Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media and text. These multiple occurrences and iterations offer new critical possibilities for thinking and writing the histories of performance. Among the artists, theorists and historians who contributed to this volume are Marina Abramovic, Guillermo Gomez-Pena, Rebecca Schneider, Boris Groys, Jane Blocker, Carolee Schneemann, Tehching Hsieh, Orlan, Tilda Swinton and Jean-Luc Nancy.

Live, or performance, art is one of the most controversial and hotly discussed areas of art practice to emerge in the second half of the twentieth century. The history of live art is one of challenge to audiences, art traditions and cultural values. With elements of performance now part of the practice of many of today's best-known artists, and boundaries between visual art, theatre and live art more and more blurred, this collection is long overdue. Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere. Hugo Glendinning's stunning colour photographs of performance events are combined with numerous essays examining the political, philosophical and cultural resonances of the work of a diverse range of international live artists, both historical and contemporary. Accessible, critically astute and expansive, Live is an indispensable resource for all those with an interest in some of the most vibrant and contested issues in art today.

Now in paperback, an updated edition of a visually stunning documentary record and critical account of Tehching Hsieh's epic performance works. In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made a series of extraordinary performance art works. Between September 1978 and July 1986, Hsieh realized five separate one-year-long performance pieces in which he conformed to simple but highly restrictive rules throughout each entire year. Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a sealed cell to a year in which he punched a worker's time clock in his studio every hour on the hour to a year spent living without shelter in Manhattan to a year in which he was tied by an eight-foot rope to the artist Linda Montano and finally to a year of total abstention from all art activities and influences. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly. When this "final" lifework-an immense act of self-affirmation and self-erasure-came to a close at the turn of the millennium, he tersely and enigmatically said that during this time he had simply kept himself alive. After years of near-invisibility, Hsieh collaborated with the British writer and curator Adrian Heathfield to create this meticulous and visually arresting documentary record of the complete body of Tehching Hsieh's performance projects from 1978 to 1999. This milestone volume is now available again, in a paperback edition featuring the full text and all the illustrations in the hardcover, with an updated list of Hsieh's exhibitions. Copublished with the Live Art Development Agency, London.

Ally brings together three artist personalities who are all outstanding in their fields: the sculptor and photographer Janine Antoni and the dancers and choreographers Anna Halprin and Stephen Petronio. Together they created a series of works - sculptures and installations as well as film and performance artworks - which the volume reproduces in impressive photographs. When invited to create a retrospective of her sculptural works, t he artist Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement. Together with the choreographers Anna Halprin and Stephen Petronio she created unique perfomance artworks whose main focus lies on corporeality. It reveals the enormous potential that lies in the combination of sculpture and dance. Critical essays by writers and art theorists accompany the encounter between artists from different generations and genres and show how they have created together a new pictorial lan guages.