Groundhog Day meets Ling Ma's Severance in this "brilliant" (PopSugar) and "exhilarating" (The Millions) comedic novel about two young women trying to save their friendship as the world collapses around them. Bertie and Kate have been best friends since high school. Bertie is a semi-failed cartoonist, working for a prominent Silicon Valley tech firm. Her job depresses her, but not as much as the fact that Kate has recently decided to move from San Francisco to Los Angeles. When Bertie's attempts to make Kate stay fail, she suggests the next best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. The vacation is also a sort of last hurrah, coming during the ceasefire in a series of escalating world conflicts. One night in Paris, they meet a strange man in a bar who offers them a private tour of the Louvre. The women find themselves alone in the museum, where nothing is quite as it seems. Caught up in a day that keeps repeating itself, Bertie and Kate are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. In order to make her way back to Kate, Bertie has to figure out how much control she has over her future--and her past--and how to survive in an apocalypse when the world keeps refusing to end.

When Lulu was a child, her grandmother Ada filled her head with fables of the family's enchanted history in the Polish countryside. Each mother in their family has been given a daughter but each daughter has exacted an essential cost from her mother. Adrienne Celt infuses The Daughters with the spirit of the rusalka, a bewitching figure of Polish mythology that inspired Dvorak's classic opera. A tapestry of secrets, affairs and unimaginable sacrifices, it reveals a family legacy laced with the resonant ancestral lore that binds each mother to the one who came before.

'At once a gripping psychological thriller and a finely crafted work of literature ... An exhibition of stylistic virtuosity, a pyrotechnic display of fine writing' Financial Times

'Part psychological thriller and part literary puzzle' Grazia

Zoya Andropova, a young Russian refugee, finds herself in an elite New Jersey boarding school. Having lost her family, her home and her sense of purpose, Zoya struggles to belong, a task made more difficult by her new country's paranoia about Soviet spies.

When she meets charismatic fellow Russian émigré Leo Orlov - whose books Zoya has obsessed over for years - everything seems to change. But she soon discovers that Leo is bound by the sinister orchestrations of his brilliant wife, Vera, and that their relationship is far more complex than Zoya could ever have imagined.

Lulu can't sing. Since the traumatic birth of her daughter, the internationally renowned soprano hasn't dared utter a note. She's afraid that her body is too fragile and that she may have lost her talent to a long-dreaded curse afflicting all of the mothers in her family. When Lulu was a child, her strong-willed grandmother Ada filled her head with fables of the family's enchanted history in the Polish countryside. A fantastical lore took hold-an incantatory mix of young love, desperate hope, and one sinister bargain that altered the family's history forever. Since that fateful pact, Ada tells Lulu, each mother in their family has been given a daughter, but each daughter has exacted an essential cost from her mother. Ada was the first to recognize young Lulu's transcendent talent, spotting it early on in their cramped Chicago apartment, then watching her granddaughter ascend to dizzying heights in packed international concert halls. But as the curse predicted, Lulu's mother, a sultry and elusive jazz singer, disappeared into her bitterness in the face of Lulu's superior talent-before disappearing from her family's life altogether. Now, in the early days of her own daughter's life, Lulu now finds herself weighing her overwhelming love for her child against the burden of her family's past. In incandescent prose, debut novelist Adrienne Celt skillfully intertwines the sensuous but precise physicality of both motherhood and music. She infuses The Daughters with the spirit of the rusalka, a bewitching figure of Polish mythology that inspired Dvorak's classic opera. The result is a tapestry of secrets, affairs, and unimaginable sacrifices, revealing a family legacy laced with brilliance, tragedy, and most mysterious and seductive of all-the resonant ancestral lore that binds each mother to the one that came before.