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SUNDAY TIMES BESTSELLER 'The story of a band that's always on the
brink: of stardom, of madness, of brilliance, of disgrace' Miranda
Sawyer, Observer 'You begin to wonder why more biographies aren't
tackled with such invention' Record Collector 'This book is a
rarity' Mark Lanegan 'One of the finest music books in aeons' Kevin
Barry From the mountains of Algeria to the squats of South London
via sectarian Northern Ireland, Ten Thousand Apologies is the
sordid and thrilling story of the country's most notorious cult
band, Fat White Family. Loved and loathed in equal measure since
their formation in 2011, the relentlessly provocative, stunningly
dysfunctional "drug band with a rock problem" have dedicated
themselves to constant chaos and total creative freedom at all
costs. Like a tragicomic penny dreadful dreamed up by a mutant
hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat
Whites' story is a frequently jaw-dropping epic of creative
insurrection, narcotic excess, mental illness, wanderlust,
self-sabotage, fractured masculinity, and the ruthless pursuit of
absolute art. Co-written with lucidity and humour by singer Lias
Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies
is that rare thing: a music book that barely features any music, a
biography as literary as any novel, and a confessional that does
not seek forgiveness. This is the definitive account of Fat White
Family's disgraceful and radiant jihad - a depraved, romantic and
furious gesture of refusal to a sanitised era.
Winner of the Whitbread Best First Novel of the Year
In his classic debut novel, Gordon Burn takes Britain's biggest selling vocalist of the 1950s and turns her story into an equation of celebrity and murder. Fictional characters jostle for space with real life stars - from John Lennon to Doris Day and Sammy Davis Jnr - as Burn, in a breathtaking act of appropriation, reinvents the popular culture of the post-war years. As beautifully written as it is disturbing, Alma Cogan remains a stingingly relevant exploration of the sad, dark underside of fame.
Includes a new introduction by Adelle Stripe.
Writing is the hardest thing I've done. It's a grind. You see me up
here and you think I've made it. But it's not all it's cracked up
to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer
of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling
with her latest work. Her aching head is full of voices, stories
from her past which have to be heard... A bittersweet tale of the
north/south divide, it reveals how a shy teenage girl defied the
circumstances into which she was born and went on to become one of
her generation's greatest dramatists. Adelle Stripe's 'outstanding
debut novel' of Andrea Dunbar's life is adapted for the stage by
Lisa Holdsworth. This edition was published to coincide with the
stage premiere at the Ambassador Theatre, Bradford in May 2019.
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