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The interaction of the arts in public discourse features in all the
interviews in the book, and they provide practicable models to
theatre workers interested in applying their art toward a notion of
the common good, and to those in political life interested in
enlisting the theatre's close collaboration in the challenge of
governing. Through the models of experience they advance, the
interviewees emerge as independent and creative practitioners of
feminism, both inside and outside the theatre.
"Public Selves, Political Stages" consists of 19 interviews with
Icelandic women in theatre, politics, or both. In Iceland, there is
a greater overlapping between politics and the arts than is typical
of larger nations, giving theatre considerable prominence, while
lending political life much of the immediacy of the theatre, even
in the age of video.
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