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After receiving an ultimatum from Apollo, Orestes must decide if
he'd rather face the wrath of the gods, or the earthly consequences
for his actions When Orestes returns home to Agos after hearing of
his father's death, he has a quest and a secret. Since he had been
banished from the kingdom by his mother when he was young, he must
pay respects to King Agamemnon in disguise. At the grave site he is
reunited with his sister, Electra. Both scorned by Clytemnestra,
the siblings share in their hatred of their mother and Orestes
confides in Electra about his plot. When explains the Oracle of
Apollo sent him to get vengeance for Agamemnon's murder, Electra
agrees to help kill Clytemnestra and her lover, Aigisthos. Together
they pray to their father, Agamemnon, asking his spirit to assist
in getting revenge of his murder. Though Orestes received a
blessing from the God Apollo, he must face many obstacles in order
to achieve his plot. First, to be accepted in the palace, he must
convince Clytemnestra and Aigisthos that he is just a traveler. He
protects his identity pretending to be just a traveler and tricks
Clytemnestra into believing that her banished son has died. Still,
even as his plot slowly comes to fruition, Orestes must consider
the emotional and moral toll of murder, and which harbinger of
karma might decide to punish him. With high stakes and rich drama,
The Libation Bearers follows a family cursed with the quest and
thirst for vengeance, falling into an unforgiving cycle of
bloodshed. As the second installment of Aeschylus' famed Oresteian
trilogy, The Libation Bearers acts as both a stand-alone piece and
a participant in the only surviving Greek trilogy. With complex
characters and thrilling drama, Aeschylus' The Libation Bearers
remains to be remarkable and intriguing to a modern audience. This
addition of The Libation Bearers by the famed Greek playwright
Aeschylus is now presented with an eye-catching new cover design
and is printed in a modern font. With these accommodations, The
Libation bearers is accessible to a contemporary audience.
In The Eumenides, the final part of The Oresteian trilogy, Orestes
must face the consequences of his revenge plot. After killing
Clytemnestra he flees from Agos and seeks refuge in Delphi inside a
temple of Apollo. However, Furies, deities of justice, follow him
in an attempt to punish Orestes for his misdeed. While he is in the
temple, the God Apollo protects him and subdues the Furies with a
sleep spell lasting long enough for Orestes to escape them again.
Orestes seeks further help from the gods, begging for their
interference. Under the protection of Hermes, Orestes travels to
Athens. He is haunted by his mother's ghost, who encourages the
Furies to continue to hunt her son and torment him as punishment
for her death. When the Furies find Orestes in Athens, he prays to
Goddess Athena to help him. As the Goddess of Justice, Athena
appears and holds a trial for Orestes which she presides over. An
epic murder trial unfolds with Orestes as the defendent and the
Furies advocating for late Clytemnestra. Apollo comes to his aid
once more and testifies before a jury of Athenians making a plea
for why Orestes was right to avenge King Agamemnon. If the jury
finds Orestes guilty he will be tormented for an eternity by the
Furies, but if they acquit him, Orestes can return home to Agos as
the rightful heir to the throne.The Eumenides is the final part of
the highly esteemed Grecian trilogy, The Oresteia. Written by the
father of tragedy, Aeschlyus, The Eumenides is an entertaining and
enthralling work of literature as well as a vital piece of history,
as it is one of the few works that were recovered from Aeschylus.
With heart-pounding drama and emotion-driven prose, The Eumenides
promotes a message of mercy over wrath and depicts complex
characterizations of popular Greek gods, satisfying even modern
readers. This edition of The Eumenides by the legendary Greek
playwright Aeschylus features an eye-catching cover design and is
printed in a modern font to cater to contemporary audiences.
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