SUNDAY TIMES BESTSELLER 'The story of a band that's always on the brink: of stardom, of madness, of brilliance, of disgrace' Miranda Sawyer, Observer 'You begin to wonder why more biographies aren't tackled with such invention' Record Collector 'This book is a rarity' Mark Lanegan 'One of the finest music books in aeons' Kevin Barry From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.

Winner of the Whitbread Best First Novel of the Year

In his classic debut novel, Gordon Burn takes Britain's biggest selling vocalist of the 1950s and turns her story into an equation of celebrity and murder. Fictional characters jostle for space with real life stars - from John Lennon to Doris Day and Sammy Davis Jnr - as Burn, in a breathtaking act of appropriation, reinvents the popular culture of the post-war years. As beautifully written as it is disturbing, Alma Cogan remains a stingingly relevant exploration of the sad, dark underside of fame.

Includes a new introduction by Adelle Stripe.

SHORTLISTED FOR THE PORTICO PRIZE SHORTLISTED FOR THE GORDON BURN PRIZE 'A beautiful period piece of 1980s Britain, as funny and sad as anything by Dunbar herself' Alex Preston, Observer (Books of the Year) 'An outstanding debut novel' Yorkshire Post 'It fizzes like two Disprin in a pint of cider . . . You can read it in an afternoon and should; there are too few British novels as effervescent or as relevant as this' Andy Miller, Spectator Best known for her classic black comedy Rita, Sue and Bob Too, Andrea Dunbar wrote three plays before dying at a tragically young age. This new literary portrayal features a cast of real and imagined characters set against the backdrop of the infamous Buttershaw estate during the Thatcher era. A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists. Black Teeth and a Brilliant Smile is a poignant piece of kitchen sink noir that tells Dunbar's compelling story in print for the very first time. Adelle Stripe's writing has been described as having 'an abundance of life, from the casually joyful to the casually harrowing, but always profoundly empathetic'. Black Teeth and a Brilliant Smile is her keenly anticipated debut novel.

Writing is the hardest thing I've done. It's a grind. You see me up here and you think I've made it. But it's not all it's cracked up to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling with her latest work. Her aching head is full of voices, stories from her past which have to be heard... A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists. Adelle Stripe's 'outstanding debut novel' of Andrea Dunbar's life is adapted for the stage by Lisa Holdsworth. This edition was published to coincide with the stage premiere at the Ambassador Theatre, Bradford in May 2019.