Gain Insights on Mark's Christology from Today's Leading Scholars The Gospel of Mark, widely assumed to be the earliest narrative of Jesus's life and the least explicit in terms of Christology, has long served as a worktable for the discovery of Christian origins and developing theologies. The past ten years of scholarship have seen an unprecedented shift toward an early, high Christology, the notion that very early in the history of the Jesus movement his followers worshipped him as God. Other studies have challenged this view, arguing that Mark's story is incomplete, intentionally ambiguous, or presents Jesus in entirely human terms. Christology in Mark's Gospel: Four Views brings together key voices in conversation in order to offer a clear entry point into early Christians' understanding of Jesus's identity: Sandra Huebenthal (Suspended Christology), Larry W. Hurtado (Mark's Presentation of Jesus; with rejoinder by Chris Keith), J. R. Daniel Kirk (Narrative Christology of a Suffering King), and Adam Winn (Jesus as the YHWH of Israel in the Gospel of Mark). Each author offers a robust presentation of their position, followed by lively interaction with the other contributors and one "last-word" rejoinder. The significance of this discussion is contextualized by the general editor Anthony Le Donne's introduction and summarized in the conclusion. The CriticalPoints Series offers rigorous and nuanced engagement between today's best scholars for advancing the scholarship of tomorrow. Like its older sibling, the CounterPoints Series, it provides a forum for comparison and critique of different positions, focusing on critical issues in today's Christian scholarship: in biblical studies, in theology, and in philosophy.

As Passover approaches, the city of Jerusalem is a political tinderbox. Judah, a resistance leader, plots to overthrow the Roman occupation. Eleazar and his father, the high priest Caiaphas, seek peace in the city at all costs. Pilate, the Roman governor, maneuvers to keep order (and his own hold on power). Caleb, a shopkeeper, is reluctantly caught up in the intrigue. When rumors start spreading about the popular prophet Jesus, hailed by many as the Messiah, Roman and Jewish leaders alike fear unrest and violence during the upcoming festival. Then, in the midst of this tension, unexpected alliances emerge. In Killing a Messiah, New Testament scholar Adam Winn weaves together stories of historical and fictional characters in a fresh reimagining of the events leading up to Jesus' execution. Based on what we know of the first-century context, Winn's narrative offers compelling explanations for gaps in the Gospel accounts. The social, political, and religious realities of Jesus' world come to life and shed new light on our reading of the biblical texts. In a city full of political entanglements, espionage, and competing interests, the blame for the crucifixion is complex and can't land on just a single party. It takes more than one to kill a messiah.

The Gospel of Mark has been studied from multiple angles using many methods. But often there remains a sense that something is wanting, that the full picture of Mark's Gospel lacks some background circuitry that would light up the whole. Adam Winn finds a clue in the cataclysmic destruction of Jerusalem by the Romans in AD 70. For Jews and Christians it was an apocalyptic moment. The gods of Rome seemed to have conquered the God of the Jews. Could it be that Mark wrote his Gospel in response to Roman imperial propaganda surrounding this event? Could a messiah crucified by Rome really be God's Son appointed to rule the world? Winn considers how Mark might have been read by Christians in Rome in the aftermath of the fall of Jerusalem. He introduces us to the propaganda of the Flavian emperors and excavates the Markan text for themes that address the Roman imperial setting. We discover an intriguing first-century response to the question "Christ or Caesar?"

Synopsis: In this monograph, Adam Winn proposes that the ancient Greco-Roman literary practice of imitation can and should be used when considering literary relationships between biblical texts. After identifying the imitative techniques found in Virgil's Aeneid, Winn uses those techniques as a window into Mark's use of the Elijah-Elisha narrative of 1 and 2 Kings. Through careful comparisons between numerous pericopes of both respective narratives, Winn argues that the Markan evangelist has, at many points, clearly and creatively imitated the Elijah-Elisha narrative and has relied on this narrative as a primary source. Endorsements: "Since 1971 when Raymond Brown identified the Elisha narrative as a precedent for Gospel composition, the Elijah-Elisha narrative has slowly been coming into focus as a literary model for Mark, and now, in the work of Adam Winn, the detail of that insight is coming into full view. Winn reviews research, applies literary criticism, and weighs the data meticulously. This is the moment when the search for Mark's literary sources finally begins to reach land." --Thomas L. Brodie Dominican Biblical Institute, Limerick, Ireland "Adam Winn's new book shows how the evangelist Mark drew upon the Elijah-Elisha narratives of 1-2 Kings. Winn works in a field where others have labored, but he has taken care to avoid the pitfalls that have discredited previous attempts. Winn offers readers a fresh examination of Mark's composition and the contribution that Israel's old and respected Elijah-Elisha narratives exerted on it. Students of Mark (and the other Gospels) must engage Winn's work." --Craig A. Evans Acadia Divinity College, Nova Scotia, Canada Author Biography: Adam Winn serves as an adjunct professor at Azusa Pacific University and the University of Mary Hardin-Baylor. He is the author of The Purpose of Mark's Gospel: An Early Christian Response to Roman Imperial Propaganda (2008).