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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
In the last half of 1509 and the first months of 1510, Cornelius Agrippa, known in his day as a Magician, gathered together all the Mystic lore he had obtained by the energy and ardor of youth and compiled it into the elaborate system of Magic, in three books, known as Occult Philosophy, the first book of which-Natural Magic-constitutes the present volume. Partial List of Contents: Natural Magic; What Magic Is; Four Elements; Three-fold Consideration of Elements; Kinds of Compounds; Occult Virtues of Things; Of the Spirit of the World; How Inferior Things are Subjected to Superior Bodies; What Things are Lunary; What Things are under the power of: Saturn, Jupiter, Mars, Venus, Mercury; What Things are Under the Signs; Of the Union of Mixed Things; Of Bindings; Of Sorceries; Of Perfumes or Suffumigations; Magical Rings; Of Light Colors; Of Divination; Of divers certain Animals; Of Geomancy; Of the Reviving of the Dead; Of Divination by Dreams; Of Madness; Passions of the Mind; Of Speech; Of many Words joined together; Virtue of Writing. (Note: this is the same book as The Philosphy of Natural Magic only it was originally published under both names.)
THE PHILOSOPHY OF NATURAL MAGIC By HENRY CORNELIUS AGRIPPA VON NETTESHEIM COUNSELOR TO CHARLES THE FIFTH, EMPEROR OF GERMANY, AND JUDGE OF THE PREROGATIVE COURT OFFICIAL EDITION A COMPLETE WORK ON Natural Magic, White Magic, Black Magic, Divination, Occult Binding, Sorceries, And Their Power. Unctions, Love Medicines And Their Virtues. The Occult Virtue Of Things Which Are In Them Only In Their Life Time, And Such As Remain In Them Even After Their Death. The Occult Or Magical Virtue Of All Things, etc.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Of Geomancy, Magical Elements, Astrological Geomancy, the Nature of Spirits, Magic of the Ancients. Contents: Commendatory Poems; Of Geomancy; Of Occult Philosophy, or Of Magical Ceremonies: The Fourth Book, Henry Cornelius Agrippa; Heptameron: or, Magical Elements, Peter de Abano; Isagoge: An Introductory Discourse on the Nature of such Spirits as are exercised in the Sublunary Bounds; their Original, Names, Offices, Illusions, Posers, Prophecies, Miracles; and how they may be Expelled and Driven away, Georg Pictorius Villinganus; Of Astronimical Geomancy, Gerard Ceremonensis; Of the Magick of the Ancients, Arbatel.
Nichts fur Zauberlehrlinge und moderne Esoteriker. Dieses Buchlein ist eines der wenigen echten Zauberbucher des Mittelalters, die platonisches und hermetisches Wissen in die Gegenwart der Renaissance beforderten. Heinrich Cornelius Agrippa von Nettesheim entsprang einem verarmten Rittergeschlecht und wurde 1486 in Koln geboren. Nach einer Ausbildung in Jurispundenz und dem Selbststudium in Latein, Astrologie, Geometrie, Kabbala und der Hermetik trat er einer franzosischen Geheimgesellschaft bei unter deren Anleitung er geheimes Wissen der Antike erlernte. Es war dieses Wissen bzw. ein Teil davon, das er in mehreren okkulten Buchern zusammen fasste. Die hiermit vorliegenden "Magischen Werke" sind wohl seine bekanntesten Schopfungen. Das erste Bandchen der Magischen Werke liegt hier in unveranderter Form eines Druckes aus dem Jahre 1855 vor. Nichts wurde verandert, nichts wurde hinzugefugt oder weggelassen. Es mag in dieser Form nicht so einfach lesbar sein wie moderne Fassungen, doch sollte es dem Adepten nicht um ein besonders schnelles, sondern um besonders grundliches Studium gehen.
Agrippa von Nettesheim: Ungewissheit und Eitelkeit aller Kunste und Wissenschaften Edition Holzinger. Taschenbuch Berliner Ausgabe, 2013, 2. Auflage Vollstandiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Erstdruck: Antwerpen 1530. Erste deutsche Ubersetzung von einem Anonymus: Ulm 1534. Der Text folgt Fritz Mauthners Bearbeitung einer ebenfalls anonymen Ubersetzung, die 1713 in Koln erschien. Textgrundlage sind die Ausgaben: Agrippa von Nettesheim: Die Eitelkeit und Unsicherheit der Wissenschaften und die Verteidigungsschrift. Herausgegeben von Fritz Mauthner, Bd. 1 und 2, Munchen: Georg Muller, 1913 (Bibliothek der Philosophen, Bd. 5 und 8). Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus Minion Pro, 10 pt.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT088535Londra: per Alessandro Grant, 1776. 108p.; 8
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