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In an era of blurred generic boundaries, multimedia storytelling,
and open-source culture, creative writing scholars stand poised to
consider the role that technology-and the creative writer's playful
engagement with technology-has occupied in the evolution of its
theory and practice. Composition, Creative Writing Studies and the
Digital Humanities is the first book to bring these three fields
together to open up new opportunities and directions for creative
writing studies. Placing the rise of Creative Writing Studies
alongside the rise of the digital humanities in
Composition/Rhetoric, Adam Koehler shows that the use of new media
and its attendant re-evaluation of fundamental assumptions in the
field stands to guide Creative Writing Studies into a new era.
Covering current developments in composition and the digital
humanities, this book re-examines established assumptions about
process, genre, authority/authorship and pedagogical practice in
the creative writing classroom.
In this story, you are the star. You wake up as just an average kid
about to have a perfectly humdrum Saturday. But then, and you'll
never see this one coming, you are flung headlong into the
adventure of a lifetime. With a powerful skeleton key that allows
you to open up any lock you come across, you set off for New York
City. But be warned, youthful reader, there will be danger at every
turn. If you've been yearning for a book soaked in the nostalgia of
kids choice-based adventure books from the '80's and early '90's,
this is it.
In these 40 colorful tales of immature monks, short-fused masters,
humiliated priests and happy-go-lucky Buddhas, author Adam Koehler
invites you to dabble in Eastern philosophy and walk the path
towards unenlightenment. The stories scattered amongst these
delicate pages of paper are delivered with a wink but not a smirk.
Never a smirk. And even though these ancient parables have been
changed beyond all recognition, there is still much to learn. Or at
least laugh and point at.
In an era of blurred generic boundaries, multimedia storytelling,
and open-source culture, creative writing scholars stand poised to
consider the role that technology-and the creative writer's playful
engagement with technology-has occupied in the evolution of its
theory and practice. Composition, Creative Writing Studies and the
Digital Humanities is the first book to bring these three fields
together to open up new opportunities and directions for creative
writing studies. Placing the rise of Creative Writing Studies
alongside the rise of the digital humanities in
Composition/Rhetoric, Adam Koehler shows that the use of new media
and its attendant re-evaluation of fundamental assumptions in the
field stands to guide Creative Writing Studies into a new era.
Covering current developments in composition and the digital
humanities, this book re-examines established assumptions about
process, genre, authority/authorship and pedagogical practice in
the creative writing classroom.
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