The ideal resource for those preparing for licensed practical nursing, medical assisting and other allied health careers, Colbert/James/Katrancha's ESSENTIALS OF PHARMACOLOGY FOR HEALTH PROFESSIONS, 9th Edition, delivers "need to know" drug information in a reader-friendly format that empowers students with the confidence to master pharmacology. A bestseller, it stresses clinical application to ensure readers understand the relevancy of the material and why it's important to learn. Giving instructors ultimate flexibility, Part I offers a comprehensive review of pharmacologic principles, while Part II covers specific drug classifications and their medical uses. Chapters organize drugs by classifications and include the purpose, side effects, interactions and cautions or contraindications. Medication preparation, supplies and route of administration are thoroughly covered as well. Also available: MindTap.

Tim Burton directs this biographical drama starring Christoph Waltz and Amy Adams. The film follows the story of American artist Margaret Keane (Adams), who, in the 1960s, allowed her husband Walter (Waltz) to claim credit for her artwork, believing that a female artist could not find success through painting. The Keanes acquired huge amounts of wealth through Margaret's work and the paintings were in high demand throughout their time living together as husband and wife. However, when they later became separated, Margaret announced to the world that she was in fact the true author of the paintings, sparking a long-drawn-out legal battle between her and her estranged husband... Adams won a Golden Globe Award for her performance.

In 1666, London's citizens woke to see the skyline above their city's cramped wooden houses ablaze. The Great Fire of London is a hauntingly beautiful visual re-telling of one of the most well-known disasters in the city's history. To commemorate the 350th anniversary of the fire, powerful and sumptuous drawings from the new east London illustrator, James Weston Lewis, bring the events of November 1666 to life in this stunning gift book. Lewis's drawings take readers on a journey, from the single smouldering coal that falls out of the baker's oven to the swirling clouds of ash that engulf the city and then in to the very heart of the fire itself. As the pages turn, you can witness London burning to the ground and then rebuilding again. Children will love examining the rich detail of each spread, from the detailed city map to the drawings of London before, during and after the fire took hold. This book takes the dramatic historical information surrounding the Great Fire of London and transforms it into a breathtaking story that will transfix readers of all ages.

In the wake of what has come to be called the 'cultural turn', it is often asked how the state should respond to the different and sometimes conflicting justice claims made by its citizens and what, ultimately, is the purpose of justice in culturally diverse societies. Building upon the work of a diversity of theorists, this book demonstrates that there is a distinct 'epistemic' tradition of liberalism that can be used to critique contemporary responses to cultural diversity and their underlying principles of justice. It critically examines multicultural, nationalist and liberal egalitarian approaches and argues that an epistemic account of liberalism, that emphasises social complexity rather than cultural diversity or homogeneity, is the most appropriate response to the question of justice in modern culturally diverse societies. Epistemic Liberalism will be of interest to students and scholars of contemporary political theory and philosophy, liberal political theory and the politics of culture and identity.

How should the State respond to the different identity-based justice claims made by its citizens? To what extent should majority societies accede to the claims of immigrant groups whose values are so different to, and sometimes in conflict with, their own? Drawing on the work of economist and political theorist Friederich Hayek, the author builds a major critique of contemporary responses to cultural diversity and their underlying principles of justice. Critically examining multicultural, nationalist and liberal egalitarian approaches, the author claims that in their differing ways these schools of thought fail to recognise the proper task of cultural justice. Tebble claims one of the principal tasks of justice is to go beyond the provision of institutions that assume a particular conception of the good, or of an idealised vision of relations between different communities and the values they endorse. Instead, the book emphasises the need for strictly neutral institutions, founded upon the commitment to individual freedom and equality, that permit the discovery of what cultural justice requires. Epistemological Liberalism seeks to defend an epistemological' account of liberalism that emphasises social complexity rather than cultural diversity or homogeneity and which, it is claimed, is the most appropriate response to the challenge facing modern, culturally diverse societies. An invaluable contribution to contemporary debates about justice, this book will be of interest to students and scholars of culture and identity, contemporary political theory/philosophy and liberal political theory.

Manual flight control system design for fighter aircraft is one of the most demanding problems in automatic control. Fighter aircraft dynamics generally have highly coupled uncertain and nonlinear dynamics. Multivariable control design techniques offer a solution to this problem. Robust Multivariable Flight Control provides the background, theory and examples for full envelope manual flight control system design. It gives a versatile framework for the application of advanced multivariable control theory to aircraft control problems. Two design case studies are presented for the manual flight control of lateral/directional axes of the VISTA-F-16 test vehicle and an F-18 trust vectoring system. They demonstrate the interplay between theory and the physical features of the systems.

Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributions. Works printed in regional communities were a crucial part of developing narratives of local industrial, technological, and ideological progression. By moving away from understanding of print cultures outside of London as ‘provincial’, however, this book argues for a new understanding of ‘region’ as part of a network of places, emphasising opportunities for collaboration and creation that demonstrate the key role of regions within larger communities extending from the nation to the emerging sense of globality in this period. Through investigations of the men and women of the print trades outside of London, this collection casts new light on the strategies of self-representation evident in the work of regional print cultures, as well as their contributions to individual regional identities and national narratives.

Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributions. Works printed in regional communities were a crucial part of developing narratives of local industrial, technological, and ideological progression. By moving away from understanding of print cultures outside of London as 'provincial', however, this book argues for a new understanding of 'region' as part of a network of places, emphasising opportunities for collaboration and creation that demonstrate the key role of regions within larger communities extending from the nation to the emerging sense of globality in this period. Through investigations of the men and women of the print trades outside of London, this collection casts new light on the strategies of self-representation evident in the work of regional print cultures, as well as their contributions to individual regional identities and national narratives.

Alan Davies returns as the lateral thinking sleuth, this time investigating the disappearance of a young woman after spending the night in 'The Nightmare Room' of an old Gothic house. For 70 years, 'Metropolis' has guarded the secret of how a Harvard geneticist, Eli Mencken (Patrick Poletti), vanished after spending the night in an attic room where the malevolent spirit of a madman is said to dwell. Now, when magician Lance Gessler (Nicholas Boulton)'s beautiful young assistant Elodie (Jenna Harrison) goes missing after sheltering there from a storm, Jonathan Creek, alongside the ever sceptical Joey Ross (Sheridan Smith), sets out to solve the mystery.

Is it the central purpose of American antitrust policy to encourage decentralization of economic power? Or is it to promote "consumer welfare"? Is there a painful trade-off between market dominance and economic "efficiency"? What is the proper role of government in this area? In recent years the public policy debate on these core questions has been marked by a cacophony of divergent opinions--theorists against empiricists, apostles of the "new learning" against defenders of the traditional structure-conduct-performance paradigm, "laissez-faire" advocates against "interventionists." Utilizing a distinctively innovative format, Walter Adams and James Brock examine these issues in the context of a courtroom dialogue among a proponent of the new learning (Chicago School), a prosecuting attorney, and a U.S. district judge. In contrast to bloodless "scientific" treatises or ideologically inspired polemical tracts, this book lays bare the central arguments in the debate about free-market economics and the latent assumptions and disguised terminology on which those arguments are based. The dialogue is both gripping and entertaining--designed by the authors to be reminiscent at times of the Theater of the Absurd.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Adam Smith Goes to Moscow" is a captivating dialogue between the head of a hypothetical, formerly socialist East European country and a fervently market-minded American adviser. Their spirited give-and-take highlights the monumental political as well as economic complexities currently faced by the former Soviet bloc countries as they struggle to transform themselves into free market economies.

The Bigness Complex confronts head-on the myth that organizational giantism leads to economic efficiency and well-being in the modern age. On the contrary, it demonstrates how bigness undermines our economic productivity and progress, endangers our democratic freedoms, and exacerbates our economic problems and challenges. This new edition has a thoroughly updated variety of issues, examples, and new developments, including government bailouts of the airline industry; regulation of biotechnology; the fiasco of recent electricity deregulation; and mergers and consolidations in oil, radio, and grocery retailing. The analysis is framed in the timeless context of American distrust of concentrations of power. The authors show how both the left and the right fail to address the central problem of power in formulating their diagnoses and recommendations. The book concludes with an alternative public philosophy as a viable guidepost for public policy toward business in a free-enterprise democracy.

In 1909, young William F. Buckley Sr. (1881-1958), who grew up in the dusty South Texas town of San Diego, graduated from the University of Texas law school and headed for Mexico City. Fluent in Spanish, familiar with Mexican traditions, and soon fit to practice law south of the border, Buckley was headed up the aisle to vast wealth and cultural power. On the way, he took a front-row seat at the Mexican Revolution and played a key role in steering the nascent oil industry through tumultuous and dangerous times. This book for the first time tells the story of the man behind the family that would become nothing short of a conservative institution, reaching its apogee in the career of William F. Buckley Jr., arguably the most prominent conservative commentator of the twentieth century. Buckley witnessed the overthrow and exit of President Porfirio DIaz, the rise of Madero, and the coup of General Victoriano Huerta, all while building the Pantepec Oil Company, the most profitable small petroleum producer in Mexico. He faced down Pancho Villa, survived encounters with hired assassins, evaded snipers in the streets of Veracruz, gambled and won in many a business venture-and ultimately was expelled from the country. As the narrative follows Buckley from his small-town Texas beginnings to the founding of a family dynasty, the streak of independence and distrust of government that would become the Buckley hallmark can be seen in the making. An eventful chapter in the life and career of a singular character, this dramatic account of a man and his moment is a document of political and historical significance-but it is also a remarkable story, told with irresistible brio.