What would you say if I told you there is a book that tells you where magic comes from? What would you say if I told you that this book also tells the story of a mysterious island, the Isle of Mist, home to lumbering giants and flitting fairies? What would you say if I told you this Isle were real? That you can go there and visit all the places the book mentions and maybe discover the secrets of the Isle of Mist for yourself. That is exactly what apprentice conservator Wally Gobbet does after finding a forgotten medieval manuscript in the basement of the British Library. It leads him on an adventure to the Otherworld. On the way he battles the agents of a sinister organization called "The Order," as well as dragons and hobgoblins. This is a story with depth that draws on the history and culture of a real place, as well as the ancient Celtic and Norse mythologies.

Making Population Geography is a lively account of the intellectual history of population geography, arguing that, while population geography may drift in and out of fashion, it must continue to supplement its demographic approach with a renewed emphasis on cultural and political accounts of compelling population topics, such as HIV-AIDS, sex trafficking, teen pregnancy, citizenship and global ageing, in order for it to shed light on contemporary society. Making Population Geography draws both on the writings of those like Wilbur Zelinsky and Pat Gober who were at the very epicentre of spatial science in the 1960s and those like Michael Brown and Yvonne Underhill-Sem whose post-punk introspections of method, content and purpose, now push the field in new directions. Using a wide range of case studies, contemporary examples and current research, the book links the rise and fall of the key concepts in population geography to the changing social and economic context and to geographys turn towards social theory. Referencing the authors classroom experiences both in the US and the UK, Making Population Geography will appeal to students studying geography, population issues and the development of critical scholarship.

'This book shows how science, and particularly Darwinism, affects Christian faith. It runs contrary to much popular Christian writing by showing that they are not natural bedfellows. Christianity needs to be re-thought, almost from scratch.' Firstly it sets out the overwhelming case for evolution. Then concepts such as creation, the fall, original sin, atonement, the second coming and a God who answers prayer are all re-examined in the light of Darwinism. Contemporary ethical issues, such as genetic modification, climate change and homosexuality then come under the spotlight. Finally it shows how the practice of Christian faith, e.g. worship and evangelism, need to change. The book ends on a note of hope.

Dorothy Hartley (1893 - 1985) is an author revered by enthusiasts for old English food and cookery and English country life. Her many books on these subjects, often illustrated with her own drawings, are collectors' items. Her greatest book, Food in England, has remained in print since its first appearance in 1954. During 1933 - 1936, she was commissioned by the Daily Sketch newspaper to write articles describing the English countryside, old English crafts and customs, country foods and country ways (with the odd excursion to Wales, Scotland and Ireand). She did her research in the British Museum (she had by then written several books of social history) and on the ground, travelling around the country on her sturdy bicycle, staying with her subjects or under hedges. These articles were to form her knowledge-bank which she used in several books that came out during the 1930s and beyond (particularly Here's England, 1935), but they have never been seen as they were first written. We offer a selection, with a foreword by Lucy Worsley (who is presenting the BBC TV documentary on Hartley to be transmitted this autumn) and introduced by the writer Adrian Bailey (who befriended Dorothy Hartley in her later life). The 60 articles are illustrated with some of Hartley's own snapshots which she kept as notes for future reference. The subjects range widely on matters as various as thatching, clog-making, eels, the country chemist, marram grass, sand shoes, crabs, sheep shearing, spring-cleaning, country kitchens, ploughing, weather lore, and elevenses. It will be classic.

Making Population Geography is a lively account of the intellectual history of population geography, arguing that, while population geography may drift in and out of fashion, it must continue to supplement its demographic approach with a renewed emphasis on cultural and political accounts of compelling population topics, such as HIV-AIDS, sex trafficking, teen pregnancy, citizenship and global ageing, in order for it to shed light on contemporary society. Making Population Geography draws both on the writings of those like Wilbur Zelinsky and Pat Gober who were at the very epicentre of spatial science in the 1960s and those like Michael Brown and Yvonne Underhill-Sem whose post-punk introspections of method, content and purpose, now push the field in new directions. Using a wide range of case studies, contemporary examples and current research, the book links the rise and fall of the key concepts in population geography to the changing social and economic context and to geographys turn towards social theory. Referencing the authors classroom experiences both in the US and the UK, Making Population Geography will appeal to students studying geography, population issues and the development of critical scholarship.