The Political Machine investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, Adam Smith demonstrates that beyond assemblies of people, polities are just as importantly assemblages of things-from ballots and bullets to crowns, regalia, and licenses. Smith looks at the ways that these assemblages help to forge cohesive publics, separate sovereigns from a wider social mass, and formalize governance-and he considers how these developments continue to shape politics today. Smith shows that the formation of polities is as much about the process of manufacturing assemblages as it is about disciplining subjects, and that these material objects or "machines" sustain communities, orders, and institutions. The sensibilities, senses, and sentiments connecting people to things enabled political authority during the Bronze Age and fortify political power even in the contemporary world. Smith provides a detailed account of the transformation of communities in the Caucasus, from small-scale early Bronze Age villages committed to egalitarianism, to Late Bronze Age polities predicated on radical inequality, organized violence, and a centralized apparatus of rule. From Bronze Age traditions of mortuary ritual and divination to current controversies over flag pins and Predator drones, The Political Machine sheds new light on how material goods authorize and defend political order.

The Political Machine investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, Adam Smith demonstrates that beyond assemblies of people, polities are just as importantly assemblages of things--from ballots and bullets to crowns, regalia, and licenses. Smith looks at the ways that these assemblages help to forge cohesive publics, separate sovereigns from a wider social mass, and formalize governance--and he considers how these developments continue to shape politics today. Smith shows that the formation of polities is as much about the process of manufacturing assemblages as it is about disciplining subjects, and that these material objects or "machines" sustain communities, orders, and institutions. The sensibilities, senses, and sentiments connecting people to things enabled political authority during the Bronze Age and fortify political power even in the contemporary world. Smith provides a detailed account of the transformation of communities in the Caucasus, from small-scale early Bronze Age villages committed to egalitarianism, to Late Bronze Age polities predicated on radical inequality, organized violence, and a centralized apparatus of rule. From Bronze Age traditions of mortuary ritual and divination to current controversies over flag pins and Predator drones, The Political Machine sheds new light on how material goods authorize and defend political order.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

"This highly original and challenging book defies every easy form of classification. Ostensibly about early polities, its penetrating and erudite asides extend with equal facility into contemporary politics and the symmetrical deficiencies of modernism and postmodernism. To my knowledge, imaginative reflections of spatial representations have never previously found their way into the theoretical base of what has been thought of as an essentially materialistic archaeological science. It is a pleasure and a discovery to see the permanent and rightful place Adam Smith has now fashioned for them."--Robert McC. Adams, Secretary Emeritus, The Smithsonian Institution

"If social theory in cultural anthropology was transformed in the last decades by a "linguistic turn," research by archaeologists into the development and practices of early states now seems to be undergoing a "geographic turn." Adam Smith's book, although drawing from modern currents in geography, anthropology, sociology, and political philosophy, brings original archaeological contributions to social theory by examining the making and re-making of landscapes in early complex polities (especially in Mesopotamian, Urartian, and Maya states). Smith observes these (and other) early states as "political landscapes," in which monuments come to constitute authority and shape memories. Smith's book represents a comprehensive turn from metahistorical reifications of the state to investigations of how the content of social roles was determined through the production of landscapes. The landscape of archaeology will be changed decisively by this book."--Norman Yoffee, Professor, Dept. of Near Eastern Studies and Dept. of Anthropology,University of Michigan.

"This book emerges as both a remarkable scholarly achievement and something of a manifesto for contemporary political thinking and engagement."--Susan E. Alcock, author of "Archaeologies of the Greek Past: Landscape, Monuments, and Memories