Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric in his distinctive alliterative prose, portrays an array of saints-including virgin martyrs, married virgins, aristocrats, kings, soldiers, and bishops-for a late Anglo-Saxon audience. At a turbulent time when England was under increasingly severe Viking attack, the examples of these saints modeled courageous faith, self-sacrifice, and individual and collective resistance. The Lives also covers topics as diverse as the four kinds of war, the three orders of society, and whether the unjust can be exempt from eternal punishment. Aelfric intended this series to complement his Catholic Homilies, two important and widely disseminated collections used for preaching to lay people and clergy. The translation is presented alongside a new edition of Lives of Saints, for which all extant manuscripts have been collated afresh.

This book is the first of 3 volumes about the Armanen tradition containing the best and most significant teachings, practices and rituals of the Armanen masters Guido von List, F. B. Marby, R. J. Gorsleben, S. A. Kummer and others, including material which has not previously been translated into English. Avery explains many aspects of the Armanen beliefs and practices which have not been made clear until now and also works toward the continued development of Armanism to its natural conclusions. Avery relates the esoteric significance of the Black Sun and its place in Armanism. Avery also compares Armanism to modern heathenry and presents the Armanen tradition in a practical format for modern heathens, with rituals in modern English, German and Old Norse. Volume I contains the background and beliefs of the Armanen masters. Volume II covers the exercises of the Armanen masters and the complete curriculum of the Gothic Armanen Gild. Volume III contains Armanen rituals from the early 20th century to the present.

Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric in his distinctive alliterative prose, portrays an array of saints-including virgin martyrs, married virgins, aristocrats, kings, soldiers, and bishops-for a late Anglo-Saxon audience. At a turbulent time when England was under increasingly severe Viking attack, the examples of these saints modeled courageous faith, self-sacrifice, and individual and collective resistance. The Lives also covers topics as diverse as the four kinds of war, the three orders of society, and whether the unjust can be exempt from eternal punishment. Aelfric intended this series to complement his Catholic Homilies, two important and widely disseminated collections used for preaching to lay people and clergy. The translation is presented alongside a new edition of Lives of Saints, for which all extant manuscripts have been collated afresh.

Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric in his distinctive alliterative prose, portrays an array of saints-including virgin martyrs, married virgins, aristocrats, kings, soldiers, and bishops-for a late Anglo-Saxon audience. At a turbulent time when England was under increasingly severe Viking attack, the examples of these saints modeled courageous faith, self-sacrifice, and individual and collective resistance. The Lives also covers topics as diverse as the four kinds of war, the three orders of society, and whether the unjust can be exempt from eternal punishment. Aelfric intended this series to complement his Catholic Homilies, two important and widely disseminated collections used for preaching to lay people and clergy. The translation is presented alongside a new edition of Lives of Saints, for which all extant manuscripts have been collated afresh.