. Many of these dissenters were thrown in jail for their opposition to the war, from a future Nobel Prize winner to an editor behind bars who distributed a clandestine newspaper on toilet paper. These critics were sometimes intimately connected to their enemy hawks: one of Britain's most prominent women pacifist campaigners had a brother who was commander in chief on the Western Front. Two well-known sisters split so bitterly over the war that they ended up publishing newspapers that attacked each other.
As Adam Hochschild brings the Great War to life as never before, he forces us to confront the big questions: Why did so many nations get so swept up in the violence? Why couldn't cooler heads prevail? And can we ever avoid repeating history?
"Hochschild brings fresh drama to the story and explores it in provocative ways . . . Exemplary in all respects." -- Jonathan Yardley, "Washington Post"
"Superb . . . Brilliantly written and reads like a novel . . . Hochschild] gives us yet another absorbing chronicle of the redeeming power of protest." -- "Minneapolis Star Tribune"

In this rich collection, bestselling author Adam Hochschild has selected and updated over two dozen essays and pieces of reporting from his long career. Threaded through them all is his concern for social justice and the people who have fought for it. The articles here range from a California gun show to a Finnish prison, from a Congolese center for rape victims to the ruins of gulag camps in the Soviet Arctic, from a stroll through construction sites with an ecologically pioneering architect in India to a day on the campaign trail with Nelson Mandela. Hochschild also talks about the writers he loves, from Mark Twain to John McPhee, and explores such far-reaching topics as why so much history is badly written, what bookshelves tell us about their owners, and his front-row seat for the shocking revelation in the 1960s that the CIA had been secretly controlling dozens of supposedly independent organizations. With the skills of a journalist, the knowledge of a historian, and the heart of an activist, Hochschild shares the stories of people who took a stand against despotism, spoke out against unjust wars and government surveillance, and dared to dream of a better and more just world.

From the author of the widely acclaimed King Leopold's Ghost comes the taut, gripping account of one of the most brilliantly organized social justice campaigns in history -- the fight to free the slaves of the British Empire. In early 1787, twelve men -- a printer, a lawyer, a clergyman, and others united by their hatred of slavery -- came together in a London printing shop and began the world's first grass-roots movement, battling for the rights of people on another continent. Masterfully stoking public opinion, the movement's leaders pioneered a variety of techniques that have been adopted by citizens' movements ever since, from consumer boycotts to wall posters and lapel buttons to celebrity endorsements. A deft chronicle of this groundbreaking antislavery crusade and its powerful enemies, Bury the Chains gives a little-celebrated human rights watershed its due at last.

From the moment it began in 1936, the Spanish Civil War became the political question of the age. Hitler and Mussolini quickly sent aircraft, troops and supplies to the right-wing generals bent on overthrowing Spain's elected government. Millions of people around the world felt passionately that rapidly advancing fascism must be halted in Spain; if not there, where? More than 35,000 volunteers from dozens of other countries went to help defend the Spanish Republic. Adam Hochschild, the acclaimed author of King Leopold's Ghost, evokes this tumultuous period mainly through the lives of Americans involved in the war. A few are famous, such as Ernest Hemingway, but others are less familiar. They include a nineteen-year-old Kentucky woman, a fiery leftist who came to wartime Spain on her honeymoon; a young man who ran away from his Pennsylvania college and became the first American casualty in the battle for Madrid; and a swashbuckling Texas oilman who covertly violated US law and sold Generalissimo Francisco Franco most of the fuel for his army. Two New York Times reporters, fierce rivals, covered the war from opposite sides, with opposite sympathies. There are Britons in Hochschild's cast of characters as well: one, a London sculptor, fought with the American battalion; another, who had just gone down from Cambridge, joined Franco's army and found himself fighting against the Americans; and a third is someone whose experience of combat in Spain had a profound effect on his life, George Orwell.

In this rich collection, bestselling author Adam Hochschild has selected and updated over two dozen essays and pieces of reporting from his long career. Threaded through them all is his concern for social justice and the people who have fought for it. The articles here range from a California gun show to a Finnish prison, from a Congolese center for rape victims to the ruins of gulag camps in the Soviet Arctic, from a stroll through construction sites with an ecologically pioneering architect in India to a day on the campaign trail with Nelson Mandela. Hochschild also talks about the writers he loves, from Mark Twain to John McPhee, and explores such far-reaching topics as why so much history is badly written, what bookshelves tell us about their owners, and his front-row seat for the shocking revelation in the 1960s that the CIA had been secretly controlling dozens of supposedly independent organizations. With the skills of a journalist, the knowledge of a historian, and the heart of an activist, Hochschild shares the stories of people who took a stand against despotism, spoke out against unjust wars and government surveillance, and dared to dream of a better and more just world.

From the moment it began in 1936, the Spanish Civil War became the political question of the age. Hitler and Mussolini quickly sent aircraft, troops and supplies to the right-wing generals bent on overthrowing Spain's elected government. Millions of people around the world felt passionately that rapidly advancing fascism must be halted in Spain; if not there, where? More than 35,000 volunteers from dozens of other countries went to help defend the Spanish Republic. Adam Hochschild, the acclaimed author of King Leopold's Ghost, evokes this tumultuous period mainly through the lives of Americans involved in the war. A few are famous, such as Ernest Hemingway, but others are less familiar. They include a nineteen-year-old Kentucky woman, a fiery leftist who came to wartime Spain on her honeymoon; a young man who ran away from his Pennsylvania college and became the first American casualty in the battle for Madrid; and a swashbuckling Texas oilman who covertly violated US law and sold Generalissimo Francisco Franco most of the fuel for his army. Two New York Times reporters, fierce rivals, covered the war from opposite sides, with opposite sympathies. There are Britons in Hochschild's cast of characters as well: one, a London sculptor, fought with the American battalion; another, who had just gone down from Cambridge, joined Franco's army and found himself fighting against the Americans; and a third is someone whose experience of combat in Spain had a profound effect on his life, George Orwell.

History lies heavily on South Africa, and Adam Hochschild brings to bear a lifetime's familiarity with the country in an eye-opening work that blends history and reportage. Hochschild looks at the tensions of modern South Africa through a dramatic prism: the pivotal nineteenth-century Battle of Blood River -- which determined whether the Boers or the Zulus would control that part of the world -- and its contentious commemoration by rival groups 150 years later. This incisive book offers an unusual window onto a society that remains divided. In his epilogue, Hochschild extends his view to the astonishing political changes that have occurred in the country in recent years -- and the changes yet to be made.

From the author of the best-selling King Leopold's Ghost, this haunting and deeply honest memoir tells of Adam Hochschild's conflicted relationship with his father, the head of a multinational mining corporation. The author lyrically evokes his privileged childhood on an Adirondack estate, a colorful uncle who was a pioneer aviator and fighter ace, and his first explorations of the larger world he encountered as he came of age in the tumultuous 1960s. But above all this is a story of a father and his only son and of the unexpected peace finally made between them.

Politics, religion, culture, travel, science and technology, family life: nothing escaped the eye and pen of Samuel Langhorne Clemens, better known as Mark Twain, nineteenth-century America's most famous writer and a legend in his own lifetime. Though chiefly known today for his classic novels of childhood, Tom Sawyer and Huckleberry Finn, and for his short stories, he produced even more nonfiction of an impressive quality. Twain lived a life as exciting as his fiction, and in his Autobiography we find him running wild, like the heroes of his novels, in the countryside around his childhood home in Missouri and navigating the treacherous waters of the Mississippi River as a trained steamboat pilot, while his letters show him travelling thousands of miles over the United States on hectic lecture tours (he was a great showman, raconteur and performer of his own works), hobnobbing with princes and presidents and being lionized in the capitals of Europe. His trademark wit, candour, sarcasm and irrepressible humour shine through on every page of this selection, but here too, beyond the entertainer, we discover in his speeches and essays the social and moral issues - slavery, imperialism - which concerned him, and meet the private man behind that towering public figure, whose long marriage never lost its romance, but who bore the sorrow of losing two of his three daughters while still in their twenties. A sometimes moving, sometimes hilarious and always riveting read.

From the book: 'The pit I was ordered to dig had the precise dimensions of a casket. The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside'. In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma - the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system - the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world. The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality - from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence - is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.