This book investigates the construction of identity and the precarity of the self in the work of the Calvinist Fulke Greville (1554-1628) and the Jesuit Robert Southwell (1561-1595). For the first time, a collection of original essays unites them with the aim to explore their literary production. The essays collected here define these authors' efforts to forge themselves as literary, religious, and political subjects amid a shifting politico-religious landscape. They highlight the authors' criticism of the court and underscore similarities and differences in thought, themes, and style. Altogether, the essays in this volume demonstrate the developments in cosmology, theology, literary conventions, political ideas, and religious dogmas, and trace their influence in the oeuvre of Greville and Southwell.

This book investigates the construction of identity and the precarity of the self in the work of the Calvinist Fulke Greville (1554-1628) and the Jesuit Robert Southwell (1561-1595). For the first time, a collection of original essays unites them with the aim to explore their literary production. The essays collected here define these authors' efforts to forge themselves as literary, religious, and political subjects amid a shifting politico-religious landscape. They highlight the authors' criticism of the court and underscore similarities and differences in thought, themes, and style. Altogether, the essays in this volume demonstrate the developments in cosmology, theology, literary conventions, political ideas, and religious dogmas, and trace their influence in the oeuvre of Greville and Southwell.

The monograph reads Sir Henry Rider Haggard's historical romance Cleopatra (1889) with the aim to delineate the last decade of the Victorian period, shed light on the attempt to forge identity, and demonstrate the author's preoccupation with the concept of coincidentia oppositorum as the basic principle of life, death, and regeneration. Through the mythic figure of Cleopatra, the simulacrum of the goddess Isis, the writer underscores that death can be defeated and immortality attained. By simulating ancient Egypt, submerging in the unconscious, withdrawing from the ephemeral world and espousing the spiritual, he came to terms with his fear of mortality, rejuvenated his self, and redeemed his soul. In perusing the three papyri, discovered in the hero's sarcophagus, the reader traces the progress from the Ptolemaic degenerate court to that of Isis.